This Best 4K Filmmaking Cameras under 2000 dollars list is filled with popular mirrorless cameras and boxed cinema cameras on the market today that meet the needs of both photographers and filmmakers.
While these cameras may not offer the cinematic features of high-end cinema cameras, you may see on Hollywood film sets, but they are extremely versatile tools for filmmakers on a budget. These 4K cameras listed can get the job done right for any independent filmmaker looking for a great cinema camera to shoot incredible-looking films with.
Keep in mind that there are always better 4K cameras out there, but at this price range you can a decent cinematic camera for your money.
Also, please keep in mind that you will most likely need more than just the body, so if $2,000 is your upper limit, this category is not for you.
Related Article: Plan Of Attack | Step One – 7 Important Steps To Making A Low Budget Feature Film
Best 4k Filmmaking Cameras Under 2000 Dollars
Peek At This is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
FUJIFILM X-T4
Key Features
- 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
- X-Processor 4 Image Processor
- 5-Axis In-Body Image Stabilization
- DCI/UHD 4K at 60 fps, Full HD at 240 fps
- 425-Point Hybrid AF System
- 3.69m-Dot 0.75x OLED EVF
- 3.0″ 1.62m-Dot Vari-Angle Touchscreen
- ISO 160-12800, up to 15-fps Shooting
- Bluetooth and Wi-Fi Connectivity
- Film Simulation Modes
Filmmaking Cameras Under 2000 Dollars – Fujifilm X-T4
First on the list of the Best Filmmaking Cameras Under 2000 dollars is the FUJIFILM X-T4. Addressing the needs of multimedia image-makers, the black FUJIFILM X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality.
Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter.
The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor’s design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance.
Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.
Beyond the sensor and processor capabilities, FUJIFILM’s cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set to a 100 fps refresh rate for notable smoothness when panning or tracking subjects.
Conversely, the rear 3.0″ 1.62m-dot touchscreen LCD now features a vari-angle design to suit working from high, low, and front-facing angles; or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge.
Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing to a mobile device.
FUJIFILM X-T3
Key Features
- 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
- X-Processor 4 with Quad CPU
- UHD 4K60 Video; F-Log Gamma & 10-Bit Out
- 2.16m-Point Phase-Detection Autofocus
- 0.75x 3.69m-Dot OLED Viewfinder
- 3.0″ 1.04m-Dot Tilting LCD Touchscreen
- Extended ISO 80-51200, 30 fps Shooting
- Bluetooth and Wi-Fi; Sports Finder Mode
- Weather-Sealed Magnesium Alloy Body
Filmmaking Cameras Under 2000 Dollars – Fujifilm X-T3
Next on the list of filmmaking cameras under 2000 dollars is the Fujifilm X-T3. Designed for videographers and action photographers alike, the silver Fujifilm X-T3 is a versatile mirrorless camera characterized by its high-speed performance, more-than-capable imaging, and multimedia flexibility.
Revolving around a newly developed image sensor and processor, both high-resolution stills and 4K video can be recorded while an apt autofocus system delivers quick and accurate focusing performance. The sensor, a 26.1MP APS-C-format X-Trans CMOS 4, features a back-illuminated design, to promote greater image quality throughout the sensitivity range, along with an expansive 2.16m-point phase-detection autofocus system for quick, precise AF performance and subject tracking.
Complementing the imaging and focusing is the X-Processor 4, which uses four CPUs for faster image processing as well as continuous shooting up to 11 fps with a mechanical shutter, 30 fps shooting at a 1.25x crop and electronic shutter, and internal 4K60p 10-bit video recording.
Like previous X-T cameras, the X-T3 retains its classically inspired looks and prominent tactile controls and adds a new OLED electronic viewfinder design with 3.69m-dot resolution and a high 0.75x magnification. This finder has a high refresh rate of 100 fps for fluid viewing and remains blackout-free while shooting at the top 30 fps shooting rate.
Also, a unique Sports Finder Mode can be used, which highlights the 16.6MP crop area in order to give you additional room outside of the frame to recognize moving subjects. Conversely, a rear 3.2″ 1.04m-dot LCD monitor can also be used for live view shooting and larger image playback.
Additionally, the X-T3 also sports built-in Bluetooth for wireless sharing and remote control, and the magnesium alloy body is fully weather-sealed for working in trying weather conditions. This is why the X-T3 is part of this best filmmaking cameras under 2000 dollars list.
Blackmagic Design Pocket Cinema Camera 6K
Key Features
- Active Canon EF/EF-S Mount
- Super 35-Sized HDR Sensor
- Record 6K 6144 x 3456 up to 50 fps
- Dual Native 400 & 3200 ISO to 25,600
- 5″ 1920 x 1080 Touchscreen Display
- Record up to 120 fps Windowed HD
- CFast 2.0 & SD/UHS-II Card Slots
- External Recording via USB Type-C
- 13-Stop Dynamic Range, 3D LUT Support
- Includes DaVinci Resolve Studio License
Filmmaking Cameras Under 2000 Dollars – Blackmagic Design Pocket Cinema Camera 6K
This is one of the filmmaking cameras under 2000 dollars that is not 4K, it’s 6K! Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K.
Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S–mount lenses available.
Turn to the BMPCC 6K to turn one frame into two by cropping a second shot from one frame, to upscale to 8K, or simply capture rich, detailed footage with your favorite EF/EF-S–mount lens. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Record using the internal CFast 2.0 and SD/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive.
The BMPCC 6K includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor’s metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.
The compact BMPCC 6K retains the familiar controls and menu layout of the 4K version in a minimally deeper form to accommodate the EF lens mount.
Features such as ISO support up to 25,600, 13 stops of dynamic range, 1920 x 1080 monitor output, and a bright 1920 x 1080 touchscreen 5″ LCD are carried through from the BMPCC 4K as well. Professional audio support includes a mini XLR input with phantom +48V power and four built-in mics.
Whether you’re shooting an indie film, wildlife, or fashion, the BMPCC 6K’s compact form is less intrusive than larger cameras, lending itself to more intimate setups. The BMPCC 6K is fashioned from a carbon fiber polycarbonate composite that is both lightweight and durable.
Additional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation.
Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the BMPCC 6K’s internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve 16.1 to automatically sync your multicamera shots in post.
In addition to the DaVinci Resolve Studio activation key, the BMPCC 6K comes with a power supply offering simultaneous battery charging, an LP-E6 battery, a lens port cap, and a camera strap. This is one of the best filmmaking cameras under 2000 dollars!
Blackmagic Design Pocket Cinema Camera 4K
Key Features
- 4/3″-Sized HDR Sensor
- DCI 4K60, 2.8K80 Raw in 4:3 Anamorphic
- Dual Native 400/3200 ISO / up to 25,600
- Up to 2.6K 120 Raw for Super16 Lenses
- 5″ Touchscreen Display
- Active Micro Four Thirds Lens Mount
- CFast 2.0 & SD/UHS-II Card Slots
- External Recording via USB Type-C
- 13-Stop Dynamic Range, 3D LUT Support
- Includes DaVinci Resolve Studio License
Filmmaking Cameras Under 2000 Dollars – Blackmagic Design Pocket Cinema Camera 4K
The Blackmagic Design Pocket Cinema Camera 4K features a 4/3″ sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options.
With the 6.6 updates, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. Not bad for a cinema camera on this filmmaking cameras under 2000 dollars list.
A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function.
Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.
The Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.
Record using the internal CFast 2.0 and SD/UHS-II card slots or employ the USB Type-C output for capturing longer clips to an external drive.
The Pocket Cinema Camera 4K’s 5″ touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you’re ready to commit.
Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini and Bluetooth remote control.
A license key for DaVinci Resolve Studio is included for versatile post-production control which is great for a camera on this filmmaking cameras under 2000 dollars list.
The Pocket Cinema Camera 4K’s carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.
Want to Learn More About Filmmaking?
Become a better filmmaker with the Annual MasterClass Membership. Gain access to exclusive video lessons taught by film masters, including Martin Scorsese, David Lynch, Spike Lee, Jodie Foster, James Cameron, and more.
Z CAM E2-M4
Key Features
- DCI & UHD 4K up to 160 fps
- Interchangeable MFT Lens Mount
- ProRes RAW & 12-Bit Color Support
- 4/3″ WDR CMOS Sensor/Flagship Housing
- 13-Stop Dynamic Range (16 WDR Enabled)
- Native ISO: 500 / 2500, WDR: 250 / 1250
- Gigabit Ethernet for Data, Control
- Live Streaming via Ethernet
- iOS App for Control & Live Preview
- Requires L-Series Battery/Power Supply
Filmmaking Cameras Under 2000 Dollars – Z Cam E2-M4
This is the first on the list of filmmaking cameras under 2000 dollars that is a box cinema camera.
The Z CAM E2-M4 Professional 4K Cinema Camera features an interchangeable Micro Four Thirds lens mount, a Flagship Series housing, and like all Z CAM E2s with the latest update, the ability to record ProRes RAW using select Atomos recorder/monitors.
This compact camera records DCI and UHD 4K at up to 160 fps, as well as HD up to 240 fps, and records to a CFast 2.0 card (not included). A future update will enable the E2-M4 to will support RTMP, RTPS, and SRT live streaming directly from the camera without requiring a computer.
The camera features a 4/3″ sensor with 10/12-bit color support and nominal 13 stops of dynamic range with 16 stops when set to WDR. ISO settings include 500 and 2500 in native mode, 250 and 1250 with WDR activated, and a total manual range of 500 to 102,400.
The E2-M4 supports H.265 and H.264 codecs for efficient compressing of your images, and with firmware update 0.98.0 it supports ProRes 422 in all resolution and frame rate combinations and offers proxy recording in separate files.
The E2-M4 can be controlled via serial ports, a 2.5mm LANC connector, a USB Type-C port, an Ethernet port, or by the Z Camera iOS app to control the camera via Wi-Fi and to view a live image preview and to configure settings.
The camera can record time-lapse, slow motion, and can even live stream via its Gigabit Ethernet port. Power the E2-M4 camera from a separately available L-series battery or AC adapter. If you are looking for an industrial look to a camera, the E2-M4 is one of those filmmaking cameras under 2000 dollars to fit the bill.
Z CAM E2 Professional 4K Cinema Camera
Key Features
- DCI and UHD 4K up to 160 fps
- 13-Stop Dynamic Range (16 WDR Enabled)
- 10-Bit Color Recording, Supports ProRes
- 4/3″ WDR CMOS Sensor
- Multi-camera Synchronization
- Gigabit Ethernet for Data, Control
- Live Streaming via Ethernet
- iOS App for Control and Live Preview
- Accepts Optional L-Series Batteries
- AC Power Adapter Included
Filmmaking Cameras Under 2000 Dollars – Z Cam E2
The Z CAM E2 Professional 4K Cinema Camera shoots DCI and UHD 4K at up to 160 fps, as well as HD up to 240 fps, and records to a CFast 2.0 card (not included). An optional cable enables syncing two E2 cameras together, and the system supports syncing up to 100 cameras. This is a great feature on this filmmaking cameras under 2000 dollars list. The camera features a 4/3″ sensor with 10-bit color support and nominal 13 stops of dynamic range with 16 stops when set to WDR.
The camera supports recording in ProRes 422 in 10-bit, as well as H.265 and H.264 codecs for efficient compressing of your image.
An included Gigabit connector provides data transfer and control of the camera, and you can also use an available iOS app to control the camera and to view a live image preview. You can also control it locally by the buttons along the front edge of the camera. The camera powers from an L-series battery (not included) or via the included AC adapter.
Nikon Z 6II
Key Features
- 24.5MP FX-Format BSI CMOS Sensor
- Dual EXPEED 6 Image Processors
- UHD 4K30 Video; N-Log & 10-Bit HDMI Out
- 14 fps Cont. Shooting, ISO 100-51200
- 273-Point Phase-Detect AF System
- 3.6m-Dot OLED Electronic Viewfinder
- 3.2″ 2.1m-Dot Tilting Touchscreen LCD
- 5-Axis In-Body Vibration Reduction
- Dual Memory Card Slots
Filmmaking Cameras Under 2000 Dollars – Nikon Z 6II
Next on the list of filmmaking cameras under 2000 dollars is the Nikon Z 6II. With more speed, more versatility, more performance, the Nikon Z 6II is an updated take on the all-rounder mirrorless camera designed for high-end photo and video applications.
Despite the wealth of upgrades, the Z 6II retains its familiar form factor and prized image quality to benefit working multimedia image-makers.
Revolving around a 24.5MP BSI CMOS sensor and dual EXPEED 6 image processors, the Z 6II is characterized by an increased buffer depth and faster continuous shooting rate, up to 14 fps with single-point AF or 12 fps shooting in other focusing modes.
Video recording at UHD 4K 30p is possible, or up to FHD 120p for slow-motion output, and external recording gains 10-bit out along with N-Log and HLG (HDR) support.
The sensor also suits working in a variety of lighting conditions, with sensitivity from ISO 100-51200, and in-body 5-axis Vibration Reduction reduces the appearance of camera shake for sharper handheld shooting.
Additionally, the sensor also incorporates a 273-point phase-detection AF system, which now supports Eye-Detect AF in Wide-Area AF modes and during movie recording, and permits focusing in low-light down to -4.5 EV.
Balancing the imaging, the Z 6II retains its overall physical design, however, it has been updated with a new dual memory card slot interface to hold one CFexpress Type B card and one SD UHS-II card for more flexible storage.
Both a high-res 3.6m-dot OLED EVF and rear 3.2″ 2.1m-dot tilting touchscreen LCD lend versatility to image composition and playback, and SnapBridge wireless connectivity can be used for remote camera control, image sharing to a mobile device, and even over-the-air firmware updates.
Firmware version 1.10 unlocks UHD 4K recording at 60p and 50p frame rates, enables raw video output to Blackmagic Design Video Assist external recorders, and improves eye-detection performance when using Auto-Area AF and Wide-Area AF modes.
Another one of the favorite filmmaking cameras under 2000 dollars on this list that doesn’t disappoint.
Browse the best camera equipment deals available at your favorite retailers:
Panasonic Lumix DC-S5
Key Features
- 24.2MP Full-Frame CMOS Sensor
- UHD 4K60 Video,10-Bit Internal Recording
- V-Log, HDR, and Dual Native ISO
- 2.36m-Dot 0.74x-Magnification OLED LVF
- 3.0″ 1.84m-Dot Free-Angle Touchscreen
- Contrast-Detect 225-Area DFD AF System
- 5-Axis Sensor-Shift Image Stabilization
- ISO 100-51200, Up to 7 fps Shooting
- 96MP High-Res Mode, Dual SD Card Slots
Filmmaking Cameras Under 2000 Dollars – Panasonic Lumix DC-S5
Well-rounded, lightweight, and sleek, the Panasonic Lumix DC-S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range.
Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.
In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability.
The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0″ 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.
Panasonic LUMIX BGH1
Key Features
- 10.2MP M4/3 MOS Sensor, MFT Lens Mount
- 4K60, 4:2:2, H.264/H.265/HEVC Recording
- 13 Stops of Dynamic Range, HLG Imaging
- Dual-Native ISO, VariCam Look & V-Log L
- Variable Frame Rates from 60 to 240 fps
- Remote Control via USB Type-C, LAN, LANC
- Ethernet with PoE+, VBR Battery Mount
- Anamorphic Video & 3D LUT Support
- Durable Magnesium & Aluminum Body
- 12 VDC Power Adapter Included
Filmmaking Cameras Under 2000 Dollars – Panasonic Lumix BGH1
Moving the LUMIX camera range into fresh new territory, the Panasonic LUMIX BGH1 Cinema 4K Box Camera is a modular, box-style digital cinema camera with a miniature form factor, making it ideal for gimbal and drone work as well as broadcast, live streaming, vlogging, and cinema production.
This box-style digital cinema camera features a 10.2MP M4/3 sensor, an MFT lens mount, and a wide 13-stop dynamic range to accommodate extreme changes in light.
It records video with resolutions up to 4K60 and incorporates VariCam Look workflows such as V-Log L and Cinelike, dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and it supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading.
There are many features packed into this tiny form that make it the go-to production camera in any mobile and multicamera production environment.
The BGH1 provides multiple ways to record your footage to high data rate files in the ALL-Intra Long GOP, MOV, and MP4 recording formats with H.264 and H.265/HEVC codecs.
The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera’s dual SD card slots. It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via 3G-SDI.
The camera allows you to output via HDMI and 3G-SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates up to 1080p240 for high-quality slow-motion video. Custom 3D LUTs can be uploaded into the camera using the SD card slots.
Panasonic Lumix DC-GH5S
Key Features
- 10.28MP Multi Aspect Ratio MOS Sensor
- DCI 4K60p and Full HD 1080/240p Video
- Internal 4:2:2 10-Bit Long GOP
- V-Log L Gamma and HDR Hybrid Log Gamma
- 0.76x 3.68m-Dot OLED Viewfinder
- 3.2″ 1.62m-Dot Free-Angle Touchscreen
- Dual Native ISO 400 and ISO 2500
- Dual UHS-II SD Slots; Wi-Fi & Bluetooth
- Advanced DFD AF System
- 12-fps Cont. Shooting and 4K PHOTO Modes
Filmmaking Cameras Under 2000 Dollars – Panasonic Lumix DC-GH5S
Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance.
Revolving around a 10.28MP Digital Live MOS sensor, DCI and UHD 4K video recording is possible at up to 60p and the large individual pixel size also affords impressive low-light performance to an extended ISO 204800, along with Dual Native ISO technology at ISO 400 and ISO 2500. Coupled with an updated Venus Engine, the sensor and processor combination also enables faster readout speeds along with 1.3x less rolling shutter distortion compared to previous GH-series cameras.
Internal DCI 4K30p recording is available with 4:2:2 10-bit sampling and a full-size HDMI A connector can be used to simultaneously output to an optional external monitor or recorder. The sensor’s extended sensitivity range has also been used to promote working with V-Log L and Hybrid Log Gamma HDR modes for effectively increasing your dynamic range and affording more flexibility when color grading during post-production.
Beyond its video prowess, the GH5S is no slouch when it comes to stills shooting, either. The sensor and Venus Engine combination enable recording 14-bit raw files with a top continuous shooting rate of 12 fps with single-shot AF, or up to 8 fps with continuous autofocus.
Borrowing from the video side, 4K PHOTO modes are also available for shooting 8MP stills at up to 60 fps. Benefitting stills, the Depth-From-Defocus AF system works quickly and accurately using 225 dedicated AF areas, and is sensitive to -5 EV luminance for working in extreme low-light conditions.
Beyond imaging specs, the GH5S retains its professional build quality the GH-series is known for. The magnesium alloy body is fully weather-sealed for working in inclement conditions, and physical controls have been enhanced for easier tactile control.
A large 3.68m-dot OLED electronic viewfinder is featured, for high-resolution eye-level monitoring, as well as a rear 3.2″ 1.62m-dot LCD touchscreen with free-angle movement to suit working from high and low angles. Dual UHS-II SD memory card slots are available for flexible file recording and built-in Wi-Fi with NFC and Bluetooth wireless connectivity enable seamless image sharing and remote camera control from a mobile device.
Sony Alpha a7C Mirrorless Digital Camera
Key Features
- 24.2MP Full-Frame Exmor R BSI Sensor
- BIONZ X Image Processor
- UHD 4K30p Video with HLG & S-Log3 Gammas
- 693-Point Hybrid AF System
- 2.36m-Dot OLED Electronic Viewfinder
- 3.0″ 921.6k-Dot Vari-Angle Touchscreen
- 5-Axis In-Body Image Stabilization
- Shooting Up to 10 fps, ISO 50-204800
- Bluetooth and Wi-Fi Connectivity
Filmmaking Cameras Under 2000 Dollars – Sony Alpha a7C
Compact and capable, the black Sony Alpha a7C mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry.
The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects.
The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast-detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting.
Compared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate.
The re-positioned electronic viewfinder is a 0.39″-type OLED with 2.36m-dot resolution and is complemented by a 3.0″ side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device.
Sony Alpha a6600 Mirrorless Digital Camera
Key Features
- 24.2MP APS-C Exmor CMOS Sensor
- BIONZ X Image Processor
- UHD 4K30p Video with HLG & S-Log3 Gammas
- XGA Tru-Finder 2.36m-Dot OLED EVF
- 3.0″ 921.6k-Dot 180° Tilting Touchscreen
- 5-Axis SteadyShot INSIDE Stabilization
- Up to 11-fps Shooting, ISO 100-32000
- 4D FOCUS with 425 Phase-Detect Points
- Real Time Eye AF for Stills and Video
- Headphone & Mic Ports, Wi-Fi & Bluetooth
Filmmaking Cameras Under 2000 Dollars – Sony Alpha a6600 Mirrorless Digital Camera
With an emphasis on speed and versatility, the Sony Alpha a6600 is a sleek-yet-fully-featured APS-C-format mirrorless camera well-suited for both stills and video. Sporting a revised 24.2MP CMOS sensor, the a6600 is capable of producing high-resolution photos and up to UHD 4K video with no recording time limit, more efficient processing, and faster focusing.
The 4D FOCUS system, which covers 84% of the image frame, utilizes 425 phase-detection points along with 425 contrast-detection areas for especially quick and intuitive performance along with Real-time Eye AF for both photo and video.
Complementing both stills and video, 5-axis SteadyShot INSIDE image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds.
Canon EOS R
The first step in Canon‘s mirrorless evolution, the EOS R pairs a redeveloped lens mount and updated full-frame image sensor for a unique and sophisticated multimedia camera system. Revolving around the new RF lens mount, the EOS R is poised to be the means from which to make the most of a new series of lenses and optical technologies.
Focusing on the camera itself, the EOS R features a high-resolution 30.3MP full-frame CMOS sensor along with a DIGIC 8 image processor. The combination of these technologies offers a wide sensitivity range up to a native ISO 40000, fast continuous shooting to 8 fps, and UHD 4K30 video recording.
In addition to imaging, the sensor also facilitates an advanced Dual Pixel CMOS AF system, which uses 5655 selectable points for quickly and accurately acquiring focus. This focusing system is also sensitive down to EV -6 for working in impressively dark conditions.
The AF system is also perfectly matched to the UHD 4K video recording capabilities, which are also rounded out by Movie Digital IS to minimize camera shake, built-in Canon Log gamma for a greater dynamic range, and 4K 10-bit 4:2:2 output over HDMI for even greater color control.
Beyond the performance attributes, this camera has been designed from the ground up and features a high-resolution 3.69m-dot OLED electronic viewfinder for clear and bright eye-level viewing. Conversely, a rear 3.15″ 2.1m-dot LCD touchscreen is also featured and has a swivel design to suit working from high and low angles.
Also catering to the tactile cravings is a Multi-Function bar, which is customizable for intuitively adjusting shooting settings. And as a camera built to withstand the toughest environments, the magnesium alloy body is dust and moisture-sealed.
Want to Learn More About Filmmaking?
Become a better filmmaker with the MasterClass Annual Membership. Gain access to exclusive video lessons taught by film masters, including Martin Scorsese, David Lynch, Spike Lee, Jodie Foster, James Cameron and more.
Eager to learn more?
Join our weekly newsletter below featuring inspiring stories, no-budget filmmaking tips, and comprehensive equipment reviews to help you turn your film projects into reality!
If you found this post useful, please do consider sharing it or letting your friends know via social media. Have something to add? Please feel free to do so in the comments section
below. I really appreciate it!
About the author: Trent (IMDB | Youtube) has spent 10+ years working on an assortment of film and television projects. He writes about his experiences to help (and amuse) others. If he’s not working, he’s either traveling, reading or writing about travel/film, or planning travel/film projects.
