Have you ever read a blog post when you would have preferred to watch a video instead? That’s essentially why vlogging was created.
The Night I Learned What a Bad Mic Actually Costs It was 3:20 AM on a location shoot somewhere outside Vancouver. We had one more coverage angle before we could wrap. The talent was exhausted, the AD was giving me the “wrap it up” eyes, and when we pulled the audio in post, I heard … Read more
Bad audio? Blurry video? Stop letting gear confusion hold your YouTube channel back! As a filmmaker with 10+ years of experience, I’ve broken down the 5 key YouTube gear items you need for 2025. Save money, avoid mistakes, and produce pro-level content.
The Night I Learned What Clothing Rustle Actually Costs Episode four of Maid — the Netflix series — was a twelve-hour overnight. It was February on the coast of British Columbia, and the set was inside a house that smelled like old carpet and practical lighting gel slowly cooking on a too-close fixture. The sound … Read more
The Tripod Incident and What It Taught Me About Solo Filming The tripod hit the ground at exactly the wrong moment—mid-sentence during what should’ve been a clean establishing shot on a ridge outside Squamish. I was alone, twenty minutes from the trailhead, watching my rented A7 IV cartwheel down granite. The camera survived. My shooting … Read more
The Hook It was 5:47 AM on a Tuesday in November. We were halfway through a 10-episode run on Maid — a Netflix production that does not slow down for anyone, least of all a set dresser trying to quietly move a floor lamp across a living room set while the 1st AD is already … Read more
The Hook We were four hours into an overnight exterior for Going Home when the RØDE VideoMicro’s foam windscreen gave up. Not dramatically—just a slow, pathetic flapping sound that ruined three takes before I caught it. It was 3:00 AM, the DP was already annoyed about the street lamp flicker, and I had exactly one … Read more
The Hook It’s 3:47 AM on a beach in White Rock, BC. I’m rigging a GoPro to a homemade slider for Going Home, my 2024 short that would later screen at the Soho International Film Festival. The ocean’s louder than I expected. The Hero 12 Black I’m using keeps fogging because I didn’t account for … Read more
B-Roll Footage: How to Shoot & Edit Like a Pro (2026 Guide) In Going Home, my short about two hard‑of‑hearing friends who bump into each other on a downtown street, I learned a crucial lesson about visual storytelling. When the cast signs, every gesture, every flick of a wrist, every raised eyebrow carries the weight that … Read more
Introduction I was on the third day of shooting Blood Buddies when my A-camera overheated on a 95-degree afternoon in the middle of a field. No shade. No plan B. Except there was a plan B. It was taped to my chest. The GoPro Hero 13 caught the next four takes. And honestly? Two of … Read more
When Good Visuals Meet Terrible Audio I was filming an interview for “Going Home” in a Brooklyn café. Perfect natural light. Great framing. The subject was nailing every answer. Then I hit playback. The audio sounded like I’d recorded it inside a washing machine during the spin cycle. Espresso machine roaring. Someone’s phone conversation bleeding … Read more