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Introduction I was on the third day of shooting Blood Buddies when my A-camera overheated on a 95-degree afternoon in the middle of a field. No shade. No plan B. Except there was a plan B. It was taped to my chest. The GoPro Hero 13 caught the next four takes. And honestly? Two of … Read more
When Good Visuals Meet Terrible Audio I was filming an interview for “Going Home” in a Brooklyn café. Perfect natural light. Great framing. The subject was nailing every answer. Then I hit playback. The audio sounded like I’d recorded it inside a washing machine during the spin cycle. Espresso machine roaring. Someone’s phone conversation bleeding … Read more
How to Write a Film Pitch That Actually Gets You Funded First time I pitched at Austin Film Festival, I threw up in the bathroom fifteen minutes before going on. Not from nerves. From the gas station burrito I’d scarfed down in the parking lot because I was too broke to buy actual festival food. … Read more
I Ruined Three Shots Before I Figured This Out It was the second day of shooting Beta Tested. Green screen up, lights set, actors ready. Everything looked perfect on set. Then I opened iMovie. Green blobs. Weird halos. One actor’s shoulder had basically ceased to exist. I’d done everything I thought was right—smooth fabric, decent … Read more
The 30K Blueprint: My “Zero-Friction” TikTok Setup for 2026 I used to film TikToks holding my iPhone with one hand while balancing a lavalier mic in my shirt pocket with the other. The audio was garbage. The frame was shaky. And I’d watch the video back, cringe, and delete it. Then I hit 30K followers … Read more
How I Got Scammed at the Colosseum (And How You Won’t) Twenty years behind a camera taught me to spot fake lighting, fake setups, fake performances. But somehow, I missed the fake ticket vendor outside Rome’s Colosseum. The guy had a booth. Professional-looking laminated badges. Even a printed rate card. The sun was brutal, the … Read more
When Script Analysis Saves Your Ass Three weeks before we shot Blood Buddies, our lead actor showed up to rehearsal and said something that stopped me cold: “I don’t get why my character does this.” We were halfway through prep. Costumes were being fitted. Locations were locked. And here’s the thing—he was right. The motivation … Read more
Directing an Ensemble: A Symphony of Collaboration We were three weeks into shooting “Blood Buddies” when I realized I’d screwed up. I had twelve actors in a single living room scene. The blocking looked clean on paper. Everyone knew their lines. But when we started rolling, it felt like watching bumper cars—actors waiting for their … Read more
Elevate Your Audio I remember unboxing my first $300 studio microphone, convinced I was about to sound like a late-night jazz DJ. I plugged it in, hit record in my hardwood-floored living room, and… I sounded like I was broadcasting from inside a giant tin can. The mic was so “good” that it captured every … Read more
When Legends Don’t Need Your Line Readings I was 27 when I first directed someone whose IMDb credits were longer than my CV. We were shooting a confrontation scene for “In The End,” and I’d spent three nights blocking every moment, every beat. I had it all mapped out. The actor—let’s call him Eve—listened to … Read more