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The Night I Learned What Clothing Rustle Actually Costs Episode four of Maid — the Netflix series — was a twelve-hour overnight. It was February on the coast of British Columbia, and the set was inside a house that smelled like old carpet and practical lighting gel slowly cooking on a too-close fixture. The sound … Read more
Best Budget Lenses for Filmmaking in 2026: What Actually Works Under $500 Quick affiliate note: PeekAtThis participates in affiliate programs with Amazon, B&H, and Adorama. If you buy through our links, we earn a small commission at no extra cost to you. Recommendations below come from real production experience, not sponsored placements. Direct Answer (for … Read more
Introduction The air in Victoria at 4:30 AM smells like sea salt and industrial-grade espresso. I spent 10 episodes as a set dresser on Maid, moving furniture and aging practical locations to look lived-in and worn. “Budget” isn’t a word you hear on a union set. But “efficiency”—that’s the only religion that matters. Three hours … Read more
How to Capture Emotion Without Dialogue in Film A few years ago, I was shooting a short called “The Space Between” with basically no budget and an actor who’d never been on set before. The scene was simple: a guy discovers his wife left him. No big monologue. No tearful goodbye. Just him, an empty … Read more
Introduction – Smartphone Filmmaking Guerrilla Style You don’t need a $10,000 camera rig to make a film. The smartphone in your pocket is a filmmaking powerhouse, and guerrilla techniques let you shoot anywhere, anytime, on a tiny budget. Fast forward to my festival-screened projects Two Brothers, One Sister and Doggonit, both shot guerrilla-style on an … Read more
The Tripod Incident and What It Taught Me About Solo Filming The tripod hit the ground at exactly the wrong moment—mid-sentence during what should’ve been a clean establishing shot on a ridge outside Squamish. I was alone, twenty minutes from the trailhead, watching my rented A7 IV cartwheel down granite. The camera survived. My shooting … Read more
The Hook It was 5:47 AM on a Tuesday in November. We were halfway through a 10-episode run on Maid — a Netflix production that does not slow down for anyone, least of all a set dresser trying to quietly move a floor lamp across a living room set while the 1st AD is already … Read more
The Hook It’s 2:30 AM in a Victoria, BC rental house we’re using for Maid. The ARRI Alexa Mini LF is sitting on sticks in a bedroom we’ve dressed to look like poverty. The 1st AD is pacing outside because the neighbor’s porch light keeps bleeding through our blackout, and the DP—Colin Hoult—is explaining to … Read more
Disclosure: Some links below are affiliate links. I only recommend tools I’ve personally used on set or in pre-production. If I think something’s overpriced or wrong for your situation, I’ll say so. The Hook The morning we shot Going Home in 2024, it was 41°F and the location — a small residential street in Victoria … Read more
The Hook It’s 3:47 AM on a beach in White Rock, BC. I’m rigging a GoPro to a homemade slider for Going Home, my 2024 short that would later screen at the Soho International Film Festival. The ocean’s louder than I expected. The Hero 12 Black I’m using keeps fogging because I didn’t account for … Read more