Firstly, when you’re shooting on a smartphone, the basic principles of filmmaking apply. Pretty much every film or video camera is essentially
Introduction: How to Stop Shaky Phone Videos: Filmmaker’s Method Let me guess—you just watched back your smartphone footage and it looks like you filmed during a 7.2 earthquake. Been there. As someone who’s spent years behind RED and ARRI cameras creating content for film festivals, I can tell you that shaky footage is the fastest … Read more
Introduction Point-of-view (POV) shots can make your film feel immersive, raw, and personal. But when you’re working with a micro-budget, building a convincing POV setup can feel impossible. The good news? It’s not. With some DIY spirit and a few clever hacks, you can shoot dynamic POV scenes without breaking the bank. I’ve learned this … Read more
Introduction The biggest disaster on a film set isn’t an actor forgetting lines—it’s showing up and realizing the lighting looks like a bad student project. Fixing it on the day costs time, money, and everyone’s patience. Pre-lighting solves that problem, but most indie filmmakers skip it because they don’t have access to lights during prep. … Read more
Introduction Nothing sinks a short film faster than bad sound. You can frame a shot like Roger Deakins himself, nail the golden hour lighting, and choreograph the perfect slow push-in—but if your dialogue sounds like it was recorded inside a tin can during a windstorm, nobody will care how beautiful it looks. I learned this … Read more
Introduction I tried mixing smartphone and RED footage on my short film Going Home. It was a disaster. The phone shots looked like a Snapchat story next to the RED footage. I spent nights thinking a LUT would fix it. It didn’t. Eventually, I learned a workflow that works. Here’s what I wish I knew … Read more
Introduction The biggest giveaway of a “student film” isn’t shaky acting or bad sound—it’s bad lighting. You can shoot on the latest iPhone and still end up with footage that looks flat, noisy, and cheap if you don’t control your light. I learned this the hard way. My first short, Noelle’s Package, was shot on … Read more
Introduction Steven Soderbergh shot High Flying Bird on an iPhone 8. Sean Baker made Tangerine with three iPhone 5s. And yet, your last smartphone video still looks like it was filmed through a potato. Here’s the good news: Your phone’s camera is probably better than what Scorsese used for Raging Bull(yes, really). The bad news? … Read more