Unleash your inner filmmaker. This category delves into the core principles that will guide your creative journey.
The $800 Mistake That Taught Me Everything About Lenses Five years ago, I dropped nearly $800 on a Canon 100mm macro lens because I saw some incredible insect photos on Instagram. Took it out twice. It sat in my bag for six months collecting dust. The problem wasn’t the lens—it was brilliant glass. The problem … Read more
White Balance for Video: Filmmaker’s Guide to Perfect Colors We were three hours into shooting “Married & Isolated” when I noticed something off. My actor looked like he’d been living on Mars for a month—skin glowing orange under the tungsten practicals we’d set up in the apartment. The kicker? I’d been shooting on auto white … Read more
Hook: The $3,000 Mistake I Almost Made Three years ago, I almost dropped $3,000 on a Canon EOS R6 setup. Lenses, cage, the works. Then I filmed “Married & Isolated” on my iPhone 13 Pro. Shot the whole thing handheld in two days. It got 50,000 views in the first week. My buddy down the … Read more
When “Good Enough” Stopped Being Good Enough I was shooting “Going Home“ on a tight schedule. We had maybe thirty minutes of usable light left, the actor was nailing his performance, and I looked down at my monitor to see… mush. Underexposed, flat, lifeless mush. The client saw my face. “We good?” “Yeah,” I lied. … Read more
Self-Tape Audtions: The Introduction I’ll never forget the first time I had to watch self-tape auditions for “In The End.” We needed three actors. I got 47 submissions. By tape number twelve, I wanted to throw my laptop out the window. Not because the acting was bad—some of it was great. But half the tapes … Read more
The Shot That Almost Ruined My Short Film I was three weeks into shooting “Going Home” when I realized I’d screwed up. Every close-up felt wrong. Not slightly off—wrong. The actor’s face looked stretched, his emotion flattened. I’d been shooting everything on a 24mm because some YouTube cinematographer said wide lenses were “cinematic.” They’re not. … Read more
Manual Focus vs Autofocus: Which to Use for Video I was three hours into shooting Beta Tested when the autofocus betrayed me. We’d set up this gorgeous crane-style shot—talent walking into frame at f/2.8, background falling into that buttery bokeh everyone loves. Except the autofocus kept jerking between the ground and the talent’s face like … Read more
Shutter Speed, Shutter Angle, and the Film Look That Actually Works Three years ago, I screwed up a crucial scene on “Married & Isolated.” Shot it on an iPhone 12 Pro with Filmic Pro—tight close-ups, natural window light, the works. Everything looked beautiful on the monitor. Then I got to the edit suite and realized … Read more
The Gear Paradox Three years ago, I was on set shooting “Going Home” with a borrowed camera and the wrong lens. We’d framed this beautiful wide shot of our lead actor walking through a doorway—except the 85mm I’d grabbed made the hallway look like a cramped closet. My DP looked at me. I looked at … Read more
Color Temperature in Video Lighting: The Filmmaker’s Guide to Getting It Right When I was reviewing footage from “Chicken Surprise” — one of our short films shot entirely in a friend’s kitchen. The scene looked fine on set, but when I got to the edit, half the shots had this sickly greenish-orange cast. The actors … Read more