Best Cinema Cameras Under 10K
If you are serious about filmmaking, this category of cameras is the best cinema-style camera’s created for serious filmmaking. Of course, there are more cinema cameras available that are not on this list, but who can afford them. With this selection of cine cameras, we focus on exceptional image quality vs. owner/operator use cases.
You won’t find massive, custom-built Panavision digital cameras that are mostly rental-only here on this list or Arri Alexa cinema cameras that are the best in the business, but cost over 10000 dollars. What you will find is an incredible selection of the best cameras available in the film industry today for under 10000 dollars.
Keep in mind with this list is that the cinema cameras here are mostly the camera body, and you will need to invest in quality lenses and a proper rig to achieve the cinema camera’s full potential. But if you want the very best in image quality for your production, this list will assist you in making the right decision for your next filmmaking endeavors.
Related article: Comprehensive Guide On Netflix Approved Film Cameras For 2021
Best Cinema Cameras Under 10K
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Panasonic Lumix BS1H Full-Frame Box-Style Live & Cinema Camera
Key Features
- 24.2MP Full-Frame MOS Sensor
- Up to 5.9K H.264/H.265/HEVC Recording
- 14+ Stops of Dynamic Range, HLG Imaging
- Dual-Native ISO, VariCam Look & V-Log L
- VFR up to 60 in 4K, up to 180 fps in FHD
- Ethernet with PoE+, VBR Battery Mount
- Anamorphic Video & 3D LUT Support
- Durable Magnesium & Aluminum Body
- 12 VDC Power Adapter Included
Best Cinema Cameras Under 10K – Panasonic Lumix BS1H Full-Frame Box-Style Live & Cinema Camera
Compact and suitable for cine drones, remote setups, and expandable for cine work as well as multi-camera broadcast work, the Panasonic Lumix BS1H Full-Frame Box-Style Live & Cinema Camera is a modular digital cinema camera with a small form-factor that bellies its full-frame sensor. It features a 24.2MP sensor, a Leica L lens mount, and a wide 14+-stop dynamic range to accommodate extreme lighting changes when recording in V-Log. It records video with resolutions up to 5.9K as well as C4K (4096 x 2160) and UHD4K, and it incorporates VariCam Look workflows.
The camera features dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading. There are many features packed into this tiny camera that make it the go-to production camera in any mobile and multi-camera production environment.
The BS1H provides multiple ways to record your footage to high data rate files in the ALL-Intra, LongGOP, MOV, and MP4 recording formats with H.264 and H.265/HEVC codecs. The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera’s dual SD card slots.
It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via SDI. The camera allows you to output via HDMI and SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates for high-quality, slow-motion video. Custom 3D LUTs can be uploaded into the camera, using the SD card slots.
The BS1H is also an ideal camera for multi-camera environments, not only because it’s highly mobile, but it includes timecode and genlock BNC ports, so you can sync it with other cameras to make syncing in postproduction easy. Its RJ45 Gigabit LAN port allows you to sync with other networked BS1H cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet, using the LUMIX Sync app.
Another function integrated into the BS1H is a USB 3.1 Gen 1 Type-C input to control the camera with the LUMIX Tether app, which allows you to capture still images and control up to 12 BS1H cameras. Audio features include high-grade 48 kHz/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic/line-level input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized, using the camera’s integrated hot shoe, allowing you to record with professional microphones.
Its compact body measures less than 4″ square and weighs only 1.3 lb, so it can be used on gimbals or drones for high-quality, stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds to the cooling factor. It also features 9 x accessory mounting threads for mounting onto a plate, cage, or tripod mount.
There are four user-programmable function buttons around the housing as well as tally lights on the front and rear. You can power the BS1H using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment.
This is one of the cheapest camera’s on this list of the Best Cinema Cameras Under 10K
Sony PXW-FS7M2 XDCAM Super 35 Camera System
Key Features
- Super 35-Sized CMOS Sensor
- Locking Sony E-Mount
- Integrated Electronic Variable ND Filter
- DCI 4K (4096 x 2160) up to 59.94p
- UHD up to 59.94 fps, HD up to 180 fps
- XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
- Supports Rec. 709 and BT-2020
- Dual XQD Memory Card Slots
- Dual HD/3G-SDI and HDMI Output
- Ergonomic Handgrip with Camera Controls
Best Cinema Cameras Under 10K – Sony’s PXW-FS7M2 XDCAM Super 35 Camera System
Expanding on the original FS7, Sony’s PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as “Cinéma Vérité”-style documentaries, reality TV, commercial, and corporate applications
It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.
Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user-definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera’s functions and features an adjustable length support arm.
Sony FX6 Full-Frame Cinema Camera
Key Features
- 4K Full-Frame 10.2MP CMOS Exmor R Sensor
- DCI 4K60p | UHD 4K120 | 1080p240
- 15+ Stops of Dynamic Range in S-Log 3 EI
- Compact Form Weighs Just <2 lb
- Phase Detection AF/Face Tracking/Eye AF
- Base 800-12,800 ISO / 320-409,600 Max
- S-Cinetone, S-Log3, HLG Modes
- 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
- Dual CFexpress Type A/SDXC Card Slots
Best Cinema Cameras Under 10K – FX6 Full-Frame Camera
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6″, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5.
While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5″ LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
In addition to improving the camera’s overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. This is one of the best mobile camera’s on this list of the Best Cinema Cameras Under 10K
Related Article: Best 4k Filmmaking Cameras Under 2000 Dollars
RED DIGITAL CINEMA KOMODO 6K Camera
Key Features
- Super35 KOMODO 6K Camera
- Full-Frame 6K to 40 fps, 4K to 60 fps
- Canon RF Lens & ARRI CFast 2.0 Support
- Mechanical EF Mount Adapter
- EF Mount Adapter with Variable ND Filter
- Expander Module, Outrigger Handle
- Clear Drop-In Filter for Mount Adapter
- Wing Grip, 512GB Card & Card Reader
- D-Tap Power Cable
Best Cinema Cameras Under 10K – KOMODO 6K Camera
This is one of the cinema cameras under 10k I use the most for my short films. RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4″. Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology.
This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. The KOMODO firmware update Beta v.1.5.0 adds support for 6K anamorphic, 4-channel audio, FTPS for remote offloading, Canon RF lens-control ring support, and more. It also adds ExAscend CFast 512GB and 1TB cards to the approved media list.
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9″ 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.
The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.
A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.
Getting back to image quality, the KOMODO promises to be among RED’s finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality.
REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.
Being a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock/timecode/GPIO/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots which can be hot-swapped for practically unlimited recording in the field.
The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter. This is the perfect package for those looking for a cinema camera under 10k that shoots killer footage.
Canon Cinema EOS C300 Mark II
Key Features
- Super 35mm CMOS Sensor
- 4K, 1920 x 1080 60/50i, 23.98/25p, 24p
- Canon XF AVC H.264 Codec
- EF Lens Mount
- Dual-Pixel CMOS AF Technology
- 4″ LCD Touchscreen with Mounting Kit
- 2 x 3G-SDI Outputs, 2 x XLR Inputs
- 2 x CFast Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log 3 Gamma
Best Cinema Cameras Under 10K – Canon Cinema EOS C300 Mark II
The EF-mount Canon Cinema EOS C300 Mark II Camcorder Body with Touch Focus Kit features a Super 35mm CMOS sensor which provides faster and more accurate autofocusing. Canon’s Log 3 Gamma supports 14 stops of dynamic range.
The EF lens mount on the EOS C300 offers compatibility not only with Canon’s existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses.
The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to DCI 4K resolution video to CFast 2.0 cards. For more flexibility to adjust your image during post-production, the camera also offers Canon’s Log gamma mode, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range.
In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The included Touch Focus Kit provides a 4″ LCD touchscreen monitor that features tap focusing (with compatible lenses), as well as shoe mount adapters and a Manfrotto 492LCD micro ball head mount. The shoe-mountable microphone adapter features a mic holder and supports two XLR inputs with 48V phantom power and a 3.5mm stereo mini-plug.
The body has a modular design that can either be stripped down completely or be built up using the included handle, LCD unit, microphone adapter, grip, and thumb rest. Great starter cinema camera under 10k for an independent filmmaker.
Related Article: The Best Filmmaking Cameras For Making Short Films 2021
Canon EOS C70 Cinema Camera (RF Lens Mount)
Key Features
- Super35 Dual Gain Output (DGO) Sensor
- DCI 4K 60p, Hi-Speed UHD 4K 120p/2K 180p
- Canon Log 2, 3, PQ & HLG HDR Recording
- RF Lens Mount / EF Mount with Adapter
- DIG!C DV7 Image Processor
- 16+ Stops of Total Dynamic Range
- Built-In ND Filters / Auto ISO & Gain
- Dual Pixel CMOS AF & EOS iTR AF X
- 1 BNC Timecode / 2 Mini-XLR Audio Inputs
- Dual SD Card Slots, LUT/Long GOP Support
Best Cinema Cameras Under 10K – Canon EOS C70 Cinema Camera
Incorporating key Cinema EOS video tools in a mirrorless-style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas. Video resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K.
Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input/output connector, and built-in dual mini-XLR audio inputs. The EOS C70 is also the first Cinema EOS camera with an RF mount that enables you to use Canon’s line of fast, reliable RF lenses with advanced coatings and image stabilization.
This lightweight cine camera also incorporates a 3.5″ Direct Touch Control LCD panel for quick, easy setting changes, and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels.
The EOS C70 Cinema Camera fits into your C300 Mk III workflow as a B camera, as an upgrade for C200 or C100 users, or as an alternative for EOS R owners who are shooting an increasing amount of video. Its touchscreen LCD panel speeds your workflow by enabling you to turn functions on and off directly from the touchscreen; no need to spend time going into multiple menus via a combination of control buttons and jog wheels. Power the EOS C70 using a BPA-60 or BPA-30 battery or the included AC power adapter.
To provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop.
The EF adapter passes all the EF lens data through the RF mount, providing full Dual-Pixel Auto Focus and metadata information for select lenses. The EOS C70 is also the first Canon EOS cinema camera to feature the EOS iTR AF X autofocus function, which uses a head-tracking algorithm developed with deep-learning technology for improved distance measuring and tracking reliability.
This digital cine camera records up to DCI 4K resolution video to dual slots using widely available and more affordable SD cards. High frame rates can be recorded in 4K up to 120 fps and up to 180 fps in a 2K cropped Super16 mode. Codec options include Canon’s XF-AVC, XF-AVC Intra, and XF-AVC Long GOP, providing up to 10-bit, 4:2:2 DCI 4K images with reduced storage requirements.
To boost your post-production workflow, the flexible EOS C70 supports both proxy recording rates and simultaneous recording in different formats, including 4K/HD and XF-AVC/MP4 options. The EOS C70 can also capture still images to SD cart slot B when on standby in select video modes.
For greater flexibility during post-production, this camera also offers Canon’s Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.
This cinema camera features one HDMI Type-A output, a BNC timecode input/output, and a USB Type-C port for control or linking to an external Wi-Fi adapter for streaming. It supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input.
The EOS C70 body comes with a detachable handle unit, a mic holder, a shoulder strap, one BPA-30 battery, a battery charger, an AC adapter with a power cord, and a port cap.
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Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera
Key Features
- 4.6K Super 35 HDR CMOS Sensor
- 4.6K up to 120 fps, 300 fps at 1080p
- 15 Stops of Dynamic Range at 3200 ISO
- USB-C Expansion Port for External Disks
- Blackmagic RAW & ProRes 444/422 Support
- Dual CFast 2.0 and SD Memory Card Slots
- 12G-SDI Output, Timecode and REF Input
- 2 XLR Audio Inputs with Phantom Power
- 2-/4-/6-Stop ND Filter, Magnesium Body
- Interchangeable Lens Mount
Best Cinema Cameras Under 10K – Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera
Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design‘s URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality.
First, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow/fast motion, or engage focus assist or other functions. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction.
Behind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The G2 introduces a USB-C expansion port so you can record directly to external drives. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance.
At the heart of the camera is Blackmagic Design’s acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs.
Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting.
Like the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production.
However, data-heavy uncompressed raw files aren’t always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.
If raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry-standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow.
The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the “Film” dynamic range for a flatter image for grading in post-production, or “Video” dynamic range for a finished look right out of the camera. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations).
Since the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more.
Blackmagic Design URSA Mini Pro 12K (PL)
Key Features
- 12K Super35 HDR CMOS Sensor
- 12K 17:9 to 60 fps/12K 2.4:1 to 75 fps
- DCI 8K to 120 fps/14 Stops Dynamic Range
- User-Changeable PL Lens Mount
- 4K Super16 up to 220 fps
- 80MP/frame Blackmagic Raw
- Dual CFast or SD Card Recording
- USB Type-C Recording to Disk/SSD
Best Cinema Cameras Under 10K – URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design
Step your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images.
The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.
The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.
The new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K’s in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8Kor 4K, essentially providing a multicamera look by reframing from a single camera output.
The dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes.
Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K’s raw files, saving the need to also create proxies.
Blackmagic’s new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colors in high-contrast scenes.
Even with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.
An evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots.
Additional camera features include 12G-SDI input and output, a 4″ fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.
Z CAM E2-F8 Full-Frame 8K Cinema Camera
Key Features
- Record up to 8K30 Video
- 12-Bit ZRAW Recording
- 14 Stops of Dynamic Range
- Full-Frame CMOS Sensor
- PL Lens Mount
- 10-Bit Color Recording, 12-Bit in ZRAW
- 5G Wireless Support, Timecode Support
- Gigabit Ethernet for Data and Control
- Live Streaming via Ethernet
- iOS App for Control and Live Preview
Best Cinema Cameras Under 10K – Z CAM E2-F8 Full-Frame 8K Cinema Camera (EF Mount)
Shoot professional high-definition cinema footage with the Z CAM E2-F8 Full-Frame 8K Cinema Camera with a Canon EF lens mount. The camera features a full-frame sensor with 10-bit 4:2:2 color support and nominal 14 stops of dynamic range, supports timecode, shoots up to 8K at up to 30 fps, and records data up to 300 Mb/s onto CFast 2.0 media.
Supported recording formats include ZRAW format, which supports 12-bit, MOV and MP4 using H.265 for 10-bit recording, and H.264 which supports 8-bit recording. Its HDMI 2.0 port supports 4K60, 10-bit 4:2:2 video output. Audio is recorded in 24-bit 48 kHz using AAC or PCM (PCM for MOV format only) through its 3.5mm stereo jack or via a separately available XLR connector using its 5-pin LEMO port.
The E2-F8 can be controlled via serial ports, a 2.5mm LANC connector, a USB Type-C port, Ethernet port, or by the Z Camera iOS app to control the camera via Wi-Fi and to view a live image preview and to configure settings. The camera can record time-lapse, slow motion, and can even live stream via its Gigabit Ethernet port. You can also control it locally by the buttons along the side of the camera.
The E2-F8 can be powered by a separately available battery using the built-in L-series battery mount, or you can power the camera using a separately available power adapter using its 2-pin LEMO port. The camera also features a 12 VDC 2-pin LEMO power output to provide power to separately available accessories.
Panasonic Cinema VariCam LT 4K S35 Digital Cinema Camera (EF Mount)
Key Features
- Single Super 35mm MOS Sensor
- Interchangeable Stainless Steel EF Mount
- Dual Native ISO 800/5000
- 14 Stops of Dynamic Range with V-Log
- 4K Up to 60 fps, 2K/HD Up to 240 fps
- Simultaneous Dual Codec Recording
- Selectable Gamma Curves
- Removable IR Cut Filter
- AVC-Intra, ProRes
- 3.5″ LCD Control Panel
Best Cinema Cameras Under 10K – Panasonic Cinema VariCam LT 4K S35
Panasonic’s Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K.
You can record your footage to high-data-rate files using the camera’s built-in expressP2 card slot (expressP2 cards not included) while simultaneously recoding proxy files to the camera’s SD card slot. The proxy files can incorporate color grading changes that the high-resolution files do not, making it easy for post to see your intent, without baking the look into your high-quality, camera-original files. The camera features selectable gamma curves, allowing you to get the most out of the sensor.
It supports recording using AVC-Intra, AVC-Intra 4K, and Apple ProRes codecs. The 3.5″ control panel can function as an LCD screen or be used to control the camera’s functions.
The VariCam LT ships with a removable stainless steel EF mount, which you can swap out for a PL mount if you choose. Please note that the PL mount is not included and must be sourced separately. While Panasonic’s Cinema VariCam LT 4K S35 is just over 10,000 dollars, it is built for cinema!
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FUJIFILM GFX 100S Medium Format Mirrorless Camera
Key Features
- 102MP 43.8 x 32.9mm BSI CMOS Sensor
- X-Processor 4 Image Processor
- 4K30 Video; F-Log Gamma, 12-Bit Raw Out
- 3.69m-Dot OLED EVF
- 3.2″ 2.36m-Dot Tilting Touchscreen LCD
- 5-Axis Sensor-Shift Image Stabilization
- 425-Point Phase-Detection Autofocus
- ISO 100-12800, Up to 5 fps Shooting
- 400MP Pixel Shift Multi-Shot
- 19 Film Simulation Modes
Best Cinema Cameras Under 10K – FUJIFILM GFX 100S
Redefining medium format, the FUJIFILM GFX 100S pairs an ultra-high-resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.
At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to a ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions.
In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.
Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects.
Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2″ touchscreen LCD with a three-way tilting design.
Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera
Key Features
- Super 35mm 5.7K Sensor
- Dual Native ISO
- EF Lens Mount
- Records 4K up to 60 fps
- Records 2K up to 240 fps
- 5.7K Raw Output via BNC
- 10-Bit, 4:2:2 Processing
- Records to SD Cards
- V-Log and V-Gamut Capture
- SDI and HDMI Video Outputs
Best Cinema Cameras Under 10K – Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera
Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic’s acclaimed Dual Native ISO technology is also incorporated into this sensor.
Dual Native ISO uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.
An EF lens mount at the front of the body supports a wide range of interchangeable lenses from popular manufacturers. Directly behind the mount is an electronically controlled ND filter wheel offering 2, 4, and 6 stops of filtration for cutting down on excess light, letting you set your lens’s aperture to fit the desired aesthetic of your production. For further flexibility, the IR-cut filter is defeatable for shooting in extreme low-light situations or for creative color effects.
On the back end, videos are recorded using 10-bit, 4:2:2 sampling for smooth gradations in subtle shades and a reduction in banding artifacts over 8-bit sampling. Bit rates up to 400 Mb/s are available for high image quality, though lower data rates around 150 Mb/s are available as well to save card space without an extreme image quality penalty.
For the highest image quality, the EVA1 will output a 10-bit raw data stream to an external recorder via its BNC terminal. The raw data can then be processed in post-production to extract cinema-grade images with high dynamic range.
Infusing high-resolution recording into a small form factor camera body gives DPs and camera operators the flexibility to achieve cinema-grade images in spaces normally restrictive of larger camera systems.
Additionally, since tactile controls and I/O connections are available on the exterior of the camera, the overall design doesn’t sacrifice conventional ergonomics for traditional shooting scenarios whether operating handheld or locked down atop a tripod.
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Summary
While this list of the best Best Cinema Cameras Under 10000 Dollars will help you achieve amazing cinematic footage, any camera can be a cinema camera. There are certainly a lot of great DSLR and mirrorless cameras that could easily find their way onto a film set.
But if you’re in the market for a more robust cinema camera devoted to video, you can’t go wrong with any camera on this list.
Browse the best camera equipment deals available at your favorite retailers:
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About the author: Trent (IMDB | Youtube) has spent 10+ years working on an assortment of film and television projects. He writes about his experiences to help (and amuse) others. If he’s not working, he’s either traveling, reading or writing about travel/film, or planning travel/film projects.
