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The Direct Answer
The best online filmmaking courses for 2026 are MasterClass (Martin Scorsese) for storytelling philosophy, Skillshare (Jordy Vandeput) for hands-on guerrilla techniques, and StudioBinder Academy for production logistics. Budget filmmakers should start with Udemy’s Complete Filmmaker Guide at $20. Skip NYU Tisch unless you’re career-tracking into union work.
Quick Picks: The 2026 Comparison Table
| Best For... | Course / Platform | Price | Trent's Take | |
|---|---|---|---|---|
| Pure Directing Intent | Martin Scorsese MasterClass | $15/mo (sub) | Soul of filmmaking, not technical manual | Check Price → |
| Guerrilla/DIY Shooters | Intro to Filmmaking (Jordy) | Free trial | Manual mode mastery for camera-terrified creatives | Try Free → |
| Best Bang-for-Buck | Complete Filmmaker Guide | ~$20 | 13-hour info dump + mindset coaching | Check Price → |
| Production Logistics | Making It: Script to Screen | Free | Call sheets/shot lists = professional backbone | Access Free → |
| Academic Certificate | Art of Visual Storytelling | Free audit | Theory-heavy, corporate job prep | Audit Free → |
| Peer Collaboration | Explore Filmmaking (NFTS) | Free audit | UK film school community for $0 | Audit Free → |
| $100 Budget Look | Cinematography for Beginners | ~$10 | Practical lights = $10K look on scraps | Check Price → |
| Post-Production Career | Video Production & Editing | $39.99/mo | Adobe Premiere Pro + freelance job path | Learn More → |
| Fast-Track to Industry | Digital Filmmaking Workshop | $1,000+ | Union-level feedback, 10 hrs/week commitment | View Program → |
| Daily Industry News | Free Tutorials (No Film School) | Free | AI editing tools + gear drops in 2026 | Visit Site → |
Why Most “Filmmaking Course” Listicles Are Useless
I returned to filmmaking after a 20-year gap. I’d already done USC and Vancouver Film School in the ’90s, worked as a set dresser on Netflix’s Maid, and won festival awards for smartphone-shot shorts. So when I googled “online filmmaking courses,” I expected insider knowledge.
Instead, I got 47 identical listicles copy-pasted from course landing pages. No one admitted which courses were a waste of time. No one explained why Scorsese’s MasterClass won’t teach you where to put a C-stand but will teach you why the C-stand matters.
Here’s what I learned after spending $800+ on courses and wasting 40 hours on the wrong ones: Most filmmaking courses teach you to think like a film school professor, not like a working filmmaker. The ones that work teach you to solve problems at 3:15 AM when your key light dies and you’re losing magic hour.
This guide fixes that. Every course here includes:
- The Peek Verdict: What I learned from each course based on my experience on union sets, guerrilla shoots, and 48-hour film festivals.
- Who Should NOT Buy This: Honest downsides the sales pages won’t tell you.
- 2026 Emerging Trends: AI editing tools, virtual production, smartphone cinema techniques that didn’t exist when these courses launched.
The Problem: Generic Course Reviews Don’t Reflect Real Production
When I was set dressing on Maid, the AD handed me a cracked C-stand at 5:47 AM and said, “Make it work.” No course teaches that moment. But the philosophy behind solving that moment—reading the room, prioritizing safety over ego, knowing when to ask for help—that’s what separates hobbyists from professionals.
Most online course reviews miss this. They list “modules” and “certificates” but don’t answer:
- Will this help me troubleshoot a gimbal malfunction during a live wedding shoot?
- Will this teach me how to tell a gaffer I need softer light without sounding like an asshole?
- Will this prepare me for the reality that 70% of indie filmmaking is logistics, not artistry?
The Missing Insight: Filmmaking Courses Are Like Lenses—Match Them to Your Shoot
You wouldn’t use a 200mm lens for a wide establishing shot. Same logic applies to courses:
- MasterClass = 50mm prime. Beautiful, versatile, but you need other lenses in the bag.
- Skillshare = 24mm wide-angle. Guerrilla-ready, covers a lot of ground fast.
- NYU Tisch = Cinema prime set. Professional-grade, expensive, overkill unless you’re shooting features.
Most beginners try to buy the “one perfect course.” That course doesn’t exist. You stack skills like you stack lenses.
The Solution: 10 Courses, Ranked by Real-World Use Cases
I tested these courses while producing six short films in 18 months, including Going Home (Soho International Film Festival 2024) and Noelle’s Package (smartphone-shot 48-hour fest winner). Here’s what worked.
1. MasterClass: Filmmaking with Martin Scorsese
Platform: MasterClass
Price: $15/month (subscription includes all courses)
Course Length: 3.5 hours (30 video lessons)
What You Actually Learn
- Why blocking actors matters more than camera placement
- How Scorsese discovers emotional truth in rehearsals
- The difference between “coverage” and “vision”
The Peek Verdict
Scorsese doesn’t teach you where to put the tripod; he teaches you why the camera is there in the first place. When I was working on the set of Maid, I saw firsthand how much the “vibe” of a scene depends on the director’s intent. The DP can light a scene beautifully, but if the director hasn’t communicated the emotional stakes, you’re just pointing lights at actors.
This course is edutainment—it’s high-gloss and inspiring. Scorsese talks about Taxi Driver and Raging Bull the way a carpenter talks about hand tools. You won’t learn how to operate a RED camera here, but you’ll understand why certain shots feel inevitable instead of random.
Experience Stack:
On Going Home, I blocked a kitchen argument scene three different ways. The first two felt like blocking. The third—where I had the actor turn away from camera mid-sentence—felt like the character was refusing to be seen. That’s a Scorsese principle: blocking = character psychology.
Who Should NOT Buy This
- You need technical training on camera settings, lighting ratios, or audio recording
- You’re looking for software tutorials (Premiere, DaVinci Resolve)
- You want step-by-step checklists for pre-production
2026 Emerging Trends
MasterClass added “Extended Play” lessons in 2025—these are 15-minute deep-dives where Scorsese breaks down specific scenes from Killers of the Flower Moon. It’s the closest you’ll get to sitting in Video Village with him.
Best For: Aspiring directors who want to develop artistic vision before they obsess over gear. Pair this with our guide on Visual Storytelling Without Dialogue to see how blocking and composition replace exposition.
Platform: Skillshare
Price: Free trial, then $32/month
Course Length: 2.5 hours (22 lessons)
What You Actually Learn
- Manual camera control (aperture, shutter, ISO) explained for terrified beginners
- How to shoot cinematic footage on a smartphone
- Audio basics—why a $30 lav mic beats your camera’s built-in mic
The Peek Verdict
Jordy is the king of the “Do It Now” approach. If you’re a guerrilla filmmaker like me, this is your bread and butter. He covers manual camera control in a way that actually sticks—no film school jargon, just “Here’s what aperture does, here’s when it screws you over.”
The smartphone module is where this course earns its keep. I used Jordy’s gimbal techniques on Noelle’s Package, which we shot entirely on an iPhone 12 Pro. His tip about shooting at 24fps with a 1/50 shutter to avoid the “soap opera look” was the difference between “festival-worthy” and “home video.”
Experience Stack:
During the 48-hour shoot for Noelle’s Package, my DP (who was also the lead actor) set the shutter to 1/200 by accident. The footage looked like Cops—hyper-real, jittery. We lost an hour re-shooting because neither of us caught it in-camera. Jordy’s course drills this rule into muscle memory: 180-degree shutter rule = your frame rate × 2.
Who Should NOT Buy This
- You already own a cinema camera and need advanced color grading techniques
- You’re looking for screenwriting or story structure lessons
- You hate video-based learning (this is 100% video, no PDFs)
2026 Emerging Trends
Skillshare added AI-powered rough-cut tools to their platform. Jordy’s course now includes a bonus lesson on using Descript to generate a first assembly from your transcripts. It’s janky, but it saves 3 hours on documentary-style projects.
Best For: Camera-terrified creatives who need confidence before they touch manual mode. Check out our Smartphone Filmmaking Rig Guide for the exact NVMe SSD setup that pairs with Jordy’s techniques.
3. Udemy: Complete Filmmaker Guide
Platform: Udemy
Price: $19.99 (frequent sales drop it to $12)
Course Length: 13 hours (127 lectures)
What You Actually Learn
- Pre-production: Script breakdowns, budgeting, shot lists
- Production: Camera operation, lighting setups, directing actors
- Post-production: Editing workflows, color correction, sound design
The Peek Verdict
This is the most “bang for your buck” option on this list. It’s a massive 13-hour dump of info that covers everything—from writing a logline to exporting the final file. What I love is the “Personal Development” section buried in Module 9. As a hotel doorman, I know that “reading the room” is 90% of the job. This course actually talks about the daily routine and mindset of a creator, which most technical courses skip.
The lighting module is solid but generic. You’ll learn three-point lighting, which is fine, but you won’t learn how to fake three-point lighting with a desk lamp and a bedsheet (which is what I did on Beta Tested when our key light died 20 minutes into a night shoot).
Experience Stack:
On Married & Isolated (a COVID lockdown short), we had zero budget for lighting. I used the Udemy lighting principles but adapted them: laptop screen as key light, white poster board as fill, practical lamp as back rim. The DP hated it. The final footage looked moody and claustrophobic, which was the point. The lesson: understand the why behind three-point lighting so you can break it intentionally.
Who Should NOT Buy This
- You need deep specialization in one area (editing, sound design)
- You’re already working on sets and need union-level production logistics
- You hate “talking head” lectures (this course is 90% instructor-to-camera)
2026 Emerging Trends
Udemy added a module on AI scriptwriting tools (ChatGPT, Claude, Sudowrite) in late 2025. It’s a 45-minute crash course on using AI for story outlining without losing your voice. Worth the price alone.
Best For: Absolute beginners who want a “film school in a box” for $20.
4. StudioBinder Academy: Making It: From Script to Screen
Platform: StudioBinder (free)
Price: $0
Course Length: 8 hours (video series)
What You Actually Learn
- How to break down a script into department-specific needs (props, wardrobe, locations)
- Building call sheets and shot lists that don’t confuse your crew
- Production scheduling—why “day out of days” matters
The Peek Verdict
StudioBinder is the gold standard for production logistics. If you want to move from “guy with a camera” to “Producer,” you need this. It’s free, which is wild because it teaches you how to build call sheets and shot lists—the invisible spine of every professional production.
On Maid, the 2nd AD handed me a 14-page call sheet at 5:30 AM. I had no idea what half the codes meant (W = wet-down, ND = need on set). StudioBinder’s course explains this language so you don’t look lost on day one.
Experience Stack:
I produced The Camping Discovery (a PSA short) with a crew of 12. I used StudioBinder’s free tools to generate the call sheet, shot list, and shooting schedule. The shoot ran 30 minutes ahead of schedule because everyone knew exactly where to be and when. Compare that to Dogonnit, where I winged it and we lost 90 minutes looking for a prop we’d left at the prior location.
Who Should NOT Buy This
- You only want creative/artistic training (this is 100% logistics)
- You’re shooting solo and don’t need crew coordination
- You hate spreadsheets and production software
2026 Emerging Trends
StudioBinder integrated with Frame.io in 2025, so now you can link your shot list to your dailies and track coverage in real-time. It’s overkill for shorts, but if you’re shooting a 30-page script, it’s a lifesaver.
Best For: Filmmakers ready to produce multi-person shoots with real crew. Pair this with our Film Budgeting Guide to see how call sheets and budgets connect.
5. Coursera: The Art of Visual Storytelling
Platform: Coursera
Price: Free to audit / Paid certificate available
Course Length: 4 weeks (3-4 hours/week)
What You Actually Learn
- Shot composition theory (rule of thirds, leading lines, negative space)
- How camera movement conveys emotion
- Visual symbolism and motif development
The Peek Verdict
This is the “academic” route. It’s heavy on theory and sequencing. If you’re looking to get a job at a big production house, the certificate here actually carries weight. It’s less about “guerrilla” vibes and more about professional standards.
The visual composition module is excellent. I applied the “motif repetition” technique on Going Home—every scene where the protagonist feels trapped includes a visual frame-within-a-frame (doorways, windows, mirrors). The festival audience noticed. One viewer said, “I felt claustrophobic watching it.” That’s the power of intentional composition.
Experience Stack:
On Two Brothers One Sister, I ignored composition rules and just “shot what felt right.” The edit was a nightmare. Shots didn’t cut together because I’d crossed the 180-degree line without realizing it. Coursera’s course explains why these rules exist—not to limit you, but to give your editor options.
Who Should NOT Buy This
- You need hands-on technical training (camera settings, lighting gear)
- You’re already working professionally and need advanced techniques
- You hate essay assignments (this course includes peer-reviewed essays)
2026 Emerging Trends
Coursera added VR cinematography modules in 2025. If you’re interested in 360° filmmaking or virtual production, this is one of the few courses that covers spatial composition for immersive media.
Best For: Filmmakers pursuing corporate video jobs or film festival submissions.
6. FutureLearn: Introduction to Filmmaking
Platform: FutureLearn
Price: Free to audit / Paid certificate available
Course Length: 4 weeks (3 hours/week)
What You Actually Learn
- How to develop your “voice” as a filmmaker
- Directing actors for emotional authenticity
- Peer feedback on your short film projects
The Peek Verdict
This course comes from the National Film and Television School in the UK. It’s highly collaborative. If you’re feeling isolated in your filmmaking journey, the peer-feedback system here is a game-changer. It’s like a mini-film school community for $0.
I submitted a rough cut of Married & Isolated to the Week 3 feedback forum. Three students from London, Nairobi, and Toronto tore it apart—in the best way. They caught continuity errors I’d watched 40 times and missed. One student suggested flipping the final scene’s shot order, which completely changed the emotional arc. That feedback was worth more than the course itself.
Experience Stack:
As a doorman, I deal with difficult personalities daily. Directing actors is the same skillset: read the person, adjust your approach, stay calm when they’re not. FutureLearn’s “working with actors” module gave me language for something I’d been doing instinctively—matching your energy to the actor’s process.
Who Should NOT Buy This
- You’re looking for technical camera/lighting training
- You don’t want to share your work publicly
- You need immediate answers (peer feedback takes 24-48 hours)
2026 Emerging Trends
FutureLearn partnered with Frame.io in 2025, so now peer feedback includes timestamped video comments instead of just text. You can see exactly which frame a reviewer is referencing.
Best For: Solo filmmakers who need community and constructive feedback.
7. Domestika: Cinematography for Beginners
Platform: Domestika
Price: ~$10 during sales (regular $40)
Course Length: 2.5 hours (15 lessons)
What You Actually Learn
- How to use practical lights (lamps, windows) for cinematic looks
- Color temperature and white balance tricks
- Camera movement: when to go handheld vs. locked-off
The Peek Verdict
Domestika courses are visually stunning. Their focus on lighting design is what you need to pay attention to. As a set dresser on Maid, I learned that practical lights (lamps, windows) make or break a shot. This course teaches you how to use what you have to create a $10,000 look on a $100 budget.
The instructor, Eduardo Pavez Goye, shoots everything on vintage glass and natural light. His aesthetic is warm, slightly underexposed, with heavy shadows. It won’t work for every project, but if you’re shooting intimate dramas or character studies, this is your visual bible.
Experience Stack:
On Beta Tested, we had a 7-minute oner (single take) in a hallway. I used a single 300W work light bounced off the ceiling, then flagged it with black foamcore to create a gradient. Total cost: $38. The DP called it “Malick-lite.” The lesson: expensive lights don’t make expensive-looking footage—control does.
Who Should NOT Buy This
- You need broad filmmaking training (this is cinematography-only)
- You’re shooting high-key comedy or commercial work
- You own professional lighting gear and need advanced setups
2026 Emerging Trends
Domestika added smartphone cinematography modules in 2025, including how to use third-party apps (Filmic Pro, Blackmagic Camera) to shoot 10-bit LOG footage on iPhone.
Best For: Guerrilla filmmakers who want to make cheap gear look expensive. Pair this with our Budget Cinema Camera Guide to see how lighting matters more than sensor size.
8. LinkedIn Learning: Video Production and Editing
Platform: LinkedIn Learning
Price: $39.99/month (free 1-month trial)
Course Length: 6 hours (multiple courses bundled)
What You Actually Learn
- Adobe Premiere Pro fundamentals (importing, cutting, exporting)
- Color correction vs. color grading workflows
- Audio mixing for video (dialogue, music, SFX)
The Peek Verdict
This is for the person who wants a career. It focuses heavily on Adobe Premiere Pro. If your goal is to land freelance gigs or work in a corporate video department, this is the most practical, job-oriented path on this list.
The instructor, Ashley Kennedy, is a working editor. She doesn’t just show you how to color correct—she explains whyyou lift shadows on interview footage but crush blacks on narrative work. That context is what turns a tutorial into actual understanding.
Experience Stack:
I edited Dogonnit in DaVinci Resolve because Premiere’s subscription model annoyed me. Big mistake. When I got hired for a paid corporate gig, the client’s workflow was Premiere-only. I spent 4 hours re-learning keyboard shortcuts I’d ignored. LinkedIn Learning’s Premiere course drills muscle memory—import (Ctrl+I), razor (C), ripple delete (Shift+Delete). Boring, but essential.
Who Should NOT Buy This
- You want creative/artistic training (this is software-focused)
- You use Final Cut Pro or DaVinci Resolve exclusively
- You’re already a working editor
2026 Emerging Trends
LinkedIn added AI editing modules in late 2025—specifically how to use Adobe’s AI transcription tools to find and cut selects faster. If you’re editing interviews or documentary footage, this halves your timeline.
Best For: Beginners who want to get hired as editors or post-production assistants.
9. NYU Tisch Online: Digital Filmmaking Workshop
Platform: NYU Tisch School of the Arts
Price: $1,000+ (varies by session)
Course Length: 8 weeks (10 hours/week commitment)
What You Actually Learn
- Professional-level directing, cinematography, and editing
- Industry-standard production workflows
- Portfolio development and career networking
The Peek Verdict
This is the “Premium” choice. It’s intense—expect to spend 10 hours a week on it. But you’re getting NYU-level feedback. If you have the budget and want to fast-track your way into the “Industry” with a capital I, this is the one.
The course includes live critiques from working professionals. One student submitted a short that got torn apart for 30 minutes—pacing issues, flat lighting, unclear character motivation. Brutal, but honest. That student re-cut the film and submitted it to Sundance. It didn’t get in, but it got them a PA gig on a Netflix show.
Experience Stack:
When I worked on Maid, the set hierarchy was clear: Director → DP → AD → Department Heads → Crew. NYU Tisch teaches you that hierarchy and how to navigate it without pissing people off. As a set dresser, I learned to pitch ideas to the Production Designer, not the DP. That respect for chain-of-command is what separates indie chaos from union efficiency.
Who Should NOT Buy This
- You’re testing the waters or unsure about filmmaking as a career
- You can’t commit 10 hours/week for 8 weeks
- You need budget-friendly training
2026 Emerging Trends
NYU added virtual production modules in 2025—LED wall setups, Unreal Engine basics for in-camera VFX. If you want to work on Mandalorian-style productions, this is one of the few courses that covers it.
Best For: Serious career-changers ready to invest money and time for union-level training.
10. No Film School: Free Filmmaking Tutorials
Platform: No Film School (website)
Price: Free
Course Length: Ongoing (new articles/videos weekly)
What You Actually Learn
- Latest gear reviews (cameras, lenses, lighting, audio)
- Industry news (AI editing tools, virtual production trends)
- Practical tutorials (DIY rigs, budget filmmaking hacks)
The Peek Verdict
This isn’t a structured “course,” but it’s my daily news source. In 2026, you have to keep up with AI-powered editing (like Adobe’s Eddie AI) and virtual production tools. No Film School is where you go to see what gear is coming out and how AI is changing the rough-cut process overnight.
Their “DIY” section is gold. I found a tutorial on building a PVC pipe dolly for $23. I built it in 90 minutes and used it on Going Home‘s opening shot—a slow push-in on the protagonist staring at a wall. That shot plays at festivals and no one knows it cost $23.
Experience Stack:
As a doorman, I read people for a living. I scan for tells: fidgeting hands, averted eye contact, forced smiles. No Film School teaches the same skill for gear reviews—read between the marketing. When a $400 gimbal gets “5 stars” but the reviewer mentions “occasional motor whine,” that’s a red flag. I learned to skip the hype and dig into the comments section where working filmmakers tell the truth.
Who Should NOT Buy This
- You need structured lessons with assignments
- You want certification or portfolio-building
- You’re overwhelmed by too many options (No Film School is a firehose)
2026 Emerging Trends
No Film School is the source for AI editing news. In January 2026, they broke the story on Blackmagic’s AI-powered rough-cut tool that analyzes 4 hours of footage and generates a 10-minute assembly. It’s janky, but it works.
Best For: Self-directed learners who want to stay current without spending money.
See our 2026 Cinema Camera Buying Guide for gear reviews that go deeper than No Film School’s headlines.
The Verdict: Stack Courses Like You Stack Lenses
No single course will make you a filmmaker. Film school didn’t do it for me in the ’90s. Working on Maid taught me union logistics. Directing Going Home taught me how to fail fast and iterate. Online courses filled the gaps—Scorsese for philosophy, Jordy for hands-on skills, StudioBinder for production logistics.
Here’s the stack I recommend for 2026:
Year 1 (Foundation):
- Skillshare (Jordy Vandeput) – Learn camera basics
- StudioBinder Academy – Learn production logistics
- No Film School – Stay current on gear/AI tools
Year 2 (Specialization):
4. MasterClass (Scorsese) – Develop your artistic voice
5. Domestika (Cinematography) – Master lighting on a budget
6. LinkedIn Learning – Get job-ready in post-production
Year 3 (Professional Pivot):
7. NYU Tisch – If you’re going union/industry
8. Coursera – If you’re targeting corporate/agency work
The mistake most beginners make: they buy 10 courses and finish zero. Pick one course. Finish it. Shoot a short film using those techniques. Then buy the next course.
Filmmaking isn’t about knowing everything. It’s about solving the problem in front of you—at 3:15 AM, when the fog is rolling in and you’re losing magic hour. Courses give you frameworks. Sets give you scars. You need both.
2026 SEO Glossary: Key Terms for Filmmakers
- AI Rough-Cut: AI tools (Adobe Eddie, Blackmagic Auto-Edit) that analyze footage and generate a first assembly based on transcripts or facial recognition.
- Virtual Production: LED wall setups (like The Mandalorian) that replace green screens with real-time rendered backgrounds.
- 10-bit LOG: Color profile that captures more dynamic range than standard 8-bit footage, allowing more flexibility in color grading.
- 180-Degree Shutter Rule: Shutter speed should be double your frame rate (e.g., 24fps = 1/50 shutter) to achieve natural motion blur.
- Three-Point Lighting: Classic setup using key light, fill light, and back light to create depth and dimension.
- Practical Lights: Real light sources visible in the frame (lamps, windows, candles) used both for illumination and set dressing.
🎓 Your 3-Year Filmmaking Roadmap
🎬 The 2026 Reality Check: No single course will make you a director. The best education is making something with what you already have.
Start with the free resources. Add paid courses when you hit a specific limitation. And remember — the craft happens when you turn off the tutorial and pick up a camera.
FAQs: What Beginners Actually Ask
Are online filmmaking courses as effective as traditional film schools?
For technical skills and creative development, yes. For networking and union connections, no. I went to USC in the ’90s and learned more from Skillshare’s hands-on projects than from theory-heavy lectures. But film school gives you a network. Online courses give you skills. Pick based on your goals.
How much do online filmmaking courses typically cost?
$0 (StudioBinder, No Film School) to $1,000+ (NYU Tisch). Most platforms run between $10-40/month. Udemy courses go on sale for $12-20 several times a year. MasterClass is $15/month but requires annual subscription.
Can I get certified through online filmmaking courses?
Coursera, LinkedIn Learning, and FutureLearn offer certificates. They’re useful for corporate video jobs or agency work. For indie/festival filmmaking, no one cares about certificates—they care about your reel.
What's the best way to choose a filmmaking course for a specific skill (e.g., editing)?
Start with the software you’ll actually use. If you’re editing in Premiere, take LinkedIn Learning. If you’re in DaVinci Resolve, take Udemy’s color grading courses. Match the tool to the job, not the brand to the hype.
Do online filmmaking courses cover the latest industry trends?
Depends on the platform. No Film School and Domestika update constantly. MasterClass and Coursera lag by 12-18 months. For AI editing, virtual production, and smartphone cinema, follow No Film School + YouTube tutorials.
How can I practice what I learn in an online course?
Shoot something the same week you finish a module. I applied Jordy Vandeput’s gimbal techniques 3 days after watching his lesson—on a paid gig. Waiting kills momentum. Your first attempt will suck. Shoot it anyway.
The “PeekatThis” Bio & Closing
The Fine Print: Peekatthis.com is part of the Amazon Services LLC Associates Program, which means we get a small commission when you click our links and buy stuff. It’s a way of saying “Thanks for supporting the site!” We also team up with B&H, Adorama, Clickbank, and other folks we trust. If you found this helpful, share it with a friend, drop a comment, or bookmark this page before you head into your next shoot.
About the Author:
Trent Peek is a director, producer, and actor who spends way too much time staring at monitors. While he’s comfortable with high-end glass from RED and ARRI, he still has a soft spot for the Blackmagic Pocket and the “duct tape and a dream” style of indie filmmaking.
His recent short film, “Going Home,” was a selection for the 2024 Soho International Film Festival, proving that sometimes the “lessons from the trenches” actually pay off.
When he isn’t on set, Trent is likely traveling (usually forgetting at least one essential pair of shoes), falling asleep two pages into a book, or brainstorming film ideas that—let’s be honest—will probably never see the light of day. It’s a mess, but it’s his mess.
P.S. Writing this in the third person felt incredibly weird.
Connect with Trent:
- Watch: YouTube | [Vimeo]
- Credits: [IMDB] | [Stage 32]
- Social: Instagram @trentalor | [Facebook @peekatthis]
- Hear him talk shop: Check out his guest spot on the Pushin Podcast discussing the director’s role in indie film.
Business Inquiries: trentalor@peekatthis.com
