Color Temperature in Video Lighting: The Filmmaker’s Guide to Getting It Right

What Is Color Temperature and How Does It Affect Video Lighting?

Color Temperature in Video Lighting: The Filmmaker’s Guide to Getting It Right When I was reviewing footage from “Chicken Surprise” — one of our short films shot entirely in a friend’s kitchen. The scene looked fine on set, but when I got to the edit, half the shots had this sickly greenish-orange cast. The actors … Read more

Indoor Video Lighting: 10 Pro Tricks That Transform Amateur Footage

indoor lighting tricks and tips

10 Indoor Lighting Tricks To Transform Amateur Footage I’ll never forget the first time I watched playback from “Going Home” — my short about a homeless hard of hearing women trying to return to her small town. I’d spent weeks planning shots, rehearsing with actors, and fine-tuning the script. The performances were solid. The framing … Read more

Key Lighting Explained: Beginner’s Guide (With Examples)

Key Lighting for Beginners: What It Is and How to Use It in Your Lighting Setups

Key Lighting for Beginners: What It Actually Is and How to Use It Without Screwing Up I still remember my first time lighting a scene for “Blood Buddies.” Had a single work light from Home Depot, no diffusion, and an actor who looked like he was being interrogated by the FBI. The shadows were so … Read more

Softbox vs Umbrella: Which Lighting Setup Actually Works for Video?

Softbox vs Umbrella Lighting Showdown: Which of the following should you use to light your videos?

Three years ago, I showed up to shoot a corporate interview with my brand-new umbrella light kit. Felt pretty smug about my $60 purchase. Setup took two minutes. Easy. Then the client asked if we could move the CEO closer to the windows for “better light.” My umbrella was now throwing light everywhere—ceiling, walls, even … Read more

Fill Light Explained: Filmmaker’s Guide to Better Scenes

What Is Fill Light, and How Can It Help Your Lighting Design?

Why Your Shots Look Flat (And How I Fixed Mine) I was shooting Going Home on a ridiculously tight schedule when my DP pulled me aside. “Your actor’s face is half-gone,” he said, pointing at the monitor. He wasn’t wrong. The key light was doing its job, but the shadow side looked like someone had … Read more

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