Unlock Your Vision: Mastering Cinematic Filming in Small Spaces
The Myth of Limitations: Why Small Spaces Spark Creativity
Picture this: 12 Angry Men (1957), a film set almost entirely in a cramped jury room, yet brimming with tension, movement, and visual dynamism. Or Buried (2010), where Ryan Reynolds spends 90 minutes trapped in a coffin—yet the cinematography never feels stagnant. These films prove that spatial constraints aren’t roadblocks; they’re catalysts for innovation.
Many filmmakers assume tight quarters mean compromised visuals, but history shows the opposite. Small spaces force intentionality—every frame, angle, and lighting choice must serve the story. The result? Often, more creative solutions than a sprawling set could inspire.
War Story: When I shot my short film “Going Home,” we’d secured a spacious airport restroom—until show day, when we were suddenly relocated to a cubicle smaller than a bathroom stall. Imagine fitting a crew, gear, and lighting into that claustrophobic space! Yet this disaster birthed our most inventive work: mirrors became “windows,” LED strips replaced bulky lights, and the confined framing intensified our protagonist’s isolation. The constraints elevated the storytelling.
Why This Guide? Turning Constraints Into Opportunities
This isn’t just about surviving a small location; it’s about thriving in one. Whether you’re shooting:
An indie film in a studio apartment
A documentary in a cluttered office
A YouTube interview in a walk-in closet
The principles remain the same:
Strategic planning (pre-visualizing shots when you can’t move the camera back)
Gear hacks (lenses and lighting for tight corners)
Visual illusions (angles/mirrors to “expand” walls)
Audio tricks (combating reverb in echo-prone rooms)
Case in Point: The Parks and Recreation crew shot mockumentary interviews in literal closets—using shallow depth of field to make the space feel intentional, not cramped.
Ready to Rethink Your Space?
By the end of this guide, you’ll see that a 10×10 room isn’t a limitation—it’s a blank canvas. Let’s dive into the techniques that turn confinement into cinematic gold.
Lay the Foundation: Strategic Pre-Production for Small Space Shoots
Why Small Spaces Demand Meticulous Planning
When Darren Aronofsky filmed Black Swan‘s cramped dressing-room scenes, every mirror placement and camera angle was storyboarded to the inch. Why? Because in tight quarters:
There’s zero margin for error—an ill-placed light stand can ruin your only viable camera angle
Every square foot must serve multiple purposes (lighting position + actor mark + gear storage)
Spontaneous creativity happens in prep, not on set
Key Insight:
“The smaller your location, the more your pre-production should resemble a military operation.”
Location Scouting: Finding Hidden Potential in Limitations
For The Florida Project, cinematographer Alexis Zabe transformed a budget motel’s narrow walkways into vibrant storytelling spaces using:
Wide-angle lenses (14mm) to exaggerate depth
Strategic color blocking to define zones in tight frames
Your Scouting Checklist:
Measure everything
Ceiling height (critical for lighting rigs)
Doorway widths (can your dolly fit?)
Power outlet locations (avoid 100′ extension cords)
Identify “cheat” spaces
Nearby hallways for equipment overflow
Outdoor areas that match interior sightlines
Test acoustics
Small rooms amplify HVAC hum and street noise
Clap test reveals echo/reverb issues
Pro Tip:
“Shoot 360° test footage with your smartphone during scouts—it reveals sightline problems before shoot day.”
Storyboarding and Shot Lists: Your Blueprint for Survival
A conventional shot list fails when your “set” is a 10×12 bedroom. Instead:
Small-Space Adaptations
Reframing Techniques for Tight Locations
| Conventional Approach | Small-Space Solution |
|---|---|
| Horizontal framing | Use vertical shots to exploit ceiling height. |
| Fixed lens choices | Plan lens swaps (e.g., 24mm for masters → 50mm for close-ups). |
| Paper storyboards | Utilize 3D pre-visualization apps like Shot Designer for precise blocking. |
Case Study: Locke (2014)
🎬 Filming a Feature in a Moving Car
Director Steven Knight crafted an entire film inside a single car, using:
Detailed animatics to plan every gear shift as a story beat.
Rearview mirror sightlines to enhance framing.
Dashboard lighting cues for seamless, built-in illumination.
SMALL-SPACE SHOT LIST TEMPLATE
Designed for locations under 150 sq ft
Pre-Shoot Essentials
- Space Map
- Sketch overhead layout with dimensions (include ceiling height)
- Mark permanent obstructions (pipes/outlets/furniture)
- Zone Planning
- Camera Zone: _____ (min. _____ ft clearance needed)
- Lighting Zone: _____ (avoid _____ dead zones)
- Actor Zone: _____ (marks _____ ft from walls)
Shot-Specific Planning
| Shot # | Description | Lens | Camera Position | Lighting Setup | Audio Solution | Backup Option |
|---|---|---|---|---|---|---|
| 1 | Wide master | 24mm | NW corner | LED panel + bounce | Lav mic | 35mm med shot |
| 2 | OTS close-up | 50mm | Over shoulder | Practical lamp | Shotgun boom | Crop from master |
Key Columns Explained:
- Lens: Wider than 35mm? Test for distortion
- Camera Position: "Against east wall" beats vague terms
- Backup Option: Crucial when you can't adjust on set
Small-Space Alerts
⚠️ Watch For:
- Lens changes requiring repositioning (circle which shots share setups)
- Lighting spill hitting unintended surfaces (flag with _____)
- Audio reflections from _____ (solution: _____)
Post-Shoot Notes
- Best unexpected angle discovered: _____
- Gear that couldn’t fit: _____
- Sound issue to fix in post: _____
Equip Yourself Wisely: Choosing the Right Gear for Small Locations
Cameras in Tight Spaces: Full-Frame vs. Crop Sensor
When filming in cramped quarters, every millimeter counts.
Full-frame cameras (e.g., Sony A7S III) excel in low-light conditions and offer a wider field of view—critical when you can’t physically step back.
Crop-sensor cameras (e.g., Blackmagic Pocket Cinema Camera 6K) provide deeper depth of field at wider apertures, keeping more of your limited space in focus.
💡 Budget Hack: Pair the Panasonic Lumix GH6 (Micro Four Thirds) with a speed booster to mimic a full-frame field of view while keeping your setup compact and affordable.
Lens Selection: The Art of Optical Illusion
Your choice of lens determines whether a small room feels claustrophobic or expansive:
Ultra-wide (10-18mm): Great for establishing shots in tight spaces (bathrooms, closets), but watch for edge distortion.
24-35mm range: The sweet spot for most small-space work—natural perspective with minimal warping.
Fast primes (35mm f/1.4): Ideal for isolating subjects from busy backgrounds when you can’t control clutter.
🎥 Pro Tip: Test lenses for close-focus capabilities—some wide-angles struggle with sharpness under 12 inches, ruining tight detail shots.
Lighting Solutions That Won’t Overwhelm Your Space
Traditional film lights take up too much room. Try these compact alternatives:
LED panels: Slim profile, bright output (e.g., Aputure MC).
Tube lights: Mount in corners to save space (e.g., Quasar Science).
Bounce cards: Tape white foam core to walls/ceilings for soft, natural fill light—no bulky stands needed.
💡 Innovative Approach: Bounce light instead of using large softboxes—your walls become natural diffusers.
Audio Gear That Fits (Literally)
Small rooms amplify audio issues. Choose gear that works within tight spaces:
Lav mics: The Sennheiser MKE 2 is discreet and avoids cable bulk.
Short shotguns: The Rode NTG-2 (13.5” long) minimizes the risk of hitting walls during boom swings.
Portable recorders: The Zoom F3 captures 32-bit float audio, preventing clipping in unpredictable acoustics.
🎤 Acoustic Fix: Duvets hung on C-stands work better than bulky sound blankets for tight spaces—instant, space-saving sound treatment.
Unlock the Illusion: Visual Techniques to Maximize Space and Depth
Camera Angles That Redefine Your Space
📏 Small rooms feel even smaller when shot head-on. The fix? Diagonal angles.
Corner-to-corner framing increases perceived space by 20%—even in square rooms.
Low angles (shooting upward) enhance ceiling height. (Example: The Shining’s bathroom scenes feel cavernous despite their tight layout.)
Shooting toward corners creates converging lines, adding depth. (Example: 12 Angry Men maximizes space this way.)
🎥 Case Study: Moonlight
DP James Laxton used extreme low angles in cramped drug den scenes to transform claustrophobia into intimacy.
Lens Choice & Depth of Field: The Expansion Toolkit
| Goal | Lens Choice |
|---|---|
| Capture more space without distortion | 20-24mm (e.g., Samyang 24mm f/1.4) |
| Keep backgrounds legible in docs/interviews | Deep focus (f/5.6-f/8) |
| Isolate subjects in messy backgrounds | Shallow focus (f/1.4-f/2.8) |
💡 Pro Hack: Pair a 35mm lens with a mirror behind the actor to simulate wide shots in deep rooms.
Creative Framing: Beyond the Obvious
📌 Foreground elements aren’t obstacles—they’re tools for depth.
🎨 DIY Tip: Tape a photo frame to your monitor to train your eye for layered compositions.
Camera Movement: The Space-Revealing Dance
🎥 A small move can make a big difference:
A 12-inch lateral slider move can:
✅ Reveal hidden props behind actors
✅ Transition from tight close-up to contextual wide
✅ Simulate a dolly move when space is limited
🌀 Gimbal Magic: Birdman’s hallway scenes used Steadicam to turn narrow corridors into endless labyrinths.
Lighting for Dimension: Shadows Are Your Friend
🚫 Flat lighting flattens space. Instead:
Backlight separation: Even a $20 LED strip behind furniture adds depth.
Deep-frame practical lamps create natural fall-off.
Cookie patterns on walls suggest unseen space.
💡 Low-Budget Win: Clamp a work light with black wrap cuts to fake moonlight through imaginary windows.
Color Placement: The Hidden Space Maker
🎨 Warm colors advance, cool colors recede.
🔴 In Her’s tiny apartments:
Scarlet shirts pop against teal walls.
Muted backgrounds visually “step back.”
High-contrast outfits separate actors from busy walls.
🖌 Paint Hack: One accent wall in deep green/blue makes rooms feel longer than all-white boxes.
Sound Matters: Essential Audio Strategies for Confined Locations
The Acoustic Nightmare of Small Spaces
🎙 Small rooms are audio traps. Hard surfaces create slapback echoes, HVAC systems drone louder, and every crew movement sounds thunderous on mic.
🔊 Case Study: The Social Network
The Harvard dorm scene sounds flawless, but nearly all production audio was replaced in post due to poor acoustics.
Key Challenges:
✅ Flutter Echo: Sound bouncing between parallel walls. (Test: Clap—if you hear a “ping-pong” effect, you’ve got a problem.)
✅ Low-End Buildup: Small rooms exaggerate bass frequencies, muddying dialogue.
✅ Ambient Noise: Fridges, traffic, and air vents become 10x louder in small spaces.
Microphone Placement in Tight Quarters
🎤 Boom Pole Hack: When professional booms are too long, use a collapsible painter’s pole—just tape your mic to the end.
📍 Best Mic Placement:
| Mic Type | Placement Strategy |
|---|---|
| Shotgun Mic | Position just out of frame, angled slightly downward. |
| Lavalier Mic | Hide under clothing with moleskin tape to prevent rustling. |
| Boundary Mic | Place on a desk or floor for natural reverb control. |
DIY Acoustic Treatment That Actually Works
Professional sound blankets cost $200+, but these hacks work just as well:
🛏 Mattress Fortress – Lean a queen mattress against the noisiest wall (cuts 60% of reverb).
📦 Moving Blankets – Hang U-Haul blankets on C-stands in a V-shape around talent.
📚 Bookcase Baffle – Fill shelves with irregularly sized books to break up sound waves.
🎧 Pro Monitoring Trick: Record 30 seconds of “room tone” with everyone holding still—this makes post-production noise removal 10x easier.
Post-Production Rescue Techniques
Even perfect recordings need cleanup. These tools can save bad audio:
🔍 RX 10 Spectral Repair – Removes AC hum without affecting dialogue.
🎛 Waves Clarity VX – Isolates voices from reverb in seconds.
🎙 Automated Dialogue Replacement (ADR) – Mad Max: Fury Road reshot 90% of dialogue—don’t fear re-recording in a treated closet.
Beyond the Basics: Innovative Tricks and Techniques for Tight Spots
Cheating the Shot: When the Camera Stays Outside
Some of the most expansive “interiors” in film history were shot from doorways or windows—the audience never notices.
🎥 Case Study: Psycho
The shower scene feels claustrophobic, but the camera never actually entered the stall.
How to Cheat Like a Pro:
🚪 Doorway Framing – Shoot through partially open doors to imply depth. (The Revenant uses this for cabin interiors.)
🪟 Window Captures – Film “inside” from exterior angles (bonus: natural light boost).
🎭 Partial Sets – Only build what the camera sees. (The Grand Budapest Hotel used this constantly.)
Mirror Magic: Doubling Your Space for Free
Mirrors aren’t just reflections—they’re secret expansion tools.
✨ Background Expansion – A mirror behind actors suggests another room (Contact used this in its famous trailer scene).
🌀 Infinite Depth – Angling two mirrors creates an endless hallway (Inception effect, on a budget).
🎥 Hidden Cameras – Use reflections to film in tight spaces without showing your rig.
⚠️ Safety Tip: Use non-breakable acrylic mirrors—real glass is dangerous on small sets.
The Art of the Fake: Close-Ups Save the Day
That “sprawling office” in your indie film? It’s probably just:
💻 Tight close-ups of hands on a keyboard (shot in your bedroom).
📞 A phone conversation “at work” (filmed against a plain wall).
🚶 A hallway walk-and-talk (actually a 10-foot corridor, shot with a stabilizer).
🎬 Case Study: The Office
The show’s “warehouse” scenes? Just a corner of their soundstage, framed cleverly.
Minimalism Wins: Less Clutter, More Story
🎭 One bold prop (a neon sign, a vintage phone) defines a space faster than 20 generic items.
🎨 Color-Blocked Zones – A blue desk area and red seating area create distinct “rooms” in one space.
🔄 Repurpose Everything – A kitchen table becomes a desk with just a laptop swap.
Real-World Inspiration: Case Studies of Successful Small-Space Filmmaking
Case Study 1: 12 Angry Men (1957) – The Masterclass in Confined Tension
Location: A single jury room (95% of the film)
Techniques That Created Cinematic Space:
1. Dynamic Camera Angles
Director Sidney Lumet gradually lowered camera heights as the film progressed. By the climax, shots were filmed from below eye level, making the ceiling feel oppressive and intensifying the sense of claustrophobia.
👉 Link to [Camera Angles That Redefine Your Space]
2. Strategic Blocking
Characters were arranged in geometric patterns (triangles, circles), creating visual flow despite the confined location. The lone dissenting juror (Henry Fonda) was framed against windows, symbolizing his association with “open” thinking.
3. Temperature as a Story Device
The broken fan, sweating faces, and characters removing jackets visually communicated the tightening of space without changing the set.
Filmmaker Insight:
“The room itself became the 13th juror—it had to transform along with the story.” – Sidney Lumet
Case Study 2: Tangerine (2015) – Indie Innovation in Confined Spaces
Location: Los Angeles strip malls, donut shops, and cramped apartments (shot entirely on iPhone 5s)
Small-Space Breakthroughs:
1. Mirror & Reflection Tricks
The climactic confrontation in a laundromat bathroom used distorted mirror angles to make a 50sqft space feel labyrinthine.
2. Movement as Expansion
Following characters through narrow doorways (like the Magic Castle entrance) created natural wipes between “scenes” within a single location.
3. Practical Lighting Savvy
Neon store signs served as motivated light sources, with color temperatures shifting as characters moved between different locations.
Filmmaker Insight:
“We treated L.A. like a series of small theater stages—each location had to tell its own complete story.” – Sean Baker
Case Study 3: The Guilty (2021) – Single-Room Suspense
Location: A 911 dispatch call center (one chair, one desk)
Technical Mastery:
1. Lighting the Invisible
The unseen “world” outside was hinted at through:
Shifting monitor glows on the protagonist’s face
Practical desk lights that dimmed/brightened with plot tension
👉 Link to [Key Lighting For Beginners]
2. Sound as Spatial Storytelling
Phone call audio panning (left/right channels) implied different “locations” for each caller, creating an immersive sense of space despite the single location.
3. The Confinement Paradox
Extreme close-ups of eyes/hands alternated with wide shots of the empty chair, making the room feel both vast and suffocating.
Data Point:
The film used just 3 lenses (24mm, 35mm, 50mm) but created 9 distinct “spaces” through framing alone.
The Final Touch: Leveraging Post-Production to Expand Your Canvas
Editing Tricks That Stretch Your Space
A well-cut sequence can make a closet feel like a cathedral. The key? Strategic juxtaposition.
1. Establishing Shots
Even brief establishing shots reset spatial awareness. For example, The Bourne Ultimatum used 0.5-second cuts to make small apartments feel part of a much larger world.
2. Match Cuts
Match cuts between similar shapes or colors (e.g., a circular lamp cut to a wide shot of the moon) create subconscious spatial links, expanding the perceived space.
3. Forced Perspective in Editing
Cutting from a wide shot to a tight close-up with matching eyelines tricks the brain into “filling in” an invisible establishing shot.
Color Grading: The Depth Generator
Here are three grading tricks that add space:
1. Cooler Backgrounds, Warmer Foregrounds
Cooler backgrounds recede, while warmer foregrounds pop forward. This technique was used relentlessly in Blade Runner 2049’s small apartment scenes.
2. Vignetting Reduction
Small-space shots often darken at the edges of the frame. Reducing vignetting opens up the edges, giving the illusion of a larger space.
3. Selective Desaturation
Desaturating background elements makes them “fall away,” visually expanding the space around your subject.
Invisible VFX: Small Expansions
1. Digital Matte Paintings
Extend visible ceiling or wall areas by just 10%. This subtle change can transform a claustrophobic shot into something more intimate.
2. Reflection Additions
Incorporate reflections in windows or mirrors to suggest unseen space.
3. CGI Depth Cues
Floating dust particles or subtle lens flares can guide the eye outward, creating a sense of depth.
Sound Design: The Ultimate Space Simulator
1. Reverb Automation
Use reverb to make dialogue sound like it’s moving through different zones, adding a sense of space.
2. Off-Screen Sound Effects
Traffic, distant voices, and other off-screen sounds can build imaginary geography, expanding the world beyond the frame.
3. Low-Frequency Rumble
Subtle low-end frequencies (30-80Hz) can make theaters vibrate, tricking the audience into perceiving a larger space.
Pro Tip:
Always shoot 30 seconds of room tone. This becomes invaluable when digitally extending spaces in post-production.
Maximize Your Resources: Low-Budget Strategies for Small-Space Shoots
Gear Hacks That Save Space and Money
You don’t need Hollywood’s budget—just Hollywood’s ingenuity:
1. Camera
Used Panasonic GH5 ($800) with a Mitakon 17mm f/0.95 for low-light flexibility.
2. Lighting
Clip-on work lights ($15) with parchment paper diffusers outperform cheap LED panels.
3. Audio
Zoom H1n ($100) paired with a DIY blanket fort beats an untreated room with expensive mics.
Free Software Stack
Pre-visualization: Shot Designer (free version)
Editing: DaVinci Resolve
Sound: Audacity with Spitfish DeEsser plugin
Natural Light Alchemy
1. Golden Hour Magic
Morning and evening windows become giant softboxes. Schedule key scenes during golden hour for soft, flattering light.
2. Bounce Boards
White foam core bounce boards (from dollar stores) redirect light better than professional reflectors.
3. Instant Negative Fill
Blackout curtains made from moving blankets create instant negative fill, controlling light and shadow in small spaces.
Set Design on a Shoestring
1. Thrift Store Frames
Thrift store frames with printed backgrounds can fake expensive wainscoting for a fraction of the price.
2. Removable Wallpaper
Wallpaper samples can transform walls for different scenes, offering variety without the cost.
3. Actor’s Wardrobe
Sometimes an actor’s own wardrobe works better than cheap costume purchases—it’s more authentic and often fits the character better.
👉 Link back to [Essential Gear for Confined Cinematography] for more equipment hacks
Personal Anecdote: Transforming a cramped space into an emotionally charged environment often requires a bit of actor magic. On the set of my film “Going Home,” we faced the challenge of shooting a pivotal scene in an incredibly tight kitchen. The scene involved an actor breaking down and crying while reading a note in the adjacent hallway.
With so much equipment packed into the kitchen, our primary concern was keeping the setup unobtrusive to avoid interfering with the actor’s performance. I had to direct the scene remotely from a video monitor set up away from the action. To guide the actor without disrupting the emotional intensity of the moment, I used a PA radio for communication. This approach allowed me to provide subtle direction and support without breaking the actor’s immersion or the scene’s momentum.
The result? The confined space of the kitchen didn’t limit the emotional depth of the performance. Instead, it enhanced it, demonstrating that with thoughtful planning and creative problem-solving, even the tightest spaces can yield powerful, moving scenes.
Words of Wisdom: Expert Advice on Conquering Small Spaces
Linus Sandgren, ASC (La La Land, No Time To Die)
“In tiny locations, I treat every wall as a potential floor—shooting straight down or up creates production value from nothing. A top-down shot of a dinner table costs nothing but feels like a million dollars.”
Sean Baker (The Florida Project, Tangerine)
“Your location’s limitations are its gifts. That ugly patterned wallpaper? Make it your color palette. The noisy fridge? Write it into the scene. The best small-space films lean into their constraints.”
Rachel Morrison, ASC (Black Panther, Mudbound)
“When booming is impossible, plant mics in the set—inside flower vases, under tables. I’ve used a mic taped to a coffee cup when a lav wasn’t available.”
Key Takeaway
All three emphasize preparation over gear—their most cramped shoots had the most detailed overhead diagrams.
Resources Section
Online Tutorials:
Camera Movement Techniques:
- Filmmaking Techniques: Camera Movement: https://m.youtube.com/watch?v=IiyBo-qLDeM – This comprehensive video tutorial covers a variety of camera movements, including panning, tilting, tracking, and zooming.
- Camera Movement Basics: https://www.youtube.com/watch?v=ZYiWIKnm8_A – This beginner-friendly tutorial explains the fundamentals of camera movement and provides practical tips for achieving smooth and dynamic shots.
Sound Design Techniques:
- Sound Design Basics: A Beginner’s Guide: https://www.youtube.com/watch?v=jWorjBDcty4 – This tutorial covers the essential elements of sound design, including dialogue, sound effects, and music.
- Creating Immersive Soundscapes: https://www.youtube.com/watch?v=DtcCUyQmd9w – Learn how to use sound to create a sense of atmosphere and emotion in your films, even in limited spaces.
Film Examples:
- “Room“ (2015): This film effectively uses a single room as its entire setting, demonstrating the power of creative storytelling in limited spaces.
- “Buried“ (2010): This psychological thriller is a masterclass in utilizing a confined space (a coffin) to create a tense and engaging narrative.
- “10 Cloverfield Lane“ (2016): This claustrophobic thriller showcases how a limited location can be used to build suspense and tension.
Equipment Recommendations:
- Cameras: Consider mirrorless cameras or compact DSLR cameras that are lightweight and portable, making them ideal for small-space filmmaking.
- Lenses: Wide-angle lenses are essential for making small spaces appear larger. A 24mm or 35mm lens is a good starting point.
- Lighting Equipment: LED lights are a great option for small-space filmmaking due to their portability and efficiency. Consider using a combination of continuous lighting and flash to create different effects.
- Sound Equipment: A shotgun microphone can help to isolate sound sources and reduce background noise.Consider using a portable audio recorder to capture high-quality audio.
- Tripod: A sturdy tripod is essential for achieving stable shots, especially in low-light conditions.
By exploring these resources and considering the recommended equipment, you can equip yourself with the tools and knowledge needed to create compelling films in limited spaces.
The Art of Limitation: Finding Your Creative Edge in Small Spaces
Constraints don’t stifle creativity—they focus it. From 12 Angry Men’s jury room to Buried’s coffin, the most memorable films often emerge from the tightest spaces. You now have the toolkit:
- Pre-production precision to plan every inch
- Visual tricks that turn walls into worlds
- Budget hacks that outperform expensive gear
- Post-production magic to expand your canvas
But these techniques are just the beginning. Your unique perspective—how you frame a shot, light a face, or layer sound—is what will make your small-space work unforgettable.
As Roger Deakins once said, “It’s not the size of the space that matters, but the size of the ideas within it.” So grab your camera, claim that cramped corner, and start shooting. The next groundbreaking cinematic moment might be hiding in your walk-in closet.
Now it’s your turn:
📽️ What’s the smallest space you’ve ever filmed in?
🎬 Tag us in your micro-location shoots—we’ll feature the most creative solutions!
Explore more location filmmaking tips here.
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About the Author:
Trent Peek is a filmmaker specializing in directing, producing, and acting. He works with high-end cinema cameras from RED and ARRI and also values the versatility of cameras like the Blackmagic Pocket Cinema.
His recent short film “Going Home” was selected for the 2024 Soho International Film Festival, highlighting his skill in crafting compelling narratives. Learn more about his work on [IMDB], [YouTube], [Vimeo], and [Stage 32].
In his downtime, he likes to travel (sometimes he even manages to pack the right shoes), curl up with a book (and usually fall asleep after two pages), and brainstorm film ideas (most of which will never see the light of day). It’s a good way to keep himself occupied, even if he’s a bit of a mess at it all.
P.S. It’s really weird to talk in the third person
Tune In: He recently appeared on the Pushin Podcast, sharing insights into the director’s role in independent productions.
For more behind-the-scenes content and project updates, visit his YouTube channel at https://www.youtube.com/@trentalor.
For business inquiries, please get in touch with him at trentalor@peekatthis.com. You can also find Trent on Instagram @trentalor and Facebook @peekatthis.