How to Make a Movie: A Guide to Independent Filmmaking. If you long to see your film on the big screen, from Sundance to Cannes, here’s how to get started on
How to Make a Documentary Film: The Reality Nobody Tells You Three months into shooting my first real documentary, I realized I’d been following the wrong person. We’d done ten interviews. Captured forty hours of footage. Built an entire narrative arc around someone we thought was the heart of the story. Then during interview eleven, … Read more
When Movement Saves Your Scene Second week on the set of Netflix’s Maid. We’re in a cramped trailer location—maybe 8×10 feet—and the AD calls for a “tense confrontation” between two characters. The script says: “ALEX storms in. PAULA turns away.” Simple, right? Except there’s no room to “storm.” One wrong step and you’re hitting a … Read more
Introduction I was on the third day of shooting Blood Buddies when my A-camera overheated on a 95-degree afternoon in the middle of a field. No shade. No plan B. Except there was a plan B. It was taped to my chest. The GoPro Hero 13 caught the next four takes. And honestly? Two of … Read more
When Good Visuals Meet Terrible Audio I was filming an interview for “Going Home” in a Brooklyn café. Perfect natural light. Great framing. The subject was nailing every answer. Then I hit playback. The audio sounded like I’d recorded it inside a washing machine during the spin cycle. Espresso machine roaring. Someone’s phone conversation bleeding … Read more
I Ruined Three Shots Before I Figured This Out It was the second day of shooting Beta Tested. Green screen up, lights set, actors ready. Everything looked perfect on set. Then I opened iMovie. Green blobs. Weird halos. One actor’s shoulder had basically ceased to exist. I’d done everything I thought was right—smooth fabric, decent … Read more
The 30K Blueprint: My “Zero-Friction” TikTok Setup for 2026 I used to film TikToks holding my iPhone with one hand while balancing a lavalier mic in my shirt pocket with the other. The audio was garbage. The frame was shaky. And I’d watch the video back, cringe, and delete it. Then I hit 30K followers … Read more
When Script Analysis Saves Your Ass Three weeks before we shot Blood Buddies, our lead actor showed up to rehearsal and said something that stopped me cold: “I don’t get why my character does this.” We were halfway through prep. Costumes were being fitted. Locations were locked. And here’s the thing—he was right. The motivation … Read more
Directing an Ensemble: A Symphony of Collaboration We were three weeks into shooting “Blood Buddies” when I realized I’d screwed up. I had twelve actors in a single living room scene. The blocking looked clean on paper. Everyone knew their lines. But when we started rolling, it felt like watching bumper cars—actors waiting for their … Read more
When Legends Don’t Need Your Line Readings I was 27 when I first directed someone whose IMDb credits were longer than my CV. We were shooting a confrontation scene for “In The End,” and I’d spent three nights blocking every moment, every beat. I had it all mapped out. The actor—let’s call him Eve—listened to … Read more
Low Light Video: How to Shoot Great Footage in the Dark The rental house screwed us. We were forty-five minutes from call time on “Closing Walls,” shooting a critical night exterior, and the light kit we’d reserved? Gone. Rented to someone else. “System error,” they said. So there we were: three actors waiting in the … Read more