This category delves into the world of filmmaking equipment and gear. We explore cameras, lenses, microphones, lighting equipment, and other essential tools for filmmakers. We also provide reviews, comparisons, and buying guides to help you make informed decisions about your gear purchases.
Mirrorless or DSLR: Which camera truly empowers your indie film vision? Get the answers, expert insights, and top recommendations in our definitive guide. Find your filmmaking perfect match!
The Hook We were four hours into an overnight exterior for Going Home when the RØDE VideoMicro’s foam windscreen gave up. Not dramatically—just a slow, pathetic flapping sound that ruined three takes before I caught it. It was 3:00 AM, the DP was already annoyed about the street lamp flicker, and I had exactly one … Read more
The Hook It’s 2:30 AM in a Victoria, BC rental house we’re using for Maid. The ARRI Alexa Mini LF is sitting on sticks in a bedroom we’ve dressed to look like poverty. The 1st AD is pacing outside because the neighbor’s porch light keeps bleeding through our blackout, and the DP—Colin Hoult—is explaining to … Read more
The Camera That Died During My Grandmother’s Story It was 2015. I was shooting In The End, a short about my grandmother’s dementia. Twenty minutes into an interview about meeting my grandfather, the camera stopped. File corrupted. Recording limit I didn’t know existed. That story—gone. I’d spent $1,800 on gear that looked professional but couldn’t … Read more
The Hook Middle of night three on Married & Isolated, I’m wrestling a SmallRig cage onto an iPhone 12 at 2:47 AM. We’re shooting the breakup scene—tight quarters, one practical lamp, and I need that horizontal flare without blowing out my actor’s face. The Moment 1.33x I’d been using all week is back at base … Read more
The Hook At 4:30 AM on the Maid set, I watched a $50,000 cinema camera rig get canned because someone forgot to hit record on the audio. The DP was livid. The AD had to reset 40 background actors. And the sound mixer? He just shrugged and said, “That’s why I always run a backup.” … Read more
When Netflix-Level Stabilization Lives in Your Pocket I was wrapping up a night shoot for Going Home last month. Phone in one hand, frantically trying to capture this gorgeous neon-lit alley in downtown Vancouver. The shot was perfect—moody, cinematic, exactly what the scene needed. Then I watched the playback. It looked like I’d filmed it … Read more
18 Best Gifts for Filmmakers in 2026: Tested on Real Sets (Budget to Pro) Picture this: I’m on the set of Going Home in 2024, standing in a tiny apartment we’ve converted into a production space. The DP is trying to monitor focus on a 5-inch camera screen while I’m attempting to direct from three … Read more
When Good Visuals Meet Terrible Audio I was filming an interview for “Going Home” in a Brooklyn café. Perfect natural light. Great framing. The subject was nailing every answer. Then I hit playback. The audio sounded like I’d recorded it inside a washing machine during the spin cycle. Espresso machine roaring. Someone’s phone conversation bleeding … Read more
Elevate Your Audio I remember unboxing my first $300 studio microphone, convinced I was about to sound like a late-night jazz DJ. I plugged it in, hit record in my hardwood-floored living room, and… I sounded like I was broadcasting from inside a giant tin can. The mic was so “good” that it captured every … Read more