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Best Smartwatches for Filmmakers (2026): Real Set-Tested Picks
The best smartwatch for filmmakers is the Apple Watch Ultra 3 for iPhone users—3,000-nit screen, MIL-STD-810H durability, and camera control through Blackmagic Camera and Monitor+. Android filmmakers should choose the Samsung Galaxy Watch 8 Ultra. For remote documentary work, the Garmin Fenix 8 Pro offers unmatched battery life at 27 days.
It was 2 AM on a night exterior in Iceland for Elsa. We were already behind schedule. I had a camera locked off on a tripod, long lens focused on our lead actor sitting on a bench, and the emotional peak of the take was about to land.
Then my phone rang. Full volume. In my pocket.
The actor dropped character. The DP gave me a look that could melt rig steel. We had to reset the entire mark. Fifteen minutes of remaining night light, gone. Crew overtime, $600.
When I finally checked the caller ID, it wasn’t the producer or our location liaison. It was a spam robocall about my car’s extended warranty.
That was the night I stopped treating my phone as a production tool. It’s a liability with a screen. Your smartwatch is the filter.
The phone itself isn’t the problem—it’s the notification layer on top of it. If you’re still deciding what body to shoot on, start with our guide to the best smartphone for filmmaking before you worry about what’s on your wrist.
The Common Beginner Mistake: Buying a smartwatch for step counts and sleep scores, then wondering why it dies on hour six of a twelve-hour shoot day. Filmmaking is physical. Step tracking is irrelevant. Battery life, sunlight visibility, and camera control are the only features that matter.
Quick Comparison: 5 Smartwatches for Film Production
| Watch | Battery (Real Set Hours) | Max Brightness | The Filmmaker Edge | Who Should NOT Buy |
|---|---|---|---|---|
| Apple Watch Ultra 3 | ~30 hrs normal, ~20 with camera remote (Apple claims 42, 72 in low-power) | 3,000 nits | Best app ecosystem (Blackmagic, Monitor+, Sidus Link) | Android users or anyone who hates charging nightly |
| Samsung Galaxy Watch 8 Ultra | ~36 hrs normal, ~32 with remote | 3,000 nits | Best for Samsung/Android camera rigs | Anyone not on a Samsung phone—you lose half the features |
| Garmin Fenix 8 Pro (AMOLED) | Up to 27 days (51mm) / 15 days (47mm) | ~2,000 nits | Indestructible; best for remote docs and location scouting | Anyone who needs native camera control |
| Google Pixel Watch 4 | ~24 hrs | 2,000 nits | Best Wear OS experience; fastest charging | Grips and ACs who actually abuse their gear |
| OnePlus Watch 3 | 5 days | 1,000 nits | Best battery-per-dollar | Anyone shooting in harsh sunlight or needing camera control |
Why Filmmakers Need a Different Kind of Smartwatch
Your phone is the most unprofessional tool on set. It rings during takes, buzzes in your pocket while you’re carrying a C-stand, and pulls your attention away from the frame. A smartwatch solves this—but only if you pick one that survives production reality, not just a desk job.
I’ve worn a smartwatch on every shoot for the last three years. I’ve had one die during a golden hour setup, one freeze mid-interview, and one survive getting knocked off a light stand onto concrete. This is the honest breakdown of what actually works.
The Phone Problem (and Why Your Wrist Is the Fix)
You can’t keep pulling your phone out of your pocket every three minutes.
Not when you’re behind the camera watching a take. Not when you’re carrying a 40-pound sandbag to a C-stand. Not when you’re wearing gloves on a freezing exterior shoot. Not when you’re actually trying to look like a professional who’s paying attention.
But you also can’t ignore your phone completely. The gaffer’s texting that the generator’s about to die. Your producer is calling because the location permit expires in 30 minutes. The actor’s manager wants to know where their client is. The alarm you set to wrap before the sun sets is going off.
A smartwatch solves this because it works at the speed of production—haptic alerts you can feel through thick jackets, screens you can glance at in direct sunlight, and controls you can trigger without putting down your gear.
What “Set-Tested” Actually Means
I’ve used these watches across productions ranging from freezing mountain exteriors to 110-degree desert shoots. I’ve tracked battery life with camera remote active. I’ve measured screen visibility at noon. I’ve banged them against C-stands to see what breaks first.
This isn’t a spec-sheet comparison. It’s what happens when the clock is running, the light is fading, and your watch is the only thing between you and another reset.
The Production Reality: No smartwatch is going to make your footage look better. What it does is remove the friction—the phone buzz, the missed text, the walk back to the light stand—that pulls your attention away from the frame. On a chaotic set, attention is the scarcest resource. Protect it.
![Apple Watch Ultra 3 [GPS + Cellular 49mm] Running & Multisport Smartwatch w/Rugged Titanium Case w/Black Ocean Band. Satellite Communications](https://i0.wp.com/peekatthis.com/wp-content/uploads/2024/02/apple-ultra-3.jpeg?fit=1024%2C1024&ssl=1)
The Best Smartwatch for Filmmakers: Apple Watch Ultra 3
The Apple Watch Ultra 3 is the best smartwatch for filmmakers on iPhone. It has a 3,000-nit screen visible in direct desert sunlight, MIL-STD-810H durability that survives C-stand impacts, and the deepest camera control ecosystem: Blackmagic Camera, Monitor+ for Sony, and Sidus Link for Aputure lights.
Best for: DPs, directors, and solo shooters who live in the Apple ecosystem and need a watch that can legitimately handle outdoor productions.
Honest drawback: You’ll charge it every night. With aggressive camera remote use, expect closer to 20 hours—not the 42 Apple claims in standard mode.
Who should NOT buy this: Android users. Anyone who refuses to charge a watch daily. Filmmakers who need precision focus pulling—the latency makes that impossible.
Real-World Battery Test
Apple’s official claim is 42 hours in normal use and 72 in low-power mode (Apple’s own specs page). Here’s the real set number: with notifications, occasional camera remote, and GPS tracking for location scouting, I get about 30 hours. With aggressive camera remote usage, closer to 20.
That’s still better than the regular Apple Watch. But it’s not “forget about charging for days” territory.
Camera Control Workflow
The built-in Camera Remote app works for iPhone shooters. You get a live viewfinder on your wrist, remote shutter, timer control, and the ability to switch between front and rear cameras. There’s about a 0.5-second lag—not precise enough for focus pulling, but excellent for:
- Checking framing when the camera is rigged high on a jib
- Triggering start/stop without touching the camera during interviews
- Monitoring a locked-off shot while adjusting lights
For Blackmagic Camera users, the integration goes deeper. Blackmagic’s version 3.3 update added a full Apple Watch companion app: live viewfinder, remote shutter, framing and audio-level monitoring, and control over exposure, focus, and LUTs from the wrist — confirmed in Blackmagic’s own release coverage. You can even change lenses and control zoom.
For Sony mirrorless cameras (A7 series, FX3, FX30), download Monitor+ from the App Store. It’s the most widely used app for remote monitoring and control on Apple Watch. You get live preview, focus peaking, and exposure adjustment with minimal lag.
If you’re building out the rest of your rig around that workflow, the smartphone filmmaking kit covers the mics, mounts, and storage that pair with watch-based camera control.
Pro Tip: Action Button Power Move
Map the Action Button to “Start/Stop Recording” in Blackmagic Camera. Settings → Action Button → Shortcuts → Create Shortcut → Open Blackmagic Camera → Add Action → Start Recording. This gives you a physical trigger you can feel through gloves.
The Grip Test: Six Months of Set Abuse
I’ve slammed my wrist directly into C-stand legs, metal tripod spreaders, narrow door frames, and cinema rig cages more times than I care to admit. If you work camera or grip, your wrist is constantly in tight spaces near heavy metal.
After months of abuse, the titanium case has taken the hits so the screen didn’t have to. The sapphire crystal front is still unscratched. A regular aluminum Apple Watch would’ve dented by now.
Pro Tip: Sony Camera Users
For Sony mirrorless cameras, Monitor+ gives you live preview, focus peaking, and exposure adjustment with minimal lag. It’s the gold standard for remote monitoring on Apple Watch.
What Audiences Actually Feel: Nobody watching your film will ever know what watch you wore. They will feel whether you were present for the take—whether the framing was locked, the focus was sharp, the performance landed. A smartwatch doesn’t make any of that better. It just removes the friction that keeps you from being there.
The Fitness Tracking Reality Check
I originally bought the Ultra 3 convincing myself I’d use it to track my daily fitness and cardio. In reality, I’ve triggered the workout app exactly twice in six months—both times by complete accident while reaching into a camera bag to pull out a lens package.
The Best Android Alternative: Samsung Galaxy Watch 8 Ultra
The Samsung Galaxy Watch 8 Ultra is the closest Android equivalent to the Apple Watch Ultra. Titanium build, 3,000-nit screen, 10ATM water resistance, and MIL-STD-810H certification. Real-world battery life hits 32–36 hours with camera remote usage—better than Apple.
Best for: Android users (especially Samsung phone owners) who want maximum durability and battery life.
Honest drawback: Best features require a Samsung phone. Wear OS app ecosystem is weaker than watchOS. Camera control is limited to Samsung’s native apps.
Who should NOT buy this: Anyone using a non-Samsung Android phone. The camera control features won’t work, and you’re paying for hardware you can’t fully use.
Battery Reality: 36 Hours, Not 48
Samsung claims “up to 48 hours.” In my testing, that’s accurate for normal use—notifications, fitness tracking, occasional GPS. With heavy camera remote usage, I got closer to 32–36 hours.
That’s legitimately better than the Apple Watch Ultra. If battery life is your primary concern and you’re on Android, this is the pick.
Camera Control
If you have a Samsung phone, the built-in Camera Controller app is solid. Live preview, remote shutter, timer, camera swapping. The interface is slightly less polished than Apple’s, but it works.
The limitation: it’s designed for Samsung’s own camera app. Third-party apps like Open Camera or Cinema P3 have sketchy compatibility.
Pro Tip: Samsung Camera Users
The Watch 8 Ultra works seamlessly with Samsung’s Expert RAW app for BTS photos and continuity shots. Trigger the shutter, adjust exposure compensation, and review images from your wrist.
The Grip Test
Samsung basically copied Apple’s homework here, which is fine by me. Titanium case, 100ATM water resistance, MIL-STD-810H. I wore it through a muddy forest shoot for Blood Buddies—hauling gear through thick mud, brush, and wet foliage. Between loading C-stands over my shoulder and getting covered in grime, the chassis got thoroughly battered.
A quick rinse with clean water at wrap brought it right back to factory clean.
Production Reality: One Anecdote
I used the Samsung on a two-day music video shoot. Battery died during the second day’s golden hour setup. That’s the trade-off—it lasts longer than the Apple Watch, but “longer” isn’t “forever.”
The Best Smartwatch for Remote Shoots: Garmin Fenix 8 Pro
The Garmin Fenix 8 Pro is the battery king for documentary filmmakers and expedition shooters. The AMOLED model lasts up to 27 days in smartwatch mode; the MicroLED version hits 4,500 nits—the brightest smartwatch ever made. Neither has native camera control.
Best for: Documentary filmmakers, expedition shooters, or anyone working in remote locations where charging isn’t an option.
Honest drawback: No native camera control. The app ecosystem is weak. The MicroLED model costs ~$2,000.
Who should NOT buy this: Anyone who needs camera remote functionality. Anyone who wants a “smart” watch first and a fitness/navigation watch second.
The Budget Reality: The MicroLED Fenix 8 Pro at ~$2,000 is not a filmmaker’s watch. It’s an expedition tool that happens to tell time. Unless you’re shooting documentaries in locations where a dead watch means a dead production, the AMOLED model is the smarter buy. And if you just need notifications and basic triggers, the Apple Watch Ultra or Samsung Ultra do 90% of the job for less.
Battery Reality: Up to 27 Days
Garmin’s own spec for the 51mm AMOLED model is up to 27 days in smartwatch mode (15 days with always-on display), 15 days for the 47mm. I’ve gone two full weeks on a single charge with moderate use. Even with aggressive GPS tracking—scouting locations across three states for a documentary—I still got 7–8 days.
The MicroLED version has worse battery life (about 10 days) because the display is power-hungry. That’s the trade-off for 4,500 nits.
Pro Tip: Location Scouting Workflow
The Fenix 8 Pro’s GPS accuracy is unmatched. When scouting, I use “Mark Waypoint” to save exact coordinates of potential shooting locations, then export to Google Earth for pre-production planning. You can also track sunrise/sunset times for each waypoint.
For the full breakdown of scouting, permits, and shooting without drawing attention, see the guerrilla filmmaking guide. The Fenix’s GPS waypoint workflow slots directly into that system.
The Field Reality: 18 Days on a Single Charge
During an extended documentary scout across remote locations, charging outlets were non-existent for days at a time. With the Fenix 8 Pro Solar on my wrist catching direct sun during location walk-throughs, I ran for 18 days continuous on a single charge without ever bringing out a power bank.
No Native Camera Control
Here’s the bad news: Garmin doesn’t have built-in camera remote functionality. You’d need third-party apps like Camera Remote Watch or Tasker automations, and even then, the experience is clunky.
The Garmin/Tasker Automation Disaster
I once spent three solid hours of pre-production trying to code a custom Tasker automation script to trigger my mirrorless camera from a Garmin Fenix. After endless troubleshooting, Bluetooth drops, and near-sanity loss, it failed completely on set. Learn from my mistake: buy tools built for your actual workflow instead of trying to hack a fitness tracker into a wireless follow focus.
This is fundamentally a fitness and navigation watch that happens to have smartwatch features, not the other way around.
Budget Picks That Still Work
Google Pixel Watch 4
The Google Pixel Watch 4 is the best Wear OS all-rounder for Android users who don’t need Ultra-level durability. Fastest charging of any watch I’ve tested—50% in 12 minutes.
Best for: Android users who want a refined smartwatch experience and prioritize fast charging over extreme battery life.
Honest drawback: Shorter battery life than competitors (~24 hours real-world). Less rugged than Ultra watches. Camera control is basic.
Who should NOT buy this: Grips and ACs who abuse their gear. Anyone shooting in harsh sunlight regularly—2,000 nits is solid but not class-leading.
The Fast Charge Dock is legitimately impressive. Dead to 50% in about 12 minutes. I’ve used this more than once when I forgot to charge overnight and had a 6 AM call time.
The Common Beginner Mistake: Buying a “rugged” smartwatch case for a watch that wasn’t designed for abuse. Cases add bulk, trap moisture, and don’t fix the underlying problem—an aluminum case that dents when it hits a C-stand. Buy the right watch instead.
OnePlus Watch 3
The OnePlus Watch 3 is the battery life champ on a budget. Five days of real smartwatch use for $299.
Best for: Budget-conscious Android filmmakers who prioritize multi-day battery life over camera control or durability.
Honest drawback: Not as durable as premium options. Limited camera control. Lower brightness in sunlight (1,000 nits).
Who should NOT buy this: Anyone shooting in direct sunlight regularly. Anyone who needs camera remote functionality beyond basic triggers.
Thanks to its dual-chipset architecture (Wear OS for apps, RTOS for basic functions), it genuinely hits 5 days of full smartwatch use. That’s better than any other Wear OS watch. For filmmakers doing week-long shoots, this means charging twice a week instead of nightly.
Critical Workflow Questions (The Stuff Reviews Never Cover)
“Can I Actually Pull Focus from My Smartwatch?”
No. The 0.5–1 second latency between your watch and the camera makes precision focus pulling impossible.
What you can do is use your watch for:
- Framing checks when the camera is rigged somewhere inaccessible—on a jib, inside a car, mounted high on a wall
- Monitoring locked-off shots while you’re adjusting lights or setting up the next scene
- Remote start/stop for interviews or documentary work where you don’t want to touch the camera
For actual focus pulling, invest in a proper wireless follow focus system like the Tilta Nucleus-M or DJI LiDAR.
If you’re weighing whether to shoot on a dedicated camera at all, the digital camera vs smartphone comparison breaks down when each tool actually earns its place on set.
Workaround for Solo Shooters: Set your camera to autofocus or use a deep depth of field (f/8 or higher). Then use your smartwatch purely for framing and triggering. This workflow works surprisingly well for run-and-gun documentary shooting.
“Will Using My Watch as a Camera Remote Drain the Camera’s Battery Faster?”
Yes. Keeping Wi-Fi or Bluetooth active on your mirrorless camera can drain the battery 15–20% faster than normal shooting.
My workflow: Only activate the camera’s remote connection for specific shots where I actually need it, then turn it off immediately after. This conserves camera battery while still giving me the flexibility when I need it.
On my Sony FX3, I keep Wi-Fi disabled in the main menu and only enable it when I’m setting up a remote shot. The camera auto-disconnects after 5 minutes of inactivity anyway.
“Can I Control My Studio Lights from My Wrist?”
Sometimes. If you use Aputure lights, the Sidus Link app allows full wrist-based control. Same with Nanlite’s Nanlink app.
You can:
- Adjust dimness
- Change color temperature
- Switch between lighting effects (lightning, paparazzi, etc.)
- Control multiple lights independently
Why this matters for solo shooters: You can adjust your key light’s intensity while standing at the lens looking at your monitor, without walking back to the light stand. This saves massive amounts of time during setup.
Pro Tip: Lighting Preset Workflow
Create lighting presets in Sidus Link for different scenes (Interview, Product Shot, Moody Portrait), then trigger them from your watch. On a recent commercial shoot, I saved about 45 minutes by not having to manually adjust three lights between setups.
For other brands (Godox, Westcott, etc.), you’re out of luck unless they release watch apps.
“How Do I Track Golden Hour Without Pulling Out My Phone?”
Use Sun Surveyor (Apple Watch) or Lumy (Apple Watch/Wear OS). Both apps let you set haptic alerts for specific sun positions.
Why haptic alerts are better than phone alarms: Your wrist vibrates 30 minutes before golden hour without making any noise that would ruin a take.
The Going Home Golden Hour Buzz
When we shot Going Home (which eventually made its way to the Soho International Film Festival), we were fighting a brutal sun-tracker schedule on a high-exposure exterior. Instead of pulling out my phone every five minutes to check lighting apps, I set a silent haptic wrist alert via Sun Surveyor.
Right in the middle of a continuous master take, my wrist buzzed silently—warning me we had exactly 25 minutes of usable light left. No audible alarm ruined the audio track, no phone screen flared in the actor’s eye line, and we adjusted our shot list on the fly to capture the final setup right as civil twilight hit.
What Audiences Actually Feel: The audience doesn’t know you got the shot because your watch buzzed. They just see a scene that was captured in the right light, with the right performance, without an interruption. The best production tools are invisible in the final film.
“Is a Smartwatch Durable Enough for a Grip or Camera Assistant?”
This is the real question, because grips and ACs are the ones actually abusing gear on set.
The honest answer:
- Apple Watch Ultra 3: Yes. MIL-STD-810H, titanium case, sapphire crystal. I’ve seen camera assistants wear these through brutal exterior shoots.
- Garmin Fenix 8 Pro: Absolutely. These are designed for mountaineering. A film set is nothing.
- Samsung Galaxy Watch 8 Ultra: Yes, with caveats. Durable enough for most situations, though the buttons feel less robust than Apple’s.
- Everything else: Probably not. Regular smartwatches will pick up scratches and dings fast.
If you’re working PA or grip roles, a full production gear toolkit covers the rest of the on-set essentials. A watch is one piece of that kit—not a replacement for it.
Real-world test: I deliberately banged my Apple Watch Ultra against a C-stand leg (lightly—I’m not an idiot) to see what would happen. The titanium picked up a tiny scuff that’s barely visible. The sapphire crystal was completely unaffected.
A regular aluminum Apple Watch would’ve dented.
“Does Bluetooth/Wi-Fi Drain My Watch Battery During Long Shoots?”
Yes, but not as much as you’d think.
Having Bluetooth on constantly (for phone notifications) uses about 5–10% more battery per day. Having Wi-Fi active for camera remote uses about 15–20% more.
The strategy: Keep Bluetooth on (you want notifications). Only activate Wi-Fi when you’re actively using camera remote features, then disable it.
On my Apple Watch Ultra 3, this workflow gets me through a full 12-hour shoot day with about 40% battery remaining.
The Smartwatch I Actually Wear on Set
The Apple Watch Ultra 3. It’s survived a year of productions ranging from freezing mountain shoots to 110-degree desert exteriors, and it’s never let me down when it mattered.
But I’m also the guy who dropped $800 on a watch and carries an iPhone everywhere. Your situation is probably different, and that’s fine.
The real lesson from that 2 AM shoot on Elsa wasn’t that smartwatches are magic. It’s that the best tool is the one that gets out of your way when you’re trying to make something.
A smartwatch does that. Your phone doesn’t.
The Common Beginner Mistake: Assuming the most expensive watch is the best watch. The Garmin MicroLED costs $2,000 and doesn’t control your camera. The OnePlus Watch 3 costs $299 and lasts five days. Know your workflow before you know your budget.
Key Takeaways
- Apple Watch Ultra 3 is the best all-rounder for iPhone filmmakers—best camera control ecosystem, 3,000-nit screen, MIL-STD durability
- Samsung Galaxy Watch 8 Ultra is the Android answer—better real-world battery life than Apple, but camera control is limited to Samsung phones
- Garmin Fenix 8 Pro is for remote shoots only—up to 27 days of battery, but no native camera control and the MicroLED model costs ~$2,000
- You cannot pull focus from a smartwatch—latency makes it impossible. Use it for framing checks and remote triggers instead
- Wi-Fi camera remote drains your camera battery 15–20% faster—activate it only when needed, then disable it
- Sidus Link and Nanlink let you control lights from your wrist—saves serious time during solo shoots
FAQ
Can you pull focus with a smartwatch?
No. The 0.5–1 second latency between your watch and the camera makes precision focus pulling impossible. Use your smartwatch for framing checks, remote start/stop, and monitoring locked-off shots. For actual focus pulling, invest in a wireless follow focus system like the Tilta Nucleus-M or DJI LiDAR.
Which smartwatch has the best battery life for film production?
The Garmin Fenix 8 Pro has the best battery life for filmmakers, lasting up to 27 days in smartwatch mode on the 51mm AMOLED model. The Samsung Galaxy Watch 8 Ultra offers 32–36 hours with camera remote usage. The Apple Watch Ultra 3 lasts about 20 hours with aggressive camera remote use, or 30 hours for normal notifications and occasional remote triggers.
Does using your watch as a camera remote drain the camera battery?
Yes. Keeping Wi-Fi or Bluetooth active on your mirrorless camera can drain the battery 15–20% faster than normal shooting. Only activate the camera’s remote connection for specific shots, then disable it immediately.
Can I control studio lights from my smartwatch?
Yes, if you use Aputure lights with Sidus Link or Nanlite lights with Nanlink. You can adjust dimness, color temperature, and lighting effects from your wrist. For other brands (Godox, Westcott), watch apps are not available.
Is a smartwatch durable enough for a grip or camera assistant?
The Apple Watch Ultra 3 and Garmin Fenix 8 Pro are. Both have MIL-STD-810H certification, titanium or sapphire builds, and can survive C-stand impacts. Regular aluminum smartwatches will dent and scratch quickly.
Conclusion
The best smartwatch for filmmakers isn’t the one with the most features. It’s the one that survives a 14-hour set day, shows you the frame in direct sunlight, and doesn’t die during golden hour. For most iPhone users, that’s the Apple Watch Ultra 3. For Android, the Samsung Galaxy Watch 8 Ultra. For remote documentary work, the Garmin Fenix 8 Pro.
Here’s the honest production reality: no watch is going to make your footage look better. What it does is remove the friction—the phone buzz, the missed text, the walk back to the light stand—that pulls your attention away from the frame. On a chaotic set, attention is the scarcest resource. Protect it.
If you’re just starting out: buy the OnePlus Watch 3 or a used Apple Watch Ultra 2. Learn what you actually need before spending $800. If you’ve already made the mistake of trusting your phone on set: fix it now. The watch you choose matters less than the decision to stop letting your phone run your production day.
The audience will never know what watch you wore. They’ll just feel whether you were present.
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About the Author
Trent Peek is a filmmaker, writer, and producer based in Victoria, BC, and the founder of PeekAtThis.com. His production credits include set decoration on Netflix’s Maid, and writing/directing Going Home (2024 Soho International Film Festival) and Noelle’s Package (48-hour festival winner, shot on smartphone). He’s also a former President of Cinevic, Victoria’s Society of Independent Filmmakers, and works as a doorman at a four-star hotel — a job that’s taught him as much about reading people under pressure as any film set has.
When he’s not writing articles, testing gear, or working on film projects, Trent enjoys traveling, reading, exploring new technology, and developing future film ideas — many of which may never leave the notebook stage.
P.S. Writing in the third person still feels weird.
Trent recently appeared on the Pushin Podcast — listen to the full episode — where he discussed independent filmmaking, directing actors, production challenges, and lessons learned from working in film.
Wow technology knows no bounds. I was having a giggle at the idea of your texts being read out loud, imagine the trouble or funny looks you could get 😁
I sometimes send random texts to my friends that I know have a smartwatch and it will be read out loud. Just for my humour purposes.