Smartphones have come a long way since the old Nokia 2200 with an LCD screen that the only game on the phone was “snake”.
The latest smartphones on the market today have changed the way we shoot photos and videos. When it comes to smartphones, the cameras on the iPhones today in the market are producing 4K quality videos that almost rival the mirrorless filmmaking cameras out there.
The only problem with the iPhone filmmaking and other smartphone filmmaking is the options available for creating a depth of field that many 4K DSLRs with the options of adding anamorphic lenses to them.
But what if I told you that there are options available to you that can help create a cinematic masterpiece that almost rivals a DSLR camera.
Well, the market is now starting to produce a product to appease the demand of the filmmaker who doesn’t want to lug around a camera bag with a DSLR and multiple lenses.
Now is the time for the filmmaker who wants to push his/her photographic and cinematographic skills even further with some of the Best iPhone lenses for shooting a film.
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Best iPhone Lenses For Shooting Great Videos
I know many DOP’s out there will still argue with me that shooting a film on a iPhone is child‘s play. I understand that many of the filmmaking cameras on film sets today are heads and shoulders above the smartphones out there in terms of quality, but things are changing, and I like the change that is coming.
With some the great filmmakers in the industry today shooting feature films with smartphones, there is no excuse anymore for an amateur to grab a smartphone and start filming.
The list below is the best iPhone camera lenses for shooting a film that can be found on the internet right now. Therefore without further ado, let’s begin.
By the way, the trailer below was directed by Steven Soderbergh which was filmed with an iPhone 7.
The anamorphic lens is the holy grail of filmmaking. Sweet horizontal flares and that widescreen, letterboxes look.
The Moment Anamorphic Lens 1.33x design brings the organic look and character of 2:40:1. It’s like shooting a wider focal length in the horizontal direction and a longer focal length in the vertical. Works with the Moment Pro Camera App to de-squeeze the image when shooting video and photos.
The Moment Anamorphic Lens has been called the best mobile Anamorphic lens on the market by filmmakers like Peter McKinnon.
The great thing about the Moment Anamorphic Lens is that it works with the latest Apple, Google, Samsung, and OnePlus devices.
All you have to do is mounts the Moment Anamorphic Lens over either lens on dual lens phones enabling nearly limitless creativity.
Moondog Labs 1.33x Anamorphic Adapter Lens
Until recently, anamorphic capture was available only to professionals with tens of thousands of dollars to spend on lenses.
In 2014, Moondog Labs recognized the opportunity created by improvements in mobile device cameras, and created the first affordable anamorphic lens. We brought this high-end, organic cinema look to all filmmakers and photographers – because all filmmakers deserve great glass.
he Moondog Labs 1.33x Anamorphic Adapter Lens lets you shoot 2.4:1 aspect ratio video and panoramic 16:9 still images on most iPhones. By using a lens, you can keep your device’s full resolution while changing the aspect ratio, with only simple de-squeezing required in post-production. It’s made from anodized aluminum and glass and comes with a microfiber storage bag, an orange plastic front lens cap, and a threaded aluminum rear cap.
Note: Please note that while this is compatible with all iPhone models, it is not recommended for the XR, XS, and XS Max, as it has a slightly more narrow aperture that may cause some softness when used with lenses that have a wider field of view.
olloclip Mobile Photography Box Set
The olloclip Mobile Photography Box Set is great for the filmmaker that doesn’t want to limit the photo capabilities of the iPhone. For filmmaking the Super-Wide Essential Lens that is included in the set offers a wider field of view to enhance your iPhone camera’s perspective.
- For the iPhone X
- Super-Wide Lens Creates Dramatic Shots
- Macro Lens Create Extreme Close-Ups
- Fisheye Lens Creates 180° Perspective
- Multi-Element Coated Glass Optics
- Aligns with Front- & Rear-Facing Cameras
- Lenses Align with No Extra Parts Needed
- Pendant Stand Opens into a Tripod
Looking for an additional accessory to add to the cinematic quality of your videos? Adding a cellphone stabilizer will make a huge difference. Check out this article on The Best Cellphone Stabilizers For Filmmaking
Kapkur Anamorphic Lens 2.0 HD 4K 1.33X
KAPKUR mobile phone lens can help smartphone photographers get more professional photos.
1.33X Anamorphic Adapter is designed for serious for iPhone filmmakers and photographers who want to create compelling, professional-looking films and photos.
Designed to work flawlessly with the for iPhone Dual Camera and Single Camera.
The precision anodized aluminum and all glass adapter enable wide format imaging with organic flares and distortions like Hollywood feature films, preserving the full resolution of your for iPhone camera while creating 2.4:1 aspect ratio video and panoramic 16:9 still images.
So, how does the lens look? The clarity is wonderful & the lens flares are amazing. Very well built and very easy to use. The case is thin however so don’t look for phone protection, it’s just for mounting the lens.
AUKEY Ora iPhone Camera Lens
A basic smartphone lens kit, the Aukey includes a wide-angle lens with a 140-degree view and a 10x macro lens for close-ups. Both are constructed from sturdy aluminum alloy and are coated to help prevent lens flare and other anomalies.
For the price, it’s a good value for those who want to keep things simple but have some flexibility with their smartphone shots.
- Ora 2-in-1 Lens Set includes a 120° Wide Angle Lens + a 15x Macro Lens – Ideal for a variety of photography scenarios.
- Macro Lens gets you 15x closer to your subject for extremely detailed close-ups textures and objects (Position lens 0.4″ – 1″ from the subject to get clearer pictures).
- For better performance and fit, try removing any phone case
- Wide Angle Lens opens up your field of view for breathtaking landscape photos or wide format selfies, (Includes the combination of two lenses: screw the wide-angle attachment to the macro lens to get super-clear 120° wide-angle lens view).
- Compatible with 52mm lens filter. Good for shots of the sky and bodies of water
- Each lens is crafted with aluminum alloy and multi-element coated glass to minimize reflections and lens glare.
- Detachable soft rubber clip is easy to adjust and won’t leave any scratches or marks on your devices
SANDMARC Wide Lens for iPhone X
Take a step back with the SANDMARC Wide Lens for iPhone X. This 16mm lens offers twice as wide a field of view as the standard lens on your device, enabling you to capture wider landscapes, group photos, and more. The lens is multi-coated for improved optical performance and attaches to your iPhone X with a specially-made ultra-thin case or to a wide variety of devices using the included clip.
- Compatibility With Case: iPhone X With Clip: iPhone 6/6s/7/8/6 Plus/6s Plus/7 Plus/8 Plus/ X
- Focal Length (35mm Equivalent) 16mm
- Magnification 0.56X
- Dimensions Lens: 1.7 x 1.7 x 1.0″ (42.0 x 42.0 x 24.2 mm)
James Cameron once said about filmmaking is “Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you‘re a director. Everything after that you‘re just negotiating your budget and your fee.”
So why worry about what type of equipment you use to shoot a movie because James Cameron knows a thing or two about movies. If you are going to use your smartphone to shoot your vision, using these iPhone lenses for shooting a great film is a great start.
All I want in return is a simple thanks when you win your Oscar.
Side Note: This film was shot for a holiday-themed 48-hr film festival. I shot this on my iPhone 7 with no lens. I am kicking myself for not purchasing a lens beforehand. Also, all the cast was the crew because all my actors didn’t show up that day for the shoot. We still won audience favorite for the festival for a bunch of untrained actors.
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