Firstly, when you’re shooting on a smartphone, the basic principles of filmmaking apply. Pretty much every film or video camera is essentially
I Tested the Top 2026 Smartphones for Filmmaking—Here’s the Real Winner Back in 2016, I was shooting “Noelle’s Package” for a 48-hour film festival. Two actors ghosted. My RED camera was in another province. I had 47 hours left and just my iPhone 10. The footage looked fine. Not great, but fine. The audio? Absolute … Read more
How to Make Engaging Videos: A Filmmaker’s Battle-Tested Guide to Content That Actually Works I remember sitting in my apartment after wrapping “Going Home,” exhausted, watching the view count crawl at a pace that felt like punishment. Hours of lighting setups, dozens of takes, meticulous color grading—and nobody was watching past the first 15 seconds. … Read more
The iPhone Shot That Made the Final Cut We were three hours into shooting “Married & Isolated” when my DP’s DSLR overheated. We needed one more shot—a tight macro of wedding rings on a table. Simple shot. Critical for the edit. No camera. I pulled out my iPhone, clipped on a $25 macro lens attachment, … Read more
When Everything Goes Wrong at 240fps Rain was supposed to add drama to the scene. We were shooting “The Camping Discovery” — a tense moment where the lead stumbles through wet forest undergrowth. I’d set my iPhone to 240fps thinking I’d get that cinematic slow-motion look you see in feature films. The actor moved, water … Read more
The Day My Audio Ruined a Perfect Shot I was shooting b-roll for Going Home in downtown Victoria when I nailed the perfect take. Golden hour light. My actor hit every mark. The emotion was there. Then I got home and listened to the audio. Wind noise. A bus engine. Someone’s car alarm. My actor’s … Read more
The $12,000 Camera vs. My iPhone Three years ago on the set of “Closing Walls,” I had a problem. We’d rented a Canon C300 Mark II—gorgeous camera, about $12,000 worth of cinema-grade machinery. Shot the entire film with it. Beautiful footage. Then came the bathroom scene. Our actress needed to break down in this tiny, … Read more
The Real Settings That Make Smartphone Videos Look Cinematic (Not What YouTube Told You) Three months into shooting “Closing Walls,” I realized my iPhone footage looked better than half the stuff I’d captured on actual cinema cameras. Not because of some magic app. Not because I bought expensive lenses. Because I finally stopped letting my … Read more
A Cramped Festival, One Phone, and a Surprise My phone buzzed at 2 AM during the 48-hour film festival. Thirty-six hours in, my camera crew had bailed to become actors, I’d rewritten the script twice, and we were shooting Noelle’s Package entirely on my iPhone. The deadline loomed. I’d forgotten how brutal editing deadlines were … Read more
The Time I Made $130 From A Million Views Last month, one of my Shorts hit a million views. Finally, I thought, time to cash in. The payout? $130.95. I stared at my screen. That’s… thirteen cents per thousand views. For reference, my long-form videos earn anywhere from $3 to $18 per thousand views depending … Read more
Hook: The $3,000 Mistake I Almost Made Three years ago, I almost dropped $3,000 on a Canon EOS R6 setup. Lenses, cage, the works. Then I filmed “Married & Isolated” on my iPhone 13 Pro. Shot the whole thing handheld in two days. It got 50,000 views in the first week. My buddy down the … Read more