The Hook
At 4:30 AM on the Maid set, I watched a $50,000 cinema camera rig get canned because someone forgot to hit record on the audio. The DP was livid. The AD had to reset 40 background actors. And the sound mixer? He just shrugged and said, “That’s why I always run a backup.”
That lesson stuck with me. Five years later, I’m shooting a short film on an iPhone 16 Pro in Stanley Park at sunrise. My lead actor delivers the take of his life. My phone says it captured the audio. But when I check playback? Nothing. The cheap wireless mic I’d been using had dropped the connection the second I moved behind a tree.
I spent the next three months testing every iPhone microphone I could get my hands on—from $70 budget lavs to $400 professional wireless systems. I took them to windy beaches, busy coffee shops, and quiet hotel lobbies where I work as a doorman. I recorded interviews, narrative scenes, and walk-and-talk videos. I deliberately tried to make them fail.
Here’s what I learned: in 2026, the right iPhone microphone isn’t about brand names or price tags—it’s about matching your workflow to your gear. And most filmmakers are buying the wrong setup entirely.
The Disclosure
Quick note: Some links in this article are affiliate links. If you buy something through them, I get a small commission at no extra cost to you. I only recommend tools I actually use. If something’s garbage, I’ll tell you—commission or not.
The Problem
iPhone microphones fail for three reasons:
The compatibility trap. You buy a mic that worked on your iPhone 14, then upgrade to an iPhone 16 Pro and suddenly need adapters, hubs, and dongles that may or may not work. I’ve stood on set watching a $120 mic refuse to connect while the crew waited.
The workflow mismatch. A TikToker needs something invisible and fast. A YouTuber needs battery life and reliability. An indie filmmaker needs 32-bit float and timecode sync. Most articles recommend the same three mics for all three use cases. That’s idiotic.
The false “pro” label. In 2024, “wireless” was enough to call a mic “professional.” In 2026, if your mic can’t record 32-bit float internally or sync with an external SSD workflow, you’re not shooting pro—you’re shooting almost pro. And “almost” doesn’t get you into film festivals.
Bad audio is the fastest way to make a pro shot look amateur. It’s one of the most overlooked filmmaking techniques that actually work, as I learned the hard way on the set of Blood Buddies.
The Underlying Cause
The shift happened when Apple moved to USB-C with the iPhone 15 in 2023. Suddenly, every Lightning mic needed adapters. But the real change came in late 2025 when the iPhone 16 Pro added ProRes Log recording at 4K 60fps with external SSD support.
That upgrade turned the iPhone into a legitimate cinema camera. But most filmmakers are still using 2024-era audio gear that can’t keep up.
Here’s what changed:
32-bit float became non-negotiable. This isn’t just a nice feature—it’s the difference between “fixing it in post” and “the audio is unusable.” With 32-bit float internal recording, your mic captures such a wide dynamic range that clipping is physically impossible. An actor whispers, then screams—both are perfectly recorded.
External SSD workflows created a new problem. If you’re recording ProRes video to an SSD plugged into your iPhone’s USB-C port, you need a hub to also connect your microphone. Most hubs cause interference. The cheap ones don’t provide enough power. I tested nine different hubs before finding two that worked reliably.
Environmental Noise Cancellation (ENC) became essential. Shooting on an iPhone means shooting in real locations—coffee shops, city streets, windy parks. The mics that can algorithmically separate voice from background noise now dominate the market. The ones that can’t? They’re already obsolete.
The Solution
The best iPhone microphone for 2026 depends entirely on where your video is going to live. Here’s how to match your gear to your workflow.
🎥 The Indie Filmmaker (The “Pro” Workflow)
If you’re shooting a short film or high-end commercial on an iPhone 16 Pro, you’re likely recording in ProRes Log. You need audio that matches that dynamic range.
Must-Have Feature: 32-bit float internal recording. This prevents digital clipping if an actor screams or a car honks.
Top Pick: RØDE Wireless Pro ($399)
I used this on a narrative short where my lead actor had to deliver emotional dialogue while walking through a crowded market. The timecode sync allowed me to lock the iPhone footage with a second-unit Blackmagic Pocket Cinema camera perfectly. No drift. No manual alignment in DaVinci Resolve.
The onboard 32GB storage records 40+ hours of 32-bit float audio as a backup. During one take, my actor hit an emotional peak that clipped the iPhone’s input. The RØDE’s internal recording saved it. The audio was pristine when I pulled it off the transmitter later.
Downside: The receiver is bulky. If you’re handheld shooting without a cage, it feels awkward clipped to your phone. And the RØDE app is essential for firmware updates—without it, you’re locked out of new features.
Who shouldn’t buy it: Vloggers who need fast setup times. This is a two-minute rig, not a grab-and-go system.
RØDE Wireless PRO Compact Wireless Microphone System
The next generation of wireless audio. With 32-bit float on-board recording, timecode integration, and series IV 2.4 GHz digital transmission, the Wireless PRO delivers broadcast-grade sound straight to camera. Perfect for interviews, documentaries, and any production where audio quality is non-negotiable.
Check RØDE Wireless PRO Price →
Runner-Up: DJI Mic 3 ($350)
The safety track feature is brilliant. It records a second audio file at -6dB, so if your main track clips, you still have a clean backup. I tested this by deliberately setting the gain too high and shouting into the mic. The safety track recovered perfectly.
The touchscreen receiver makes it faster to adjust settings than the RØDE. But it lacks timecode sync, which matters if you’re running multi-camera setups.
DJI Mic 3 (2 TX + 1 RX + Charging Case)
DJI's latest wireless microphone system delivers crystal-clear audio with intelligent noise cancellation and a 250-meter transmission range. The charging case provides up to 18 hours of battery life, while the touchscreen receiver makes adjustments effortless. Compatible with iPhone, cameras, and Android devices.
Check DJI Mic 3 Price →If you’re using a bulky receiver like the RØDE Wireless Pro, you’ll want to ensure your stabilizer can handle the offset weight. Check out my guide on the Best Smartphone Gimbals 2026 for rigs that play nice with external audio gear.
🔴 The YouTuber (The “Reliable” Workflow)
YouTubers need consistent audio for long talking-head segments or sit-down interviews. You don’t need timecode, but you do need massive battery life and high-fidelity vocals.
Must-Have Feature: Charging case and gain assist. You want a mic that stays charged for a 4-hour shoot and automatically adjusts your volume so you never sound too quiet.
Top Pick: DJI Mic 3 ($350)
I recorded a 90-minute interview in my hotel’s conference room using this. The charging case gave me 18 hours of total runtime. The transmitters never dropped below 40% battery. And the receiver’s live monitoring feature let me catch a rustling jacket noise mid-interview before it ruined the take.
The magnetic attachment is strong enough that my subject could lean back in his chair without the mic sagging. I’ve had $200 lavs fall off mid-sentence. This didn’t.
Downside: The wind muffs are mediocre. I shot a beach scene where the ocean breeze overwhelmed the built-in foam. I had to add a deadcat, which made the setup less discreet.
Who shouldn’t buy it: Filmmakers who need professional-grade EQ control. The DJI app is simple, which is great for speed but limiting for audio purists.
DJI Mic 3 (2 TX + 1 RX + Charging Case)
DJI's latest wireless microphone system delivers crystal-clear audio with intelligent noise cancellation and a 250-meter transmission range. The charging case provides up to 18 hours of battery life, while the touchscreen receiver makes adjustments effortless. Compatible with iPhone, cameras, and Android devices.
Check DJI Mic 3 Price →
Runner-Up: Sennheiser Profile Wireless ($280)
This has the most natural vocal tone out of the box. I compared it side-by-side with the DJI Mic 2 in a quiet room. The Sennheiser sounded warmer, less processed. For podcast-style interviews where you’re not adding music or heavy editing, this wins on pure audio quality.
But the battery life is weaker (5 hours vs DJI’s 16), and the case design is clunky. It doesn’t fit in a small camera bag.
Sennheiser Profile Wireless
Sennheiser's entry into the compact wireless mic category brings their legendary broadcast audio quality to content creators. Features dual-channel receiver, onboard recording backup, and intelligent charging case. Perfect for filmmakers who demand the same audio heritage as professional news and film sets.
Check Sennheiser Profile Price →📱 The TikToker / Reels Creator (The “Invisible” Workflow)
For social media, speed and aesthetics are everything. A giant black box clipped to your shirt is a distraction. You need a mic that disappears.
Must-Have Feature: Magnetic attachment and ENC. You need to be able to snap the mic onto a thin t-shirt without it sagging, and you need Environmental Noise Cancellation for filming in coffee shops or on busy streets.
Top Pick: Hollyland Lark M2 ($120)
At 10 grams, this is the size of a large button. I wore it under a thin jacket during a walk-and-talk video through downtown Vancouver. Not a single person noticed it. The magnetic clip is so small it looks like a designer pin.
The ENC is aggressive. I recorded dialogue next to a construction site—jackhammers, trucks backing up, the works. The Lark M2 ducked the background noise without making my voice sound robotic. It’s not perfect—there’s a slight “underwater” effect if the noise is extreme—but for social media, it’s unnoticeable.
Downside: No 32-bit float. No onboard recording. If the Bluetooth connection drops, your audio is gone. This happened to me once when I walked behind a concrete pillar. The connection cut out for two seconds.
Who shouldn’t buy it: Anyone shooting in high-RF environments (concerts, convention centers). The 2.4GHz signal struggles when there are hundreds of other wireless devices nearby.
Hollyland Lark M2 Wireless Microphone
One of the smallest and lightest wireless mic systems available—each transmitter weighs just 9 grams. Despite the tiny size, it delivers 48kHz/24bit audio, 300m range, and 10-hour battery life with the charging case. Perfect for creators who want professional audio without bulk.
Check Hollyland Lark M2 Price →
Runner-Up: DJI Mic Mini ($170)
This is slightly larger (13 grams) but offers better range (400 meters vs 200). I used it on a hiking vlog where I needed to be 100 feet away from my phone. The signal stayed solid even when I turned my back to the camera.
The wind rejection is excellent. I didn’t need a deadcat even in moderate wind. But the battery life is shorter (10 hours total vs Lark M2’s 30), so if you’re filming all day, bring the charging case.
DJI Mic Mini
DJI's most compact wireless microphone system, designed for creators who want professional audio without the bulk. Features intelligent noise cancellation, magnetic attachment, and up to 15 hours of battery life with the charging case. Plug-and-play simplicity for iPhone, cameras, and Android devices.
Check DJI Mic Mini Price →For social media, your audio needs to be tight, but your visuals need to keep the pace. Once you’ve nailed your dialogue with the Lark M2, learn how to shoot and edit B-roll like a pro to fill those visual gaps.
Implementing the Solution
The “SSD Hub” Problem (And How to Solve It)
If you’re recording iPhone video to an external SSD—like the SanDisk Creator or Samsung T7—you only have one USB-C port. That means you need a hub to connect both the SSD and your microphone simultaneously.
Here’s what I learned testing nine different hubs on real shoots:
Most hubs cause interference. The cheap $15 Amazon hubs created audible crackling in my recordings. The data throughput from the SSD was too high, and the mic signal got corrupted. I shot a 20-minute interview only to discover in post that every 30 seconds there was a half-second audio dropout. Unusable.
You need Power Delivery (PD) at 60W minimum. Without proper PD, your iPhone’s battery drains in 30 minutes while recording 4K 60fps ProRes. The hub needs to pass through enough power to charge your phone while running two USB devices simultaneously. I tested this with a 30W hub—my phone showed “charging” but actually lost 40% battery over an hour-long shoot.
Bandwidth matters more than you think. ProRes 4K 60fps writes roughly 200-300MB/s to your SSD. If your hub maxes out at USB 2.0 speeds (480Mbps or 60MB/s), it will bottleneck. You need USB 3.2 Gen 2 (10Gbps) at minimum. Check the hub’s spec sheet—if it doesn’t explicitly say “10Gbps” or “USB 3.2,” don’t buy it.
The two hubs that worked reliably:
- Anker 564 USB-C Hub ($50) – Clean audio, no dropouts, charges at 60W. I recorded a 45-minute interview to an external SSD with the DJI Mic 2 plugged in. Zero interference. The ports are slightly tight—if you have a bulky mic receiver, it barely fits next to the SSD.
- Belkin Connect USB-C Hub ($65) – More expensive but slightly more reliable with high-bitrate 4K recording. The ports are spaced wider, so bulky mic receivers don’t block the SSD. It also supports 100W PD pass-through, which means you can use a higher-wattage charger for faster charging while shooting.
Critical iOS Troubleshooting: The “Mic Powers On But iPhone Ignores It” Bug
This happened to me twice in 2026. The mic’s LED shows it’s connected. The hub’s LED shows power. But the iPhone’s Camera app is still using the built-in mic.
Here’s the fix:
1. Check Privacy & Security settings. Go to Settings > Privacy & Security > Wired Accessories. Make sure it’s set to “Always Allow.” iOS sometimes blocks USB-C audio devices as a security measure, especially if you’ve plugged in an unfamiliar accessory recently.
This setting exists because iOS treats wired accessories as potential data threats. If it’s set to “Ask Next Time” or disabled, your mic won’t work even though it’s physically connected.
2. Plug devices in the correct order. Always plug the hub into the phone first. Wait 3 seconds (seriously—count them). Then plug in the SSD. Then plug in the mic.
Reversing this order confuses the iPhone’s power management system. It allocates power based on what’s plugged in first. If the SSD connects first and draws maximum power, the mic might not get enough to function properly.
3. Format your SSD to APFS, not ExFAT. For ProRes workflows, APFS (Apple File System) is significantly more stable than ExFAT when a hub is involved. I had random recording failures on an ExFAT-formatted SSD—the iPhone would stop recording after 10 minutes with no error message.
After reformatting to APFS, those failures stopped. APFS handles the constant write speeds of ProRes better, and it plays nicer with iOS power management when multiple USB devices are connected.
To format: Plug your SSD into a Mac. Open Disk Utility. Select the SSD. Click “Erase.” Choose “APFS” from the format dropdown. Name it something simple like “iPhone_Video.” Click Erase.
Warning: This deletes everything on the SSD. Back up first.
4. Check your cable. This is embarrassing, but I lost three takes on a narrative shoot because I was using a “charging-only” USB-C cable to connect my hub to my iPhone.
Not all USB-C cables support data transfer. If the cable came with your phone charger, it’s likely power-only. If the cable doesn’t explicitly say “USB 3.2” or “10Gbps” printed on the cable itself (or on the packaging), it won’t work for this workflow.
Pro tip: Use the cable that came with your SSD to connect the hub to the iPhone. SSD manufacturers include proper data cables. Phone charger manufacturers often don’t.
5. Restart with everything plugged in. If all else fails, restart your iPhone with the hub, SSD, and mic all connected. This forces iOS to re-detect USB-C audio devices and reallocate power properly. It worked for me 60% of the time when nothing else did.
The Real Cost of the SSD + Mic Workflow
Let’s be honest about what this setup actually costs:
- iPhone 16 Pro: $1,000+
- External SSD (1TB): $100-150
- USB-C Hub (reliable): $50-65
- Wireless Mic System: $170-400
- Proper USB-C cables (2x): $20-30
- Total: $1,340 – $1,645
That’s nearly the cost of a used Blackmagic Pocket Cinema Camera. But here’s why filmmakers still choose the iPhone setup:
You already own the phone. Most people aren’t buying an iPhone specifically for filmmaking—they’re using the phone they already have. That drops the real cost to $340-645.
It fits in a pocket. I’ve shot narrative scenes in locations where pulling out a “real” cinema camera would’ve required permits, insurance, and explaining myself to security. With an iPhone rig, I just looked like a guy filming his friend.
The image quality is legitimately good. I’ve projected iPhone 16 Pro footage on a 20-foot festival screen. In ProRes Log with proper color grading, it holds up. The audio, if you use the right mic, is indistinguishable from professional gear.
But if the hub fails, the SSD disconnects, or the mic drops—your entire workflow collapses. That’s why I carry backups of everything now.
FAQ
Can I Record 32-Bit Float Audio Directly Into an iPhone?
No. The iPhone’s native Camera app maxes out at 24-bit/48kHz. To get 32-bit float, you need a microphone that records internally (like the RØDE Wireless Pro or DJI Mic 2’s safety track).
The iPhone records the standard 24-bit track. The mic’s transmitter records a 32-bit backup to its internal memory. After the shoot, you pull the audio file off the transmitter via USB-C and sync it in post.
It’s an extra step, but it saved me multiple times when actors got louder than expected.
Does the iPhone 16 Pro Require a Special Microphone for ProRes Video?
No, but here’s the catch: if you’re recording ProRes to an external SSD, your iPhone treats the SSD as the priority device. If your microphone causes power draw issues or bandwidth conflicts, the iPhone will disconnect it to protect the video recording.
I tested this by plugging in a cheap $40 wireless mic receiver while recording 4K 60fps ProRes to a Samsung T7 SSD. Five minutes in, the mic disconnected. The video kept recording. The audio was gone.
The DJI Mic 2, RØDE Wireless Pro, and Sennheiser Profile Wireless all worked flawlessly in this scenario. They’re designed to handle the iPhone’s power management system.
How Do I Use a USB-C Microphone While Charging My iPhone?
Use a USB-C hub with Power Delivery. Plug your charger into the hub’s PD port, your mic into one USB-C port, and (optionally) your SSD into another data port.
Pro tip: Use a 60W or higher charger. Anything less and your iPhone will slowly drain battery even while “charging” if you’re recording 4K ProRes.
Is a Shotgun Mic Better Than a Lavalier for iPhone Filmmaking?
It depends on control.
Shotgun mics (like the RØDE VideoMic Me-L) are better when:
- You’re filming one person and can keep the mic pointed at them
- You need to reduce side and rear noise (like traffic behind the camera)
- You don’t want a visible mic on the subject
I used a shotgun mic on a documentary interview in a hotel lobby. The mic sat on top of my iPhone on a gimbal. It rejected the background lobby chatter well enough that the subject’s voice was clear.
Lavalier mics (like the DJI Mic 2 or RØDE Wireless Pro) are better when:
- Your subject is moving around
- You need consistent audio levels regardless of head turns
- You’re filming in unpredictable environments where you can’t control the mic angle
On a narrative short, my actor walked through a crowded market. A shotgun mic would have picked up every vendor shouting. The lav mic, clipped 6 inches below his chin, isolated his voice perfectly.
The honest answer: If you’re shooting solo, lavs are more reliable. If you have a crew and can dedicate someone to boom operation, shotguns sound more natural.
What Is the Best Way to Prevent Wind Noise on iPhone Microphones?
Use a deadcat (furry windscreen), not just foam.
I tested the DJI Mic 2’s built-in foam wind muff on a windy beach in Tofino. Wind speed was about 20 mph. The foam reduced wind noise by maybe 30%. It was still unusable.
I added a deadcat (the Rycote Mini Windjammer). Wind noise dropped by 80%. The audio wasn’t pristine—you could still hear light wind rumble—but it was salvageable in post with a high-pass filter.
Pro tip from set experience: On Maid, the sound department used double-layered wind protection for exterior shoots: foam muff + deadcat + high-pass filter at 80Hz in post. If you’re shooting serious narrative work outdoors, plan for all three layers.
How Do I Record Two People on an iPhone?
Use a dual-transmitter wireless system. Most professional wireless kits (like the DJI Mic 2 and RØDE Wireless Pro) support two transmitters paired to one receiver.
I tested this on a two-person interview for a short documentary. Each subject wore a transmitter. The receiver (plugged into my iPhone) recorded both channels as a stereo track—left channel for Person A, right channel for Person B.
In post, I split the stereo track into two mono tracks in DaVinci Resolve and adjusted their levels independently. Person A spoke quietly. Person B was loud. Without dual-channel recording, I would’ve had unusable audio.
Budget option: The Movo EDGE-DI-DUO ($180) is a dual-transmitter system designed specifically for interviews. It’s not as clean as the DJI or RØDE, but it works. I used it for a low-budget project where I couldn’t justify $400 on audio gear.
Downside: The range is weak (100 feet max), and the transmitters are bulky. One subject kept bumping his transmitter with his hand, which created handling noise.
How Do I Fix an iPhone Mic That Isn't Recognized Over USB-C?
I’ve troubleshot this more times than I’d like to admit. Here’s the checklist:
- Restart the iPhone with the mic plugged in. This forces iOS to re-detect USB-C audio devices. It worked 60% of the time for me.
- Check the mic’s firmware. The DJI Mic 2 and RØDE Wireless Pro both require app-based firmware updates. If your firmware is outdated, iOS won’t recognize the device. I spent 20 minutes on set once troubleshooting before realizing the firmware was two versions behind.
- Test with a different USB-C cable. Not all USB-C cables support audio. Some are charge-only. I keep a certified Apple USB-C to USB-C cable as my backup specifically for this reason.
- Disable Low Power Mode. iOS disables some USB-C accessories in Low Power Mode to save battery. I learned this the hard way when my mic stopped working mid-shoot. Disabling Low Power Mode fixed it immediately.
- Check for physical debris. The iPhone’s USB-C port collects lint. I’ve had mics fail to connect because a tiny piece of pocket lint was blocking the connection. Use a wooden toothpick (not metal) to gently clean the port.
If none of that works, test the mic on another device. If it fails there too, the mic is faulty.
The Verdict (Keep It Real)
The microphone landscape shifted hard in 2026. If you’re still using Lightning mics or 24-bit-only wireless systems, you’re not “behind”—you’re just limited. And limitations show up in your final export.
For indie filmmakers: The RØDE Wireless Pro is the only system I’d trust on a professional shoot. The timecode sync alone is worth the $400 price tag. I’ve wasted hours in post trying to manually sync multi-camera footage. With this, it’s automatic.
For YouTubers: The DJI Mic 2 is the sweet spot. It’s $50 cheaper than the RØDE, almost as good, and faster to set up. The safety track has saved me twice when subjects got unexpectedly loud.
For TikTokers and Reels creators: The Hollyland Lark M2 is the only mic that truly disappears. And in social media, aesthetics matter. If your mic is visible and chunky, people notice. If it’s invisible, they focus on your content.
For everyone on a budget: The DJI Mic Mini ($170) punches way above its price. I’ve used $300 mics that sound worse. If you’re just starting out and can’t justify $400 on audio, this is the move.
The mics I wouldn’t buy:
- Godox WES2 – The 50Hz frequency response floor cuts too much bass. Voices sound thin.
- RØDE VideoMic Me-L – It’s wired, which defeats the point of iPhone filmmaking. And it requires a Lightning-to-USB-C adapter that costs almost as much as the mic itself.
- RØDE SmartLav+ – Same issue. Great mic in 2020. Obsolete in 2026.
Microphones are just one piece of the puzzle. If you’re building your entire mobile studio from scratch, head over to my Complete Guide to Smartphone Filmmaking for lighting and lens recommendations.
Wrap-Up
I’ve shot on RED and ARRI cameras. I’ve worked on a Netflix series with a full sound department. And I’ve filmed TikToks in my hotel lobby using just an iPhone and a $120 mic.
The truth is, audio quality matters more than your camera. I’ve seen iPhone footage with clean audio get festival selections. I’ve seen ARRI Alexa footage with bad audio get rejected.
If you’re serious about iPhone filmmaking in 2026, treat your microphone as seriously as your camera. Buy once, buy right.
Quick decision guide:
- Multi-camera shoots or narrative work? → RØDE Wireless Pro
- YouTube or long-form content? → DJI Mic 2
- Social media or vlogging? → Hollyland Lark M2 or DJI Mic Mini
- Budget under $100? → RØDE SmartLav+ with adapters (but expect frustration)
And if you’re recording ProRes to an external SSD, don’t cheap out on your USB-C hub. Trust me.
If you’re looking for more gear to round out your kit—or looking for the perfect present for a fellow creator—check out my list of the Best Gifts for Filmmakers which features several of the audio tools mentioned here.
Peekatthis.com is part of the Amazon Services LLC Associates Program, which means we get a small commission when you click our links and buy stuff. It’s like our way of saying “Thanks for supporting us!” We also team up with B&H, Adorama, Clickbank, CJ, and a few other cool folks.
If you found this post helpful, don’t keep it to yourself—share it with your friends on social media! Got something to add? Drop a comment below; we love hearing from you!
📌 Don’t forget to bookmark this blog for later and pin those images in the article! You never know when you might need them.
About the Author:
Trent Peek is a filmmaker specializing in directing, producing, and acting. He works with high-end cinema cameras from RED and ARRI and also values the versatility of cameras like the Blackmagic Pocket Cinema.
His recent short film “Going Home” was selected for the 2024 Soho International Film Festival, highlighting his skill in crafting compelling narratives. Learn more about his work on [IMDB], [YouTube], [Vimeo], and [Stage 32].
In his downtime, he likes to travel (sometimes he even manages to pack the right shoes), curl up with a book (and usually fall asleep after two pages), and brainstorm film ideas (most of which will never see the light of day). It’s a good way to keep himself occupied, even if he’s a bit of a mess at it all.
P.S. It’s really weird to talk in the third person
Tune In: He recently appeared on the Pushin Podcast, sharing insights into the director’s role in independent productions.
For more behind-the-scenes content and project updates, visit his YouTube channel at https://www.youtube.com/@trentalor.
For business inquiries, please get in touch with him at trentalor@peekatthis.com. You can also find Trent on Instagram @trentalor and Facebook @peekatthis.
