Focal Length in Filmmaking: The Real Story Behind Every Shot
The Shot That Almost Ruined My Short Film I was three weeks into shooting “Going Home” when I realized I’d screwed up. Every close-up felt wrong. Not slightly off—wrong. The actor’s face looked stretched, his emotion flattened. I’d been shooting everything on a 24mm because some YouTube cinematographer said wide lenses were “cinematic.” They’re not. … Read more