Mastering Slow-Motion: A Beginner’s Guide to Capturing Stunning Slow-Mo Video As a filmmaker who’s worked on sets like Netflix’s Maid and directed shorts that required frame-perfect slow motion, I’ve learned the expensive way that slow-mo is a lighting game, not a camera game. The $800 Lighting Lesson We shot the pivotal scene for Going Home … Read more
The $847 Mistake That Taught Me How to Budget We wrapped Dogonnit at 2:47 AM on a Sunday. The smell of cold pizza mixed with that specific metallic fog smell you only get in Vancouver alleys. My DP was packing a $1,200 cinema lens we’d rented for one “hero shot” that ended up unusable—the actress … Read more
The Hook It was 5:47 AM on a Tuesday in November. We were halfway through a 10-episode run on Maid — a Netflix production that does not slow down for anyone, least of all a set dresser trying to quietly move a floor lamp across a living room set while the 1st AD is already … Read more
Mirrorless or DSLR: Which camera truly empowers your indie film vision? Get the answers, expert insights, and top recommendations in our definitive guide. Find your filmmaking perfect match!
The Hook We were four hours into an overnight exterior for Going Home when the RØDE VideoMicro’s foam windscreen gave up. Not dramatically—just a slow, pathetic flapping sound that ruined three takes before I caught it. It was 3:00 AM, the DP was already annoyed about the street lamp flicker, and I had exactly one … Read more
The Hook It’s 2:30 AM in a Victoria, BC rental house we’re using for Maid. The ARRI Alexa Mini LF is sitting on sticks in a bedroom we’ve dressed to look like poverty. The 1st AD is pacing outside because the neighbor’s porch light keeps bleeding through our blackout, and the DP—Colin Hoult—is explaining to … Read more
The Hook: The 3 AM Call Time That Made Me Care About Camera Angles February 2021. Maid, Episode 7. I’m set dressing a domestic violence shelter scene at 3:17 AM in New Westminster, and the 1st AD is losing his mind because we can’t get the sight lines right for a dolly move through a … Read more
Disclosure: Some links below are affiliate links. I only recommend tools I’ve personally used on set or in pre-production. If I think something’s overpriced or wrong for your situation, I’ll say so. The Hook The morning we shot Going Home in 2024, it was 41°F and the location — a small residential street in Victoria … Read more
The Hook It’s 3:47 AM on a beach in White Rock, BC. I’m rigging a GoPro to a homemade slider for Going Home, my 2024 short that would later screen at the Soho International Film Festival. The ocean’s louder than I expected. The Hero 12 Black I’m using keeps fogging because I didn’t account for … Read more
The Camera That Died During My Grandmother’s Story It was 2015. I was shooting In The End, a short about my grandmother’s dementia. Twenty minutes into an interview about meeting my grandfather, the camera stopped. File corrupted. Recording limit I didn’t know existed. That story—gone. I’d spent $1,800 on gear that looked professional but couldn’t … Read more