The Filmmaker’s Backpacking Checklist (2026): Pack the Camera, Not the Kitchen Sink
The first time I hiked the Juan de Fuca Marine Trail with a cinema rig, I made it forty minutes before my right shoulder went numb. The hand-me-down Osprey held a Panasonic GH5, a second body I told myself was a backup, three primes, a carbon tripod and, with the optimism of a man who had never carried one uphill, a slider. All of it rode so high on my frame that every root I stepped over turned into a balance problem. By hour two, the slider was cached under a log with a GPS pin I never retrieved.
That trip taught me the difference between a hiking pack and a mobile studio. Most backpacking checklists assume you are carrying freeze-dried dinners and a paperback. They do not account for the nineteen pounds (8.6 kg) of glass and metal you need to make the trip worth documenting.
Afterward I swapped the oversized Osprey for a Shimoda Action X50 V2, adjusted the torso harness, and set a weight budget before every trip. If you have ever missed golden hour because your ND filter was buried under your sleeping bag, this guide is built for you.
Affiliate disclosure: Some product links in this article are affiliate links, which means PEEKATTHIS may earn a commission if you purchase through them, at no additional cost to you. Specs, prices and availability change, so verify the current listing before buying.
A filmmaker’s backpacking checklist splits pack weight 40/60: about 40% camera, power and data gear, 60% shelter, sleep, food, water and safety. Carry one zoom lens, six camera batteries, a power bank and a rugged SSD, and keep the camera reachable without taking the pack off. Weigh both halves before every trip.
Packing for a trip with no camera? Start with our Lightweight Backpacking for Beginners guide instead. This page assumes you know the basics and need to offset a twelve-to-fifteen-pound camera rig.
📄 Download the Filmmaker Payload Checklist (PDF, no email required)
What Is the Difference Between a Filmmaker’s Backpacking Checklist and a Standard One?
A standard backpacking list keeps you warm, hydrated and fed. A filmmaker’s checklist does that while keeping several thousand dollars of electronics running, dry and reachable without wrecking your back. The difference is a separate weight budget, a separate access routine and a separate set of failure modes, not simply more gear.
The 40/60 Weight Split Rule
Split your loaded pack weight 40/60:
40% production payload: camera body, one versatile zoom, the padded camera insert (Shimoda calls it a Core Unit), wind protection for audio, six batteries, a power bank and a rugged SSD.
60% everything else: the pack itself, a light tent, a cold-rated sleep system, water filtration, food, water, navigation and first aid.
The percentages apply to weight, not liters. If production gear creeps past 40%, you either shortchange survival items or run out of legs before you reach the location. I have done both.
The Production Reality: On a film set, the grip truck absorbs every “maybe” item. On a trail you are the truck. The 40/60 split forces the loading decisions at the trailhead, before mile six, when your shoulder has already voted.
What the 40/60 Split Looks Like in Practice
For a 35 lb (16 kg) pack, that is roughly 14 lb (6.4 kg) of production gear and 21 lb (9.5 kg) of everything else, food and water included. The pack shell sits on the survival side. The camera insert and rain cover ride with the camera. Fourteen pounds is tight, and it is supposed to be.
The first time I put my kit on a kitchen scale, the production payload came to nineteen pounds: three primes, a second body as a “backup,” a tripod I used twice, and the slider. I cut the second body, replaced the three primes with one 24-70mm f/2.8, and left the slider and the tripod home. The footage did not suffer. My shoulder stopped filing complaints.
What Do You Cut From a Standard Backpacking List When the Camera Goes In?
Cut the second lens, the tripod, the camp chair and the second stove, in that order. The camera payload goes on top of a standard survival kit; it does not replace any part of it. For the survival baseline itself, use our Lightweight Backpacking for Beginners guide and subtract from there.
The second lens. One 24-70mm f/2.8 covers most of what you will shoot on a trail. An f/2.8 zoom can weigh well over a pound, so weigh yours before you commit. The second lens is usually fear, not need.
The tripod. Handheld or on a Capture Clip, the tripod only earns its weight for locked-off sunrise or sunset frames. If you are hiking to shoot rather than hiking to wait, leave it.
The camp chair. You will sit on a rock. The rock is free.
The second stove. One stove, one canister, one pot. You are not running a catering truck.
The Budget Reality: You do not need ultralight gear to start. A used frame pack from a reputable brand, a three-season tent you already own and a pad with an honest R-value will get you on the trail. Spend first on a pack that lets you reach the camera and on the power kit. The lighter tent can wait a season.
For the camera-and-lens side of a solo shoot, see our guide to run-and-gun documentary gear. For safety and storytelling when you hike alone with a camera, read how to film while hiking alone.
What Is the Best Backpack for Backpacking With Camera Gear?
The best pack carries weight on your hips, lets you reach the camera without taking the pack off, and fits your torso length. Pockets are a distant fourth. Two packs dominate this conversation, and they solve different problems: the Shimoda Action X50 V2 is a multi-day pack, and the Lowepro Flipside 400 AW III is a day-trek camera pack.
| Feature | Shimoda Action X50 V2 | Lowepro Flipside 400 AW III |
|---|---|---|
| Capacity | 50 L, roll-top adds up to 7 L | 20 L |
| Weight | About 4.6 lb (2.1 kg) bare; about 6 lb (2.7 kg) with a Core Unit and rain cover | About 3.7 lb (1.7 kg) |
| Price | About $350 USD for the bare pack at US retailers; CAD varies, so check the current listing | Roughly $215–250 USD; CAD varies by retailer |
| Camera Access | Side access to the Core Unit | Secure rear back-panel access, plus side access |
| Fit | Four torso positions, about 3.5 in (9 cm) of adjustment | Fixed |
| Hipbelt | Removable, adjustable, built for heavy loads | Padded and stowable; stabilizes the pack, does not move load to your hips |
| Best For | Multi-day hikes with a full production payload | Day treks from a fixed camp or car |
| Honest Drawback | Hipbelt can ride up if over-tightened; price | 20 L cannot hold a tent and a sleep system |
| Buy Now | Buy Now | Buy Now |
Prices are approximate and vary by retailer and region. Check current listings before buying; gear prices move.
Buy the Shimoda Action X50 V2 if your torso falls within its adjustment range (measure before you buy), you hike more than six miles (10 km) a day with a full camera load, and you want a pack that carries weight on your hips instead of your shoulders.
Buy the Lowepro Flipside 400 AW III if you base-camp or car-camp, take shorter day treks, want rear-panel security, and are staying under roughly $250. Treat it as the day-trek bag, not the pack for a tent-and-sleeping-bag overnight.
Buy neither if you have not measured your torso, or you are trying to carry a cinema rig in a bag built for a laptop and a sandwich. A cheaper route is a padded camera insert inside a used 40–50 L frame pack you already own.
The Access Rule: Reach the Camera Without Taking the Pack Off
Any pack that makes you set it down for every lens swap costs you shots. Side or front access lets you swing the pack around, shoot, re-clip and keep walking. Rear-panel access is harder for a thief to open while you wear it, so it has a real edge in high-theft areas. On a backcountry ridge, where the main threat is missing the shot, quick access wins. A Peak Design Capture Clip on a shoulder strap covers the moments when even side access is too slow.
What Audiences Actually Feel: Viewers cannot tell which pack you carried. They can tell when the ridge shot you promised never arrived because the camera was zipped away. Quick access is the one pack feature that shows up on screen.
Who Should Not Buy a Camera-First Pack
If you carry a camera in a padded insert inside a standard hiking pack and rarely hike more than three miles (5 km) with a full load, a camera-first pack is not worth the money. It earns its price on multi-day hikes with a full production payload.
How Do You Power and Back Up Camera Gear Off-Grid?
Carry redundant batteries, one high-capacity power bank and a daily SSD backup routine. Treat solar as a supplement, worth the weight only on trips of four days or more. The goal is not infinite power. It is surviving a cold night, a missed charge or a corrupted card without losing the shoot.
Battery Math for a Three-Day Shoot
Camera batteries: six. A cold morning can cut effective capacity roughly in half.
Power bank: one 20,000–25,600mAh unit, which works out to about 74–95 Wh. Flying to the trailhead? The carry-on battery rules are covered in the One-Bag Travel Camera Kit guide.
Charging: check how your camera charges. If it charges in-camera over USB-C, the bank does the job. If it needs a wall charger, buy a USB-powered charger before the trip, not on the trail.
Solar: only for trips of four days or more.
The Common Beginner Mistake: Buying a solar panel before buying enough batteries. Solar is slow, weather-dependent and heavy for what it delivers. Six batteries and a 20,000mAh bank beat a small panel on a three-day trip every time.
Why Cold Batteries Die Faster (and Where to Carry Them)
Lithium-ion batteries lose usable capacity in the cold. A battery that delivers 100% at 27°C (80°F) typically delivers about 50% at -18°C (0°F), and most of that comes back when the cell warms up. According to Battery University, cold raises internal resistance, which is why the camera can shut down while the battery still has charge.
During the day: spare batteries go in an inner jacket pocket, close to your body.
At night: batteries sleep inside your sleeping bag, not in the pack.
On the trail: rotate cold batteries out of the camera and warm ones in.
Before charging: let a cold battery reach room temperature first. Charging a frozen lithium cell can cause permanent damage.
You do not need deep-freeze conditions to see it. On a damp 3°C (37°F) morning on the coastal stretch of the Juan de Fuca Trail, I watched a Panasonic DMW-BLF19 battery for my GH5 fall from roughly 80% to under 40% in twenty minutes of rolling. It had been sitting uninsulated in the marine fog. Now I carry three in my jacket and rotate them.
The On-Trail SSD Backup Workflow
Card failure is a matter of when, not if. The routine is short and non-negotiable:
End of day: copy footage from the cards to a rugged SSD. The Samsung T7 Shield and SanDisk Extreme Portable were both IP65-rated at the time of writing; confirm the current model before buying.
Verify the copy: check file count and total size before you touch the card. A transfer that looks done is not done.
Keep the card: do not format it until you are back at a computer. Until then it is your second copy.
Store the SSD in the pack’s padded section, not a pocket, where it can slide out unnoticed.
What Ultralight Shelter and Sleep System Offsets Production Weight?
A tent in the 2–2.5 lb range and a pad with the right R-value free more production weight than any other upgrade. The NEMO Hornet OSMO 2P is my reference point: 2 lb 1 oz (0.95 kg) minimum weight, 2 lb 8 oz (1.14 kg) packed, and semi-freestanding, so it needs stakes. It is a reference, not the right tent for every trip.
The Budget Reality: A heavier tent is fine. A heavier tent plus a full camera payload is the problem. If you cannot afford the lighter shelter yet, cut a lens before you cut the sleeping pad. The pad keeps you functional, and the second lens is usually fear.
The Weight Trade-Off Calculation
Going from a four-pound tent to the 2.1 lb Hornet saves 1.9 lb (0.9 kg), about one extra camera battery or one small prime. I run the numbers before every trip: total weight, production payload, survival base. If the payload is over 40%, the tent gets lighter or a lens stays home. There is no third option.
Who Should Not Buy an Ultralight Shelter
Skip it if you will camp in sustained high wind, on ground you cannot stake, or if you have never pitched a semi-freestanding tent. Thin ultralight fabrics reward careful campsites. The weight savings are not worth a collapsed shelter in bad weather. Our Lightweight Backpacking for Beginners guide covers the base-weight side in more detail.
What Should a Filmmaker Eat and Drink on a Backpacking Shoot?
Eat no-cook meals and one-handed snacks, because golden hour does not wait for a stove.Calories that fit in a jacket pocket and need no second hand beat a gourmet dinner when light lasts forty-seven minutes.
The Shooting-Day Meal Protocol
Before golden hour: fat and protein. A tortilla with peanut butter and a handful of nuts takes two minutes.
During the shoot: bars, jerky, dried fruit, nuts. If it needs two hands, it stays out of the jacket pocket.
After the shoot: cook if you cook at all. Most filmmaker trips are shooting trips with calories attached.
The Common Beginner Mistake: Packing a stove, fuel and a multi-pot kit for a three-day shoot. Every minute spent cooking is a minute not spent shooting, backing up footage or sleeping enough to shoot tomorrow.
Water: Filter, Do Not Carry
Carry a filter, not a full day’s water. A Sawyer Squeeze or equivalent with 4 L (about 1 gal) of capacity is the standard. Water is heavy and the filter is not, so filter at the source and carry less. The money you save on stove and fuel buys a spare battery.
What Audio and Accessory Gear Actually Earns Its Weight?
A shotgun mic with wind protection, a quick-access camera clip, two ND filters and a rain cover earn their weight on almost every trip. Everything else is optional. On a trail, wind is constant, and a mic without a deadcat records wind instead of dialogue.
The Audio Minimum
Shotgun mic: a directional mic with a deadcat. I carry the Rode VideoMic NTG, but the category matters more than the model.
Wind protection: the deadcat is not optional. It is the cheapest insurance in the kit. For interviews on a windy shoot, see our guide to budget wireless lav mics for windy shoots.
Backup: a second mic or a lavalier if you are shooting interviews. For help choosing between mic types, read Types of Microphones.
What Audiences Actually Feel: Viewers forgive a soft frame. They stop watching when wind roars over a whispered line, and no coastline is beautiful enough to fix that.
The Access Clip Trade-Off
A camera clip like the Peak Design Capture Clip lets you mount the camera on a pack strap, shoot, and re-clip without taking the pack off. It is the biggest single workflow improvement for backpacking filmmakers. The trade-off is wear on the camera base over time. If you plan to resell the camera, use a base plate or accept the scuffs.
Weather Protection and ND Filters
Pack the two-filter kit from our ND filter travel guide in a hipbelt or shoulder-strap pocket, not under the sleeping bag. Use the pack’s rain cover (the X50 V2 includes one) and put batteries, cards and the SSD in a dry bag. Throw a silica gel packet in the camera insert on humid trips.
What Does a Filmmaker’s Backpacking Checklist Look Like in Practice?
The practical checklist is two lists: survival systems at 60% of pack weight and production payload at 40%. Pack against both, weigh both, and never let the payload crowd out the survival base. Print it, laminate it and pack against it before every shoot.
Survival Systems (60% of Pack Weight)
☐ Internal frame backpack (40–50 L)
☐ Tent in the 2–3 lb range, and a footprint if you use one
☐ Sleeping pad (R-value matched to the expected low)
☐ Sleeping bag rated to the expected low
☐ Water filter and 4 L capacity
☐ No-cook meals and one-handed snacks
☐ Navigation: GPS or phone, paper map, compass
☐ First aid kit and repair kit
☐ Layers: base, insulation, rain shell
☐ Headlamp with red-light mode and spare batteries
☐ Sun protection
☐ Emergency items: whistle, blanket, fire starter
Production Payload (40% of Pack Weight)
☐ Camera body (mirrorless preferred)
☐ One versatile zoom (24–70mm f/2.8 range)
☐ Six camera batteries
☐ 20,000–25,600mAh power bank
☐ Rugged SSD and card reader
☐ Spare memory cards
☐ Shotgun mic with deadcat
☐ Two ND filters
☐ Rain cover and a dry bag for batteries, cards and SSD
☐ Camera clip (optional but recommended)
☐ Lens cloth and blower
☐ Gaff tape and multi-tool
The Production Reality: A packing list without a scale is a wish list. Weigh both columns, because you will drift past 40% without noticing. A kitchen scale is the most useful tool in this whole workflow.
The Floor-Photo Insurance Protocol
Before you pack, lay every item on the floor and photograph it, serial numbers visible where possible. The photo is your packing reference and your evidence if gear is lost or damaged. It takes two minutes and costs nothing.
If you are flying to the shoot instead of hiking in, see Backpack Filmmaking: The One-Bag Travel Camera Kit.
What Are the Most Common Filmmaker Backpacking Mistakes?
The three mistakes that cost the most are bringing “maybe” gear, ignoring hipbelt fit and skipping data redundancy. Each takes five minutes to check before you leave.
Mistake 1: Bringing “Maybe” Gear
The second lens, the backup body, the tripod you might use once. If you cannot name the specific shot an item is for, it stays home.
Mistake 2: Ignoring Hipbelt Fit
A pack that does not fit your torso carries weight on your shoulders no matter how many features it has. Measure your torso length before you buy, adjust the harness before you load the pack, and check that the hipbelt carries the weight.
Mistake 3: Skipping Data Redundancy
One card, one SSD and no backup is a hope, not a workflow. Keep a second copy and do not format the card until the backup is verified. Buying a new pack will not fix a bad packing list, and a new camera will not fix a missing backup.
Key Takeaways
Split loaded pack weight 40% production payload and 60% survival gear, and weigh both before every trip.
Choose a pack that carries weight on your hips and lets you reach the camera without taking it off.
Cold cuts battery capacity roughly in half near 0°F (-18°C), so keep spares warm and never charge a frozen cell.
One 24-70mm f/2.8 zoom covers most trail shooting, and the second lens is usually fear.
Carry six batteries, a 20,000mAh power bank and a rugged SSD, and do not format the card until the backup is verified.
Measure your torso, adjust the harness and make sure the hipbelt is doing the carrying.
Download the free Filmmaker Payload Checklist above for the full copy-paste version.
Master Checklist:
The Copy-Paste Version
- ☐Internal frame backpack (40-50L)
- ☐Ultralight tent (under 2.5 lbs)
- ☐Sleeping pad (R-value 4.0+)
- ☐Sleeping bag (rated to expected low temp)
- ☐Water filter (Sawyer Squeeze or equivalent)
- ☐4L water capacity (bottles + bladder)
- ☐No-cook meals (overnight oats, cold-soak dinners)
- ☐Merino base layers (top + bottom)
- ☐Insulating mid-layer (fleece)
- ☐Rain shell (under 8 oz)
- ☐First aid kit
- ☐Navigation (GPS device or phone + backup battery)
- ☐Camera body (mirrorless preferred)
- ☐One zoom lens (24-70mm range)
- ☐One fast prime (optional, 35mm or 50mm)
- ☐6+ camera batteries
- ☐High-capacity power bank (20,000+ mAh)
- ☐Solar panel (optional, for 4+ day trips)
- ☐Rugged SSD (2TB minimum)
- ☐SD card reader (USB-C)
- ☐Compact tripod with fluid head
- ☐Shotgun mic + deadcat windscreen
- ☐ND filter set
- ☐Microfiber lens cloth + rocket blower
- ☐Peak Design Capture Clip
- ☐Waterproof stuff sacks (for electronics)
FAQ: Backpacking for Beginners and Experienced Hikers
How much camera gear can you carry backpacking?
About 40% of your total pack weight, which is roughly 14 lb (6.4 kg) in a 35 lb (16 kg) pack. The rest covers shelter, sleep, food, water and safety.
Do you need a special backpack for backpacking with camera gear?
For multi-day trips, yes: a pack with quick camera access, a frame and a load-bearing hipbelt. Day hikers can use a padded camera insert inside a standard pack.
How many batteries do you need for a backpacking film shoot?
At least six camera batteries plus a 20,000mAh power bank for three days. In cold weather, keep spares in an inner pocket and in your sleeping bag overnight.
What is the best lens for backpacking filmmaking?
One 24-70mm f/2.8 zoom. It covers wide, medium and close shots without a lens swap, and weighing yours first tells you if it fits the 40% budget.
How do you back up footage on a backpacking shoot?
Copy to a rugged SSD at the end of each day, verify the file count and size, and keep the card unformatted until you are back at a computer.
Conclusion
A filmmaker backpacking checklist is not a longer standard list. It is a different weight budget, a different access routine and a different set of failure modes. The 40/60 split, a camera-first pack, the cold-battery rules and the SSD backup are the four decisions that separate a shoot that works from a story about the slider you left under a log.
The honest reality is that most filmmaker backpacking problems are workflow problems, not gear problems. A better pack will not fix a bad packing list, and a new camera will not fix a missing backup.
If you are just starting, buy a used frame pack that fits your torso, carry one lens, six batteries and a 20,000mAh bank, and skip the second body and the tripod until you know what you are actually shooting. If you have already made this mistake, you know which item was the maybe gear, which battery died in the cold and which card was never backed up, and the fix is the scale, the jacket pocket and the verification, not more gear.
Complete Gear Summary:
The Filmmaker's Backcountry Loadout
| Category | Item | Weight | Price (CAD) | Why It's Essential | Who Should Skip It | |
|---|---|---|---|---|---|---|
| Pack | Shimoda Action X50 V2 Camera Backpack | 4.6 lbs | $559 | Front access, internal frame, modular Core Units | Day hikers, budget under $300 | Buy → |
| Pack (Budget) | Lowepro Flipside 400 AW III | 3.9 lbs | $180-220 (used) | Rear-access security, integrated weather cover | Those needing front access speed | Buy → |
| Accessory | Peak Design Capture Clip | 3 oz | $110 | Shoulder strap camera mount for quick access | Shooters who don't need quick-draw | Buy → |
| Shelter | Nemo Hornet OSMO 2P Ultralight Tent | 2.1 lbs | $480 | Freestanding, PFC-free weather sealing | Winter campers (not rated below 20°F) | Buy → |
| Sleep Pad | Therm-a-Rest NeoAir XLite | 12 oz | $260 | R-value 4.2, warmth-to-weight ratio | Car campers, foam pad users | Buy → |
| Sleep Bag | Western Mountaineering UltraLite | 29 oz | $550 | 850-fill down, 35°F rating | Cold-weather shooters (need 15°F+) | Buy → |
| Water Filter | Sawyer Squeeze | 3 oz | $50 | Fast flow, threads on SmartWater bottles | Those with reliable water sources | Buy → |
| Base Layer | Smartwool Intraknit Merino 250 | 8 oz (top) | $120 | Odor resistance, moisture management | Budget-conscious (try synthetic) | Buy → |
| Mid Layer | Patagonia R1 Hoody | 13 oz | $180 | Breathable + wind resistant | Those preferring down insulation | Buy → |
| Shell | Outdoor Research Helium Rain Jacket | 6.4 oz | $150 | Packable, waterproof, lightweight | Those needing bombproof durability | Buy → |
| Camera Body | Sony A7S III Mirrorless Camera | 1.4 lbs | $4,800 | Low-light sensor, professional weather sealing | Beginners (start with a6700 at $1,800) | Buy → |
| Lens (Primary) | Sony FE 24-70mm f/2.8 GM II | 1.6 lbs | $3,000 | Versatile range, sharpness | Ultralight purists (prime only) | Buy → |
| Lens (Backup) | Sony FE 35mm f/1.8 | 10 oz | $900 | Fast aperture, compact | Those not needing f/1.8 | Buy → |
| Tripod | Ulanzi Ombra Carbon Fiber Travel Tripod | 2.8 lbs | $280 | Fluid head, compact fold | Run-and-gun shooters (use gimbal) | Buy → |
| Audio | Rode VideoMic NTG Shotgun Microphone | 5.8 oz | $280 | Super-cardioid, digital switching | Shooters without dialogue | Buy → |
| Wind Protection | Rode DeadCat VMPR Windscreen | 2.5 oz | $50 | 20-30dB wind noise reduction | Indoor/studio shooters | Buy → |
| Wireless Audio | Rode Wireless GO II | 4.6 oz | $350 | 200ft range, dual-channel | Solo shooters (no interviews) | Buy → |
| Power Bank | Goal Zero Venture 75 Waterproof | 1.3 lbs | $180 | 25,600mAh, IP67 waterproof/dustproof | Weekend trips (use 10K bank) | Buy → |
| Solar | Dark Energy Spectre 8W Solar Panel | 11 oz | $200 | 8W monocrystalline, crushproof | Forest hikers, overcast climates | Buy → |
| Data Backup | Samsung T7 Shield Portable SSD 2TB | 3.4 oz | $220 | IP65 rating, 1,050MB/s speeds | Day shooters with cloud access | Buy → |
| Card Reader | Anker USB-C SD Card Reader | 1 oz | $25 | Fast transfer, phone compatible | Those carrying laptops | Buy → |
| Accessories | Silica gel packs (4x rechargeable) | 2 oz | $15 | Moisture control in humid zones | Desert shooters | Buy → |
| Accessories | Giottos Rocket Blower | 1.5 oz | $15 | Sensor/lens dust removal | Studio-only shooters | Buy → |
🎒 Total Base Weight (including pack): 24.8 lbs
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About the Author
Trent Peek is a filmmaker, writer, and producer based in Victoria, BC, and the founder of PeekAtThis.com. His production credits include set decoration on Netflix’s Maid, and writing/directing Going Home (2024 Soho International Film Festival) and Noelle’s Package (48-hour festival winner, shot on smartphone). He’s also a former President of Cinevic, Victoria’s Society of Independent Filmmakers, and works as a doorman at a four-star hotel — a job that’s taught him as much about reading people under pressure as any film set has.
When he’s not writing articles, testing gear, or working on film projects, Trent enjoys traveling, reading, exploring new technology, and developing future film ideas — many of which may never leave the notebook stage.
P.S. Writing in the third person still feels weird.
Trent recently appeared on the Pushin Podcast — listen to the full episode — where he discussed independent filmmaking, directing actors, production challenges, and lessons learned from working in film.